Tag Archives: K’Barthan Series

Living on the edge …

You know how I lead a fast and dangerous life? Mwahahahargh! Yeh. You will remember my banging on about brain fog every now and again. In truth, my post McMini baby brain seagued smoothly into menopausal brain fog without my even noticing. It is only since the HRT kicked in that I have discovered just how completely bollocksed coddled my brains have been since 2008. It’s like I have suddenly found myself. I still lack energy – chronic pain does that – but I definitely have more than before. Whether anyone will notice my refreshed and revitalised brain is moot though, as I still appear to be the vaguest and most disorganised person on earth. To whit …

This last Monday it was the SPF Show Live. SPF is an online community I joined in 2015 after buying a course on Facebook Advertising run by Mark Dawson. It was, as the title suggests a live workshop, down in London at the South Bank Centre. I booked many moons ago, before the virus named after a fizzy drink reared its ugly head. Registration started at 8.30 am.

Obviously 8.30 am is quite early to be in London from here. I hummed and haad about how I should get there. Train, clearly, but which station to go from? In the end I decided I’d get the 5.49 train from Bury St Edmunds as this did not involve a thirty minute drive home in the dark, in the inevitable pissing rain, with shit visibility and with one headlight going on and off (yes, the other one, not the one with the part I mortgaged my house to pay for). Departure time decided, I set my alarm for unspeakable o’clock and packed everything I thought I’d need the night before.

In the event, I headed off for the station in good time but I’d forgotten something. That thing is this … when I imagine walking somewhere, I imagine it taking about as long as it would take when I could … well … walk. Thing is, I can’t walk anymore. Not like that. I don’t have the same number of knee ligaments as other people and one knee hurts like a bastard at the front, and the other knee hurts like a bastard at the back. That kind of stuff slows a person down.

So, yeh, I left ten minutes and I suddenly realised, as I was still 100 yards from the station, that I only had three minutes to get to my train. It would take me three minutes to get up the ruddy stairs, although that’s still quicker than using the sodding lift.

Maybe it would be a few seconds late.

Yeh. As if.

Upping my walk to the kind of shuffling Igor-style lurch which is as close as I get to a run these days, I ‘ran’ for the train. As I reached the bottom of the stairs I realised the train was in, and its contents were coming down them. Dodging past two blokes carrying bikes sideways, and a whole bunch of semi-somnambulant others, I reached the platform just as the door alarm started to go. Not normally a problem, but as the train is only four carriages long, and the platform is for … more than four … it was parked about thirty feet away. Well … I gave it my best shot. More Igor-esque shuffling and I was nearly there, indeed I touched the train, but the beeping had started, the doors were closing and I was too far away to hurl myself on.

It might as well have been on fucking Mars for all I was going to catch it.

The doors closed. Mourning the demise of the old slam-door type where you could just open the bloody door again and get on as it started to move. I turned with an expression of hapless desperation to the mirror at the front of the station, hoping the driver would see me as s/he looked, before leaving the station.

Hands together in a please, please, take pity on me kind sir, stance, I begged the driver to open them again. No joy. The beeping stopped and after a couple of seconds, the motors engaged, and the train fucked off into the darkness, leaving me on the platform, alone.

‘Bollocks!’ I said.

Ho hum.

I turned and made my way down the stairs.

‘You missed it then,’ said the station master, not unsympathetically.

‘Yeh, touched the ruddy thing, but didn’t get close enough to get in, I keep forgetting I have a limp these days and that I don’t walk as fast as I used to.’

It was a beautiful clear dawn, marred, slightly, by the fact the train was filthy.

We discussed options and he agreed that my Plan B – if it’s me hoping to be somewhere by 5.49am there is sure as hell going to be a Plan B – of going to Whittlesford was probably the best idea. Let’s face it, it wasn’t so bad. It was a beautiful clear dawn, the moon was out and the sky lightening in the east. Yeh, it wasn’t as if I’d be driving home with zero visibility in the pissing rain today.

Back home, grabbed the car keys and headed off. Time was pressing and after driving down the M 11 at an injudiciously high speed … an invigoratingly brisk drive down the M11, I arrived at Whittlesford. Nobody was there yet, so I bagged the closest parking spot to the station, on the end, although some bastard still managed to scratch my car parking the other side of me. I entered my number plate into the ticket machine and paid, although it didn’t give me anything to put in the window, which somewhat unnerved me. As I walked onto the platform I discovered the train I’d hoped to catch was due in one minute.

Nice.

Around me was a surfeit of stern warnings that I must travel with a valid ticket. Hmm … was my ticket valid? I hadn’t a chuffing clue. Better buy another and get a refund on the one I didn’t use. I turned my attention to coercing one from the machine on the platform. I got to the end but it didn’t seem to want to let me pay.

The train arrived while I was still scratching my head.

Yes well, let’s not miss another one. The existing ticket would have to do.

The journey passed more or less without incident, except that I’d have dearly liked a wee and couldn’t find a loo. I made a pithy post about my fuckwittery on the forum for the event, and posted a picture of the rather lovely sunrise I over Cambridgeshire I could see from the window. I hopped off at Totteham hale, thought about walking from Green Park and then remembered what had happened walking to the station a couple of hours previously and changed to the Northern Line at Warren Street instead. A quick five minute walk from Waterloo and there I was.

The glass front of the Festival Hall. No snurd holes …

Needless to say, the first thing I did was take a picture of the glass windows The Pan of Hamgee drove the SE2 through at the beginning of K’Barthan 2. It would have been churlish not to, right?

Course was fab. I homed in on a lady wearing a fabulous crocheted dragon on her shoulder and it turned out she was one of the people who’d commented on my post about missing the train. She was with another lovely lady writing the same and they introduced me to a group of Paranormal Romance writers at lunch who were great company and several orders of magnitude more successful than I am! Also managed to meet lovely author friend J A Clement who was one of the helpers.

Back in for the afternoon’s talks, came out afterwards and … yes, it was pissing down. Never mind, I had a brolly. Quick trot over the railway bridge to Embankment and back on the 5.08 train.

Thirty five minute drive home in zero visibility and pissing rain with one headlight. Oh well, you can’t win em all.

Spool forward to Thursday. McMini plays in ‘Rock Band’ at school. He plays drums and I confess I did know he had a concert coming up. McMini’s school is at once rigorous and laid back. They are extremely careful about keeping tabs on where each of their tiny charges has got to, but they do tend to tell you about something once and leave it at that. So … I’d had the news sheet the week before last telling me that there was a concert. We had all hoisted in that McMini would be playing. But, I kind of expected something nearer the time saying … I dunno … your kid is in the concert, they will be having tea in school, it starts at X time, collect them from Y … that kind of thing.

However, the school is like, yeh, we’ve told them once. They know.

Thursday came, and there I was wandering around McMini’s school at pick up time. I had gathered up his golf bats and sports bag and put them in the car but was there any sign of him? Nah.

As I mooched about hopefully peering into windows and peeping round doors, a couple of members of staff said hello and then another popped out and asked me if I was looking for McMini (impressed he knew I was McMini’s Mum, then again, I’m the only one who turns up at collection time in a silly car so it’s probably that). We had a look in the dining hall but McMini wasn’t there, he was still rehearsing. He had emailed me to explain that he had the concert, in case I forgot, but only at ten past five, after I’d already left. McMini’s school is in the deadest dead spot known to man – probably by design – so naturally, I didn’t receive it until I arrived home.

I met one of his friends, though and told him to let McMini know that I knew he had a concert and that I would be coming and see him later. Then it was into the car, hot foot it home to see if McOther could come, but he had a board call, so then it was hot foot it back, because it started in about ten minutes. It was a very impressive concert. It hadn’t started when I arrived but I was late and there was no parking, except for a space marked as ‘visitors only’ which everyone else had avoided.

McMini’s new school is in an old stately home so parts of it are ritzy

Stuff that! I’m visiting, I thought, wedged the Noisy Cricket into it, between two huge Chelsea tractors and ran in. There were still programmes to be had but no seats so I crept in and sat on the windowsill at the back with all the little boys who were playing on their game consoles while big brothers or sisters performed. I remember thinking, as I sat watching the first item, that this wasn’t quite where I expected to be that evening. Yeh, so while there’s less brain fog, it’s clear that my abject fuckwittery still knows no bounds.

But I made it, and that’s what counts. AND I even remembered to videoMcMini doing his thing so McOther could watch it, too.

It’s probably quite an achievement to be able to organise your life, yourself, and still have absolutely zero clue what you’re meant to be doing when, or what’s going to happen next. Talking of which, the fizzy drink virus … as an ‘at risk’ (rather susceptible to chest infections and still wheezy after a hideous flu bout last year) I’m rather hoping not to catch it as I suspect it will be quite grim, and last year’s bout of flu was bad enough. It’s all getting a bit serious.

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It’s a mad/happy/mad/happy world!

Is your book a lemon? Hopefully not.

Lots of things this week. It’s been a bit of a roller coaster! Up and down, for deffo!

Started off feeling a little low about Mum but she was in such good form on Wednesday that I came home reassured. We talked about how hard it was to stay close to Dad, how it hurt not to step away. ‘Oh darling, I do hope I don’t put you through that again,’ she said. I told her she wouldn’t. To be honest, even if she does, I wouldn’t have it any other way. You do what you have to do. I have to live with myself afterwards. Bless her heart. It won’t be like Dad because she’s different, I’m not sure how it will be, there’s no point wondering. That was kind of good and kind of sad, bittersweet, I suppose.

On the other hand, by some miracle, I managed to remember that it was World Book Day earlier than three minutes prior to McMini’s departure for school on the Day in question. God bless HRT! I haven’t had a memory that good in about fifteen years! Woot!

McMini wanted to go as Dennis the Menace. OK so, by the time I remembered I was at Mum’s the day before and could do nothing about it, but at least I was able to text McOther and ask if he could nip up to town and get some black crepe paper. I had decided to pin it to McMini’s red PE shirt to make stripes. To my delight, McOther had discovered an old red jumper of mine which bit the dust when the washing machine’s thermostat broke during the ‘delicates’ wash. It boiled a drum full of expensive jumpers with vigorous enthusiasm, so vigorous that the jumper in question was a perfect fit on our 11 year old. McOther suggested using black electrical tape rather than crepe paper. I went with his suggestion, which transpired to be genius!

Home on Wednesday night, I was still alert enough to be able to add the stripes to the jumper (God bless HRT a second time). OK so I’d forgotten to suggest to McOther popped into the costume shop and bought a cheapo black curly wig but hey, you can’t win ’em all! And they realised who he was!

Then there’s the Audiobook project! Squee! Now we’re onto marketing, though. Hmm … I’ve been trying to do a series of ‘hello and welcome’ emails for people signing up to my audiobook list. There are going to be two types, those who are coming into the whole thing cold and those who already know and love K’Barth and just want it read to them. I’m thinking that’s going to take two different sets of hello protocol. However, I can see that that the one thing both sets will want to know is the process of making the books, and they might have questions for Gareth, I would if it was me. From my casual forays into the audiobook marketing of other authors it seems they approach it as a team thing, too, and also give the narrator plenty of air time.

As a result I’ve started with the stuff about the audio side, because both series of emails will need it, and to that end I’ve sent Gareth some dubiously inane questions. Mmm, I bet he’s delighted. Mwahahaahrgh! But unfortunately for him, he’s amusing and folks will enjoy reading his answers. He has agreed to do an interview, too, in an unguarded moment, so I am compiling a list of questions to ask him – hopefully not all inane.

And this is where you come in. The questions. There are some about the whole process of audio, how it’s done, planning and all that, there are the inane who’s your favourite character type questions (which I hope will be made a tiny bit easier by the fact he likes the books) and there are the personal ones, when did you know you wanted to be an actor? But I’d like to try and make sure I ask him things people would want to know. It may be that you trust me implicitly to ask interesting things or … throwing this open to the floor for a moment … you may not. You’ve heard the Unlucky Dip demo, you know he’s a bit good at this acting thing and that he’s an utter lunatic (well, of course he is, he likes my books) what would you like me to ask him, lovely readers?

Back down the rollercoaster to the bottom again, and a blurgh moment about the whole pushing the rock up hill that is trying to persuade people to read my word barf. Or, marketing, as it’s called.

This is, of course, my hormones messing with my arse again. Yes ladies, gentlemen and everyone outside, beyond and in between, it’s constipation and brain fog week. But there seems to be extra, super-duper, improved weird on top at the moment. I’ve been enjoying, if that’s the right word, a lot of dreams about poo recently. Yes, we might be entering the realm of Too Much Information but since when have I ever cared about that? Buckle up folks, we’re going in [cue rubbery slapping sound of arm length rubber gloves being pulled on]. I am dreaming about going to the bog, in the bathroom, on the loo, having an extremely satisfying dump and then discovering that I’ve made a mistake and that far from using the loo, I’ve gone on the sofa, or in someone else’s bed, or in the middle of the hearth rug in error … then I have to try and clear it up before anyone comes and finds it and is upset, or sometimes they just come in and tell me I’m disgusting. Mmm. Nice.

As you might imagine, my first thought on waking up most mornings at the moment is, ‘What the fuck was that about?’

Eeee are you saying I look like poo I’m fluff I’ll have you know?

According to Monsieur Google, this kind of poo dream – or at least the doing poo in the wrong place by mistake – is a sign of insecurity; fear that you’re about to stuff something up. Hmm … from me? Say it isn’t so! There’s a surprise. Mwahahahargh! Yes, my subconscious, tell me something I don’t know.

Back up to the crest of the hill, a local author group I go to met this week. One has just finished a new book and it was so lovely to see her enthusiasm, and how utterly in love with her story and characters she was! And it made me feel a lot more normal, because I feel the same when I’ve completed a new book. She writes hers in one binge because she can’t bear the suspense otherwise. Sounds like a really good way of doing it. Ahhh if only I could! I can’t bear the suspense either but it takes me years. We also had a brilliant discussion about how you write spin off novellas to a series without spoilers. A knotty conundrum which is, currently, doing my head in! So, so fucking difficult. Why have I done this to myself?

What is especially lovely about hanging out with other authors, or just other creative people to be honest, is that the more of them I meet, the more I realise that all my creative foibles are actually completely standard. We are all as nuts as each other. Not just authors, musicians, artists, eyebombers … yep. All nuts.

Which is reassuring.

Also this week, I wrote something. Always nice. Not much but I’ve been slightly slacking on that front – more than slightly cf earlier bit back there about the knotty conundrum of spoilers – it’s good to have got going again.

Simpery nonce mode on … I probably should have brushed my hair and just rocked the Louis XIV curly wig look without shame.

On the down side, I tried to do some author pictures – the one with the marrow is now pushing 20 years old, but no fucker seems to be able to take a decent photo of me, and it seems I can’t either.

Eyessssss

Hmm … a partial success. I think the one of my scarily glowy eyes from mum and dad in-law’s bathroom looks better … sigh. Maybe I should just use that one and pretend I’m out of Dune. I’ve been riding the worm with Sting! Snortle. That didn’t quite come out the way I meant but I’ve left it anyway. Oh and by the way, there are occasions where I am not wearing that maroon jumper … it just seems to be the thing I have on, by happenstance, in nearly every photo. I do take it off, in the bath and in bed and the like and … I mean, you can see I did for the other pic. But sorry, I digress …

The strangest thing about the poo-filled You-Are-Insecure-Oh-Yes-You-Are dreams is that, right now, I’m feeling about as confident in the quality of my stuff as I’ve ever been. There’s nothing like listening to someone else read your books aloud, and do it really well, to feel that it’s not a bad story really … well … once you’ve got past the horror of realising you can write a lot better now than you did then! Handing over the alts for Book Two was almost physically painful, but I feel much more level headed about Three and Four – mainly because they’re rather better written.

The whole artistic insecurity thing annoys me when it hits because it feels a bit faux. Because when all is said and done, the creative thing is just something you do (you general you). And your sensible, pragmatic head knows it’s good enough and that’s all you need. But your flaky art head will never be quite certain and wants other people to like it. And you tell it to shut up and get on with life. That’s just … being creative. So on one level, yes, I’m totally confident that the writing I do is … the best I can do at that time … on the other I’m kind of … will people like it? But with maximum melodrama. You know the kind of thing, sobbing tearful voice … They have to like it! Sob! They have to! I will kill myself with this plastic fork if they don’t!

Ho hum …

Moving on …

This week the first book in my series, Few Are Chosen, was free on Kobo, it still is, and yesterday, US Amazon price matched and quite a few people downloaded my book. It even got one of those orange best seller tags, in the free book charts to be sure but I’ll take that. It got a couple of number two rankings (no not number two … maybe that’s what the dreams were about) a number four and a number 197 over all (not to mention a 15 with prawn crackers and 3 with lychees … sorry). I usually ignore my rankings, except when they do that! Mwahahahrgh! Screen shots were taken. I’m such a sad sack. I think it’s gone back to paid now, but that was jolly while it lasted and who knows, some of them may even read it, and if they do, a fair few will go on to read the others.

Talking of which … who wants to hear a sample from Few Are Chosen? If you do, there are two for your delectation:

Sample 1

Chapter 1: well, that seems like a sensible place to start, you know just go give you a feel, click here or where it says ‘sample 1’.

Sample 2

Chapter 37: where our heroine is walking home late at night and discoveres she is being followed. This is one Gareth enjoyed doing and I think that comes over. It’s the point where, as a listener, I went from thinking, blimey, this is good to, shut the smecking door! This is fucking marvellous! AND, I can share it without spoiling anything else much, because it’s kind of a little story in itself. To listen to that one, click here or where it says ‘sample 2’.

Also I’ve set up a page about the audiobooks here, I’ll add stuff … you know … as and when they become available. Hopefully it will be useful.

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This, that and audio marketing …

In a delightful departure from what was rapidly becoming the norm, I have no rodent-related shenannagins to report this week. Well … unless you count having a tetanus jab, which I did … you know … just in case.

To be honest, I haven’t done much. Partly because it’s been very windy here, I’m not sure what we’re onto now, we’ve had Brian and Chiara who segued seamlessly into Dennis and now we have Jorge who is Spanish and has pipped Ellen to the post. Snortle. But the weather is chuffing bogging a lot of the time.

Ellen. I had so hoped they were going to call it Windy Ethel. Never mind, can’t win ’em all. Whatever it’s called, it makes sitting in the conservatory like being underwater in a submarine. It’s about as dark and about as wet. I have not ventured out today and I don’t intend to any more than is necessary. Needless to say I have a packed social programme with school parents’ evening and some corporate wifing to do tonight. Bastard Ellorg or should that be Jorgllen?

Apart from an ambivalent effort at metal detecting on Sunday – right metals, wrong objects, clay pipe fragments but a nice medieval pottery shard, I seem to have been running around like a blue arsed fly all week but can’t really remember what for. It was mostly crises of my own making, delivering the iPad to the Apple shop to be fixed, picking it up and then setting it up. I was lucky enough to have a lovely visit to Mum’s on Wednesday. The gardening team was there as well as the career and Mum was very switched on. We chatted and watched telly.

While we were there, I played her a couple more of the audio voices. There is one character, Big Psycho Dave, he’s called, who I just can’t listen to without giggling. As you know, because heaven knows I’ve banged on about it enough, The K’Barthan Series is currently in production for audio, along with Unlucky Dip, which kind of acts as a prequel to everything.

At some point, I need to talk about the process, or at least, do a kind of dummies’ guide for Morons Who Are Unable to Grasp the Blindingly Obvious (as I call myself in these situations). Blimey but it’s taken me a while to cotton on. I’m still not sure I have.

One of the problems is that many of the people doing and talking about audiobooks are big hitters. I’m guessing some have little people to do the being an idiot bit for them and spit out the things they need to know at the end. But when it comes to what they do, they don’t want to talk about it. This may well be because they’re still experimenting and have no clearer idea of a successful strategy than I do. Alternatively, it may be as a result of legal advice in case someone says, ‘I did what you said and it hasn’t worked’ and sues them. Terry Pratchett had to stop visiting his own forums because people were starting to suggest things and, worse, say, ‘so, you used my idea then?’ And he’d be thinking, ‘What?’ And his lawyers advised him to make a sharp exit before the ‘so, you’ve used my idea’ bit got to the point where they started adding, ‘how much are you going to pay me?’

Actually, that’s not my approach, demanding compensation if it goes wrong. I’d just love to riff with people about what they’re doing and pick up some pointers. That’s what I’ve always done with the ebooks but there’s not much riffing going on as far as I can see, apart from on two Facebook groups where I’ve picked up a lot of interesting information. But, ideally, I need more points of view.

You may begin …

Some of the muted nature of the debate may be founded in that, if you go exclusive with ACX you have no control over the price of your books, so there’s not much you can do to market them, really, other than tell people they’re there. Obviously with Findaway, you do have some control over the price, you can set it at zero and folks are able to download the book for free in some places, but other sites will set the price at 99c. It’s a different model, I suspect, in that the data transfer costs must be very high, so free is probably not great for business, even if it leads to more sales in the long run. The royalties are smaller too, no 70%, anywhere.

Whatever the reason, I’ve failed to uncover much of the information I’m looking for out there or at least, not in as much detail as I’d like. Although there is a wealth of technical stuff about making your own sound booth, recording your own books, how to set the levels etc etc. If that’s the way you want to go, you’re laughing. As for what I have discovered about marketing audiobooks … well … here are my thoughts.

Thing One: the conundrum …

It’s becoming blindingly apparent that there is no obvious ‘right way’ to sell the ruddy things. Or at least, not that I can see. There’s what works for a particular author and what doesn’t. The only way to find out what works is to experiment. Gulp. And even then it may only work for you. My issue is this:

If you are an unknown tiny fish in the authorial sea – I am – you want social proof on your books, also known as reviews. With ebooks you just approach reviewers, grovel a bit and give them free copies. After a while they read them, tell their followers what they think and bob’s your uncle, five star joy to convince buyers your stuff is magic. (Ideally, but the right kind of one star, I-fucking-hated-that can be just as effective to sell your books.)

The difficulty with audiobooks is that they are massive so you can’t just send them to someone. Except you can with tokens. Both the major players I am looking at; Findaway and ACX, will provide tokens so reviewers can download your books for free and review them. But Findaway won’t provide them to British readers, which may not be helpful to me. Although other authors report their efforts to give away British codes often meet with complete failure, anyway. ACX will only give tokens out if you sign up to them exclusively. ACX exclusivity is for seven years but … if you have uploaded a finished book, rather than used their royalty share scheme (where they find an author for you) they will let you out after one year if you write and ask them nicely.

On the other hand, with Findaway comes Chirp, their own platform, and access to a BookBub style promotion system, and BookBub is extremely powerful. Although I’ve never scored one for more than ‘international’ – that is, promoting a price drop on a book to Canada, India, Australasia and the UK but not America. I’ve never scored a free promo there either. And yes these are the audio versions, but they are still the same less-than-attractive-to-BookBub’s-selection-panel books. On the other hand, you can advertise on BookBub and I suspect that if I can get my advertising shit together, that is where I could get some love for the audiobooks.

Also, there was a massive influx of audiobooks uploaded to ACX just before Christmas, and they are still wading through them. I could still be waiting for my books to go live in six months’ time, I know of authors who have waited five months, already, for their books to go live and are still waiting … At least if I am going direct to both, I have 60% of the market covered from the off … and it matters because it’s not just me, here, half the earnings are Gareth’s. It’d be nice if there were some after he’s put in all that effort.

Thing two: the options …

I think …. Yeh.

I have two cunning plans … although, whether or not you could, strictly, call either one cunning, remains to be seen. Basically, I reckon I need a few reviews for people to buy anything so I may need tokens. The books might get reviews from my lovely fans and friends, they might get reviews from Gareth’s. On the other hand, they might not. The choice is simple:

1. Get my advertising shit together and go wide. Run promotions, submit the books to Chirp, take advantage of being able to control the price, mostly. Give away Unlucky dip for 99c or even free to get them hooked. Use the tokens and try and attract reviews from Canadian, Australasian and American readers. After all, a review is a review, right?

Disadvantages … well … advertising might take more money than I’ve got. Also I might not find many British readers, and Americans might not be able to understand the British regional accents in my books. But, on the other hand, there’s a lot of British slang, and American readers have done OK with that in the ebook version. Also, while the audiobook market isn’t quite Audible-and-the-others yet, or at least, Audible is only about 40%, I believe, rather than the gargantuan slice of the pie Amazon enjoys for regular books, it’s still a big hitter and stymying my books there may cost us at the start.

or

2. Go exclusively with ACX for the first year to get the tokens and bribe people to review the books on the UK site as well as the US one. Get more sales organically because … more punters. Then ask them to release my books and go wide. Because ultimately, I want people to be able to be able to download my audiobooks at the library and in the long run, there is a lot more earning potential there for us. I also want to take advantage of Chirp and advertising and if I’m exclusive with ACX chirp is a non-starter.

The Advantage, ready social proof and the biggest UK market share (at the moment … I think). Also better chance of organic sales. Better royalty rates at Audible – like 40% rather than 25% – which is important if that turns out to be the only place where I sell any books.

The disadvantage of this strategy is that in a year’s time, when ACX release me, there may be a lot more competition for a Chirp promotion and more people advertising audiobooks meaning that traction wide is harder to achieve. In addition, while Unlucky Dip was approved relatively quickly, I have author colleagues who submitted books in December last year who are still waiting for them to go on sale. The upshot being that it may take six months to a year for my book to go live and it may be more like two years before I can go wide. In a market moving as fast as this one, a year feels like a very long time, but if it’s more like eighteen month or two years? Yikes.

And not forgetting that I loathe and detest the subscription model myself – it’s amazing how fast all those £7 a month for different things add up to something big, and cataclysmic, so it goes against the grain because I’d like to have my books available to people like me from the off; people who’d rather buy them outright.

Thing two: different books sell on different platforms.

There’s a suggestion that short books sell better on Findaway Voices than on ACX. The commonly held view is that this is because Findaway supplies more sites where people buy books out right and so those readers will want to try shorter, less expensive books before shelling out for the gargantuan ones. Conversely, readers on subscription sites usually are eligible for a set number of books per month, so they will go for the biggest possible books to get more bang for their buck. ACX supplies more of those, hence you would put your novellas and shorts on Findaway, but not necessarily on ACX (unless legions of your fans are asking) and then the box set – a nice big book for subscription site listeners – goes on both. But again, this would suggest that, if, like me, you’re an author of a novella series and a massive door stop sized books series, ideally, you want to be on both platforms. Or maybe some and some, I dunno. But yeh, I’ve had a brief chat with Gareth about him doing the rest …

Thing Three: there is No thing three.

Every fucking time Mary? Yep. I know. I’m sorry. I can’t help myself.

Thing Four: testing the market.

This is, kind of, where I am now. It’s taken me a very long time to work out how to upload a book successfully. Jeez ACX some coherent error messages would be grand. That said, I have now uploaded Unlucky Dip, the short series prequel to the K’Barthan Series, to all the sites I’m looking at; Kobo, Findaway Voices and ACX. I am also toying with the idea of uploading some snippets, or the odd chapter, up to Soundcloud for you to listen to. That does depend on what Gareth thinks about it. I can’t do it until the audio files are all finalised, anyway.

So we’re nearly set …

Gulp. Here begins stage one of our dummy run.

Unlucky Dip, is on sale. I think it’s about $2.99 and whatever that is in GBP pretty much everywhere, or as part of your sub on a subscription site.

Even more exciting, despite having zero sales reported on either ACX, Findaway or Kobo, I discovered, this morning, that it has an also bought on Audible, which would suggest that somebody, somewhere, has bought it. It’s a decent also bought, too; Jasper Fforde, whose readers sit squarely in my target demographic.

If you’d like to find out more, I have a lovely page, with links to look at it in store for a bunch of places so you are welcome to go and have a listen to the excerpt, or even download it if you like, here.

Unlucky Dip Audio Book

 

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Nothing To See Here …

Except there is …

More on that story later. First, a quick update on the audiobooks.

It’s been a quiet week. My local writers collective met yesterday, which was lovely, and on Tuesday, I finally managed to send the blips I’d spotted in the audio version of The Wrong Stuff back to Gareth. It’s his birthday today. And looking at the quality of the recordings he’s done so far, I’m feeling a little giddy! As if it’s my birthday and all! I am a little in awe of his talent and I will owe him for this, pretty much in perpetuity.

Clearly I feel a bit nervous about the audio in some respects. This is partly because I can’t quite believe it’s happening but also because, as royalty share, I’d really like it to do well so Gareth actually earns something for his trouble. I suspect it’ll be work from other authors who hear it rather than royalties, but he is aware of that and seems totally undaunted, even if I’m actually beginning to feel a bit guilty.

The other, far more straightforward reason to harbour doubts is because it’s my stuff he’s narrating. And doubting your stuff is all part of being creative. And jeez there’s nothing like listening to someone read your magnum opus, and read it really well, to fully appreciate any deficiencies in the writing. Imposter syndrome anyone? Yeeees a bit. It’s definitely A Thing we creatives get; to shit bricks about what we’ve done I mean, even when we know it’s alright really. But there’s more than a slight feeling here of, ‘Oh god, this bloke is absolutely bloody brilliant and the material I’ve given him is … er hem … not actually quite as brilliant as he is.’ I was aware that my talent lies more in the telling of the story than any linguistic poncing toddling involved so it shouldn’t really come as a surprise, and yet … yeh … there we are.

Maybe one of the biggest, most important things anyone learns, while doing creative anything, is the difference between doubts that are, basically, just your mojo messing with your arse, and real doubts. Learning when to listen to those doubts and when to just grit your teeth, ignore the cringing inside and push on through is a big part of learning how to create. When I’m working on a novel, I usually start to get severe misgivings about a third of the way in. Then I get stuck. Either because I’ve gone off in the wrong direction, or because I just need a bit of time for my subconscious to work out what’s going to happen next. That’s why I had to stop writing the big stuff when Dad got bad, because there was never enough time to get back into the complicated projects, catch up and start working again, before the next crisis hit from the Real World.

Discussing the doubts side of it with Gareth, briefly, it turns out that he gets them too. Like I said, standard creative procedure I suspect, but it’s still comforting, and a little affirming, to have confirmation from someone else, too. Especially someone with less reason to doubt than many of us. Yeh, so while I do doubt the quality of my stuff, I guess I also know, sort of, that it’s probably a load of bollocks in this case.

Anyway, we are hoping to have the first draft done before he heads off on tour at the end of next week. It’s likely that I won’t have enough time to listen and get the alts back, but he will probably be able to do those during the spring holidays, in April, when he gets back.

Talking about doubts … I have a new book out today. Short is not my best metier and I have a few genuine misgivings about this one which, I suspect are well founded. Except the description of Mrs Dingleton’s, I like that. Never mind, here are the details anyway! In a new departure from my standard, somewhat laissez faire release strategy, I’m also running an exciting competition in which someone can win some smashing K’Barthan Blingery. Phnark. Feel free to enter if you like.

Nothing To See Here

Yes! It has landed. The next novella in the series of shorts about The Pan of Hamgee’s time as a delivery man for Big Merv is now out. Woot.

Here’s the blurb …

It’s midwinter and preparations for the biggest religious festival in the K’Barthan year are in full swing. Yes, even though, officially, religious activity has been banned, no-one’s going to ignore Arnold, The Prophet’s Birthday, especially not Big Merv. He orders The Pan of Hamgee to deliver the traditional Prophet’s Birthday gift to his accountants and lawyers. As usual, The Pan has managed to elicit the unwanted attention of the security forces. Can he make the delivery and get back to the Parrot and Screwdriver pub in time for an unofficial Prophet’s Birthday celebration with his friends?

If you’re interested you can find out more by clicking on the picture or clicking here:

The competition

Yes, bling your morning cuppa or amaze your colleagues with this fabulous K’Barthan Mug.

If you do end up reading and enjoying Nothing To See Here, you can use your incredible knowledge of the plot in a game of skill and chance to— er hem. You can enter a prize draw to win this smashing K’Barthan mug worth many Brtitish pounds!

Well … OK at least a tenner, £15, in fact. Oh dear, this is beginning to read like one of those spoof ads in Viz.

Hint, you’ll probably be in with a good chance because I doubt many folks will enter.

All you need to do to is answer a question about the story and you will be entered into the draw … unless it’s illegal to enter raffles in your country, in which case, please don’t.

The draw will be open until the end of February. Panic not if you’ve blown your book budget already this month, Noting To See Here should be available in many libraries across the UK, US and Oceana. You might have to ask your librarian for it though. Once you’ve read the book and can answer the question, you can enter the draw here!

The competition closes on 29th Feb.

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Quality can’t be rushed …

This week my son invented something called the White Wee Crew. Mwahahahrgh!

NO! You filthy ones at the back. This is about drinking vast quantities of water!

Yep. If you drink enough you end up doing what he used to call a ‘silver wee’ or one that the normals would call ‘clear’. He then changed it to the White Wee Club but has decided that the White Wee Crew is better. He’s read somewhere that being hydrated keeps your brain switched on. I believe that is A THING. So, he’s been proudly coming home and telling me he’s still a member of the White Wee Crew. I love the way his entire view of life is so completely non standard. And aimed to amuse; himself and others, but he seems unfazed if it’s just himself.

Weird square eye thing … eeeek!

Scary!

One of the delights about having a kid is what a complete giggle we have. Normally we’re talking bottom gags here but sometimes other stuff. The comedy of tiny noises, odd squeaks, floorboards that can be reliably walked on to sound like a fart, well yes, more bottom gags there, I suppose. But if anything makes a strange or surreal noise, no matter how quiet or insignificant, I’ll hear it and one look at McMini and I know he will have heard and think it’s funny too. From a squeaky hinge to McCat going mad for cheese. Any sound is fair game. McOther is able to be equally arcane but seems to derive more enjoyment out of watching us do it than indulging in arcanity (is that even a word) arcaneness, himself. Then there was the night at McOther’s parents house where McMini and I spent about half an hour in their en-suite positioning ourselves so we could take a selfie with the reflections from the bright strip light surrounding the mirror reflected in our eyes. We thought we looked like robots, or perhaps, I thought, that thing that happens to your eyes in Dune when you ride the worms. He hasn’t seen or read Dune yet and my memory is very sketchy but I tried to explain.

It does look weird. CF photos.

McMini is naturally funny, one of those people who is going to be funny whatever he tries to do  so has decided to ham it up. I’ve always felt that the trick was to make it look deliberate but I suspect I ham it up, myself. He’s definitely a chip off the old block. Or perhaps he’s just watched my coping mechanism and decided it’ll do for now. The other evening having implored him, with increasing desperation, to remove his socks I finally succeeded.

‘If you throw those at me, I warn you, I’ll get really cross,’ I told him, anticipating his thoughts, mainly because it was exactly what my brother or I’d have done at his age.

Needless to say, the little so and so threw them at my face. So having told him I’d go into orbit, I did. Except that I was doing it because I needed him to Learn A Lesson rather than because I was actually that cross – although it is completely fucking vile and I wish he wouldn’t do it. McMini looked momentarily crushed and protested at my turning into Ogre Mummy without due warning. I told him he’d jolly well had due warning and that he should have taken heed. But then he picked up on the faux nature of my rage and smiled. I desperately tried to maintain a Stern Exterior but failed and found myself laughing.

It took me straight back to being a kid and doing the exact same thing to diffuse my father’s rage. There were incidences, when he’d gone beyond a certain point, when you didn’t do this, but it did work most of the time. If he can see what we’re up to my Dad must be laughing his head off. I hear him in so many of the things I say to McMini. It’s not that I mean to copy his parenting style, although I reckon he was a pretty good Dad so I probably wouldn’t go far wrong if I did. It’s just because I’m like him. And as I tell McMini, of an evening, with increasing frustration, ‘Will you go to BED!’ As he cavorts about the place like a lunatic clown and I desperately try not to laugh so he stops and does as I ask, I hear my father saying the exact same thing to my brother and I, all those years ago. And I can’t help but smile.

Though I have always thought of myself as a bit of a Daddy’s girl, I’ve always felt that I was very much more like Mum, I have Dad’s soft heart, I think, but I am definitely able to override it more easily than him, or at least I was. One of the things about his illness and death is that, coming out the other side of them, I no longer can.

Then again, as far as taking after one or another parent goes, I guess the point is moot. They were both as maverick and non-standard as each other. My father revelled in the eccentric and in pricking the bubble of the pompous, but it was my mother who dragged me into a cupboard to hide from the over-chatty house matron, who popped in as we were about to go out. Yeh … there probably isn’t much in it, between the two of them.

Trying to parent my wayward, but good natured son, I guess I’m beginning to understand what my poor parents, especially, were up against. What makes me laugh is that there is so much of my father in McMini, too, that it’s hilarious. He has a great deal of McOther in him too, jeez you don’t discipline McMini, you open negotiations. It’s really terrible, but I would bet his father was exactly the same. He always drives a hard bargain, too. It’s interesting, he’s kind of cheeky but at the same time, he’s treating me as his equal, which is really rather lovely.

He’s also a kind little lad. The other day I took him metal detecting. McOther was away on business and there was a dig and I really wanted to go. I was aware he might not want to come so we agreed he could bring along his lap top and sit in the car playing games if he wanted to. We had a great morning out. He enjoyed it and he found some things. Worked out the exact spot and got them out. At the end, he told me that he’d had a lovely day and that even if we’d remembered the lap top, he didn’t think he’d have used it. He told me it was all the better because he’d been dreading it.

‘Oh dear, not totally dreading it were you?’ I asked.

‘Yes Mum, completely, but I couldn’t not come. I knew you hadn’t been for ages and you so wanted to go. I couldn’t stand in your way. How mean would that be?’

I thought that was pretty impressive for an eleven year old. So much like his father, and also so much like his grandfather.

Another area I feel a lot of the Dad influence is in cheesy stuff. Dad derived a great deal of hilarity from bad poetry, especially hymns. There were times in church when I could just lean forward and look along the row at Dad with a bit of a twinkle and he’d turn to me with a pained expression and we’d start giggling. We both tended to be a bit vague and sing the wrong verses in the wrong order, if they have them lined up so you go across you can guarantee we’d end up reading down, and vice versa. But McMini gets my hilarity at some of the terribly bad, sentimental Victorian poetry you find in hymns as well. He doesn’t come to church so often now, I don’t want to force it because he has a faith and nothing is more likely to switch that off than forcing him. And the church I go to is pretty good at picking the fabulous poetry rather than the crap stuff, anyway, but McMini, he does, sort of, get it; good and bad. I have come to poetry rather late in life, partly from school, but also, greatly, from my Dad pointing out the rousing stuff, in hymns and … well … anywhere. And then from noticing it in hymns, myself.

McMini can act, too. Really act, unlike my brother and I who are merely funny – not the same thing at all. He doesn’t, of course, he regards learning lines and attending rehearsals is far too much like hard work. Then again, as far as I can gather, so did Dad. Indeed, the old man’s louche approach to knowing lines or giving cues was legendary. Apparently you would often cover the plot points you were meant to in a scene with Dad but not necessarily in the order in which they were written or the time allocated. Sometimes he’d guess. If you were lucky, you might get enough indication, from the general gist of what he’d said, which line you were supposed to deliver in reply. There was also a lovely story a friend told about how he and Dad on stage. They were both very short sighted, but each was trying to help the other across the stage without falling off the edge, into the orchestra pit. The whole exercise was fraught with difficulty and an extra frisson of danger, because neither of them was very sure where it was.

Strangely, later in life, when Dad had Alzheimer’s, he could recite vast tracts of Shakespeare, apparently word perfectly. I’m thinking that he was probably in plays at school as a kid.

If McMini wanted to act in things, I suspect he’d be extremely good … if he could be arsed. Yes, he is so like his parents, but I see so much of my father in him, too. Dad may have died, but whether or not you believe in life after death, he lives on in us. Mwahahahaargh!

Talking about fine acting skills, the audio project is trundling along. Gareth is still coughing a bit and suffering a sore throat but he seems to be happily getting stuck into the second book. He has been surprised to discover the books are much longer than he thought, ‘another learning moment’ as he put it wryly. It sounds as if he’s been thinking, ‘bloody hell! What the fuck is going on! I should have finished this by now!’ Except I think Gareth is a bit less foul mouthed than me so he probably thought it more politely … possibly. I’ll have to get his address and send him some signed books. I suspect we may not get the whole thing done before he’s off on tour but I’m OK with that if he is. After all, quality can’t be rushed.

Meanwhile, if you’re interested, Nothing to See Here is available for preorder. If you want to know more, click here, or click on the picture.

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And now … this!

It’s a bit of an amazing thing that having spent the last four years or so writing posts on my blog that were, basically, excuses not to write, I’m now having to write posts apologising for not talking about the stuff I normally talk about because I’ve too much writing news to impart. Yeh, here I go again, because this week this happened.

Unlucky Dip Audio Book

Yes people, that is an audiobook cover and Unlucky Dip is now live and available for pre order on Kobo. Swoon!

It’s ready to publish on Findaway Voices too but I haven’t dared press the button yet, just in case. Naturally ACX, an Amazon company, is a whole different kettle of fish.

Gareth and I are both on a bit of a learning curve with this audio gig so when I uploaded the book to Findaway Voices, first, I discovered that there was a problem. An error message popped up informing me that the file was qqwe[ru09025jbm’ ytopqq09t574qyhgwa – or at least whatever it was it said, it made as much sense to me as that does. So I carefully cut and pasted it and sent it to Gareth, who knew exactly what it meant and fixed it.

Kobo, well, clearly everything went without a hitch there because we’d fixed the qqwe[ru09025jbm’ ytopqq09t574qyhgwa problem we discovered at Findaway. So with a little trepidation, I decided I’d submit to ACX which is an Amazon company. I’d forgotten why I deal with Amazon as little as possible. This reminded me. I uploaded all the files and when I tried to click the submit button which is labelled funkily, ‘I’m done’ I discovered it was greyed out and when I hovered over it this illuminating message popped up.

‘cannot submit production because there are issues with the uploaded audio.’

Marvellous.

I had a look at the submission guidelines to see if it was anything I’d done. It might be that the name is different. On all outlets the book is called Unlucky Dip but Amazon may want the series title given. This is where the problem will arise, because, if it does, it will not be looking for K’Barthan Series, instead it’ll be looking for K’Barthan Trilogy, because Amazon refuses to change the series name – unlike like every single other site on earth. Thanks for the blistering two star review that invoked, too, Amazon.

I tried to find help but ACX help was about as useful as a chocolate tea pot, thousands and thousands of help pages that tell you nothing and basically tell it to check it your fucking self! Mwahahahrgh! I clicked on their help pages and then on contact to ask their help desk. The link took me to Audible. I tried to contact the Audible help desk and explain. Chat didn’t work just tried to load again and again and asked for my log in details occasionally. Email did nothing either so I clicked on the button that would get them to phone me. A very kind fellow gave me the email address to write to but warned me that ACX help is only open from 12.00 to 9.00pm on Monday through to Thursday. It was Friday.

I emailed them, anyway, and got the standard canned Amazon response that they didn’t like my mail forwarding. So I emailed them again from the ‘right’ address. They replied. Had I published to ACX from Findaway? No. I replied but I had published to Apple, or at least I was going to but I hadn’t actually clicked publish on Findaway yet, in case something went wrong with ACX. Prescient of me eh? That’s as far as we got before 8.00pm.

Despite being officially closed, or maybe that’s the phone line, ACX support have emailed me today as well. Go them. I notice their version of the qqwe[ru09025jbm’ ytopqq09t574qyhgwa problem that we had at Findaway is slightly different. Possibly. So I’ve passed that on to Gareth, who must be doing his nut with all this. Especially as it’s the same as Findaway on the ACX guidelines you download. It’s only different on the help pages you see when you are trying to work out what to do if you have some unspecified error and the boilerplate bit of the support email that says, have you checked this? It’s like querying publishers or agents, they all want the same thing only each one is just that tiny, tiny bit different, and mistakes bar entry!

The little bit I’ve learned about Audiobook publishing so far

What I know about audio could be written on the back of a teaspoon. All I knew was that I wanted to go wide because I want to get my books into libraries if I can, hoping to start that process soon so I’ll let you know how I get on. Here’s what I’ve gathered so far.

You’ll need an ISBN and that means you have to add the record to Nielsen book data here in the UK. I found I needed to do the long form so that I can stipulate that the book is in audio format. (I was only allowed to choose an ebook imprint or a paper imprint so I have emailed them about that but in the meantime, I’ve logged the isbn as an ebook and then chose audio format later on in the form.) Yeh. I know. Counter intuitive or what? Or maybe it’s just me being really dim.

Kobo allows you to upload finished books, direct, but you may have to contact their support and ask them to add the audiobooks tab to your dashboard. I did and they added it swiftly without fuss. Kobo will pay you a 35% royalty for audio books under a certain price and a 45% royalty above it. They distribute to Walmart, Indigo in Canada and something called BOL in the Netherlands.

Findaway pay from 30-50% depending on the model you are using and distribute to over 40 outlets and libraries, including Apple, Audible and Amazon.

ACX accept publications from wide authors, with ready made books, and will pay 25% royalties. They publish to ‘a minimum of’ Audible, Amazon and Apple.

My cunning plan …

Publish to Kobo direct for 40% royalties. Go to ACX for Audible, Amazon and Apple for 25% royalties. Go through Findaway Voices for 40-45% of everything else, including Apple, again, but also libraries.

Knowing that ACX is run by Amazon, I decided that I would only claim the short story on ACX to start with and would see how it went before I committed to using them for everything. If ACX transpires to be as batshit crazy as Amazon, the reduced demands on my time and sanity, from not going direct, may be worth more than the reduced royalty rate in the long run.

  1. ACX does not allow you to opt out of Apple at the ACX end, more on that later.
  2. As I understand it, if you go to ACX through an aggregator you will not be eligible for their bonus system – so if you get someone go sign up to audible to buy your book, you won’t receive a ‘bounty’ unless you’re direct. Likewise, I think it precludes you from tokens to give away free books. This is why a lot of people go to both.
  3. The authors who I ‘spoke’ to have mixed results with the bounty system, some have done really well, some haven’t had a blip.
  4. At the moment, you can publish to Apple through Findaway and ACX at the same time, then you contact Findaway and they will contact Apple who will prioritise your Findaway, higher-royalty-paying listing. However, the support email I received said,‘Findaway distributes to Audible and Amazon through ACX, so if you already distributed you book with them you cannot submit the book through ACX yourself.Duplicate products are prohibited as per our legal contracts and agreements.’Which looks a bit worrying, although it doesn’t mention Apple specifically. I’ll have to double check the contract. I have demurred from pressing the go button at Findaway, anyway so I can deselect Apple if I have to.

So there we are … baby steps but yeh, audio is going to be a thing …

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Shenannagins …

OK, so, I’m not even going to talk about the election result. The choice was a bumbling, everything-that-is-awful-about-posh, bloaty-faced, straw-haired sack of farts, or a man with a rather dodgy looking past who was slightly preferable but wants to do my brother and thousands like him out of a job. What do you want, Mary? Root canal without an anaesthetic or a ghost chilli enema. Choose. I chose, because women died to give me that right. The side I like least won but that’s not saying much. I consoled myself with some guerilla marketing, stealthily inserting cards about my free reader magnet into all the Terry Pratchett books in Waterstone’s. More on those stories, next time … now, it’s back to the matter in hand.

A mish mash of other stuff this week, then. Along with some of the most obscure comedy references available. I thank you. Today, as usual, I am writing to you from the past (Thursday). Well … apart from that first bit but let’s keep this as simple as we can shall we? It was McMini’s last day of term so I forewent parents’ swim, came straight back home after drop off and went into town to vote and do some Christmas shopping. After an hour and a half, I’d been moderately successful, and I couldn’t remember anything else I needed until I arrived home. Once here, realised that I’d forgotten to get the propelling pencil McMini wanted, although I can get that tomorrow.

While I was trailing round Waitrose, I had a quick chat to a friend, and found a small cured meats platter reduced from just shy of £7 to £2 and a rather garlicky curried bean salad which was also reduced. Smugly congratulating myself for sorting myself with a very pleasant lunch, I went home, where I immediately realised I had failed to get the one thing we really needed: milk.

The hat …

Never mind. I’d go up later I thought. And of course immediately I had that thought it began to rain and continued to piss down until the moment I had to leave to collect McMini from school.

Meanwhile, McOther is off on some work thing until late tonight in Oxford so collecting McMini involved going to the final school event of the term, McMini’s carol service. Alone.

The carol service takes place in the cathedral, which is a few hundred yards down the road from our house so I decided to walk. Seeing as it was still pissing with rain, and I had therefore failed to get the milk, I thought I’d take advantage of the time I had to walk into town to leave fifteen minutes early, swing by M&S on the way and pick up a plastic two pint bottle.

The communication from the school warned us that she service would start at two o’clock prompt and that there was stuff on in the cathedral so would parents not take their seats until after one fifteen. Shit were people sitting there for forty minutes? Fuck a duck! How full was it going to be? OK so I’d aim to get there by quarter to, that way I could stand at the back and sing really loudly without disturbing anyone. If I was really lucky, I’d be so far from other people that I’d be able to do the descents without anyone noticing.

There was a queue in M&S and so I strolled in at five to two. The cathedral was packed and, somewhat blinded by the miasma of pathetic rain all over my glasses I set off where I was ushed, if that’s a word, down the aisle.

Half way down, I was shown into a seat next to a pleasant couple who were on the aisle. It being rather bad form to take the outside and obscure their view, I squeezed past them and sat third person in. Shortly afterwards, a family arrived from the other side and took the remaining seats wedging me firmly in place. We were definitely packed in and when Once in Royal started up and we all stood, I turned sideways, which did make things easier. The people round me were pleasant enough but rather serious and staring straight ahead, clearly worried that I might engage them in conversation.

Waynetta Slob … and Wayne.

Then again, that was probably understandable, as they probably thought I was a weirdo. I was wearing a stripy knitted hat, so McMini would see me easily, a manky waterproof coat (think Ted’s out of Ralph and Ted in the Fast Show) a pair of wedgewood blue moleskin trousers that, in the wrong light, can be mistaken for the same kind of velour jogging pants favoured by Waynetta Slob and I was carrying a pint of milk. This, is probably not how the average Christian expects their fellows to turn up at church (well unless it’s mine and the person is doing coffee). I did demur from smiling at them and saying, ‘milky milky’ but I wonder if that might have broken the ice. Possibly, but I suspect it would merely have made people nervous, as a comedy reference goes, it’s too old and too obscure and would merely become the embodiment of the original parody.

The cathedral, itself, looked stunning and as a building expanded by the same firm of architects who designed the one where we had Dad’s memorial, there was a pleasant feeling of familiarity about it. The picture doesn’t really do it justice but they asked us not to take photos (after I’d taken that one) so I had to pixelate the teacher and crop off the parents in front of me.

Now, normally, when I go to carol services, I’m there with someone I know. So we are able to giggle when I sing the wrong verses to the carols incredibly loudly, or when I try to whisper the responses and end up barking, ‘AMEN!’ At the top of my voice when everyone else is saying, ‘and also with you’ because my voice has done something funny etc. The details of these things always amuse me and I come from a family of people who fuck it up in similar style. As a result, my memories of Christmas services, as a child, are of giggling at stuff ups, or because my brother was singing the carols falsetto, or I was singing them in a really high squeaky voice, an octave above everyone, that I can no longer do. Or Dad was complaining about how ‘fucking high’ the carols were this year (yes, there was plenty of effing, even pre Alzheimer’s) as his voice cracked, yet again, while, with a facial expression like someone sucking a lemon, he attempted the high bits in Hark the Herald.

There was also a propensity to do a kind of irreverent running commentary, among ourselves. In short, in my family, there was, still is, normally a lot of giggling. And if it isn’t family, I’m normally with other parents I know, so there is also giggling.

But when you are on your own you can’t giggle. Especially if you have a) turned up with a bottle of milk, b) eaten an injudiciously garlicky lunch which you are now sharing, through the medium of your incredibly scary breath as you do the singing and c) have already drawn a great deal of attention to yourself with your incredibly loud singing voice and the fact you are dressed like a rubby. On the up side, as a friend later remarked, at least it was only milk I turned up with and not a can of Stella.

Mwahahahahrgh! It’s never too early for a fusilier!

Of course, the absence of other like-minded nutters, or at least, in the event of my failing to out any that were near me, the commentary went on inside my head only.

There was a couple in front of me, sharing their service sheet in a very sit com style and a little old dear with them who I had down as grandma. Grandma (for want of a better name) suddenly upped sticks and with a nod, a smile and a wave at them disappeared off down the aisle to the back.

My brother’s suit! Nearly as loud as my voice, but not quite. 🤣

A few minutes later, after looking nervously round, the lady also disappeared up the aisle. She was gone for the whole of Oh Little Town of Bethlehem and then reappeared in the last verse but still sans old dear.  Had she gone to the Cathedral Centre lavatories to enquire after the old dear’s health? Was there a family crisis being played out here? I’ll never know, even though, as a professional nosey bastard (I’m an author after all) I’d like to.

There I was jammed in next to all these very nice but incredibly serious people. Their horror was almost palpable as I yelled my way through what felt like a million carols at the kind of volume that comes close to competing with a set of bagpipes. Maybe that’s why the old dear left. But the alternative is not to sing, which I will not countenance at a carol service, or to sing a bit less loudly, which is still deafening, but risks being really rather out of tune with it.

At the end of the service, the headmaster read the last lesson. They’d gone for a different response to the usual and he reverted to the traditional one. Except instead of giving the feed line he gave the response. Everyone tried to say something but nobody knew what to do so we all just went kind of, ‘mana-manah.’ And quick as a flash, a little voice in my head went, ‘do dooo do do do!’ And I started thinking about the Muppets song.

It wasn’t funny exactly, but it was accumulative funny, the sort of thing which would get a laugh if you added it to other stuff in a comedy. And if you have the kind of mind that’s already seeing a rich comedy of the absurd in yourself and everything around you, and has been attempting to do a Terry Wogan at seventies Eurovision-style voice over throughout the service. Or if you’re from the kind of family who’d start giggling. It’s really hard not to nudge the people either side of you and laugh. I resisted the temptation to nudge, but a small chuckle escaped.

Nobody else made a sound. Oops

Then Hark the Herald began.

Fuckity fucking fuck! (Sorry.) But seriously, Dad wasn’t wrong, I swear it goes up a key every year. For me things get a bit dicey over top f, I can do top g but only on days when I can’t get down to bottom g. Otherwise I have to do the special high note gurn. It’s a facial contortion that throws Dad’s sucking a lemon high-note reaching expression into the shade. And you just can’t go about doing that kind of thing in decent lighting, in front of people you don’t know. Most cathedrals are chuffing dark so hardly anyone can see. Not this one. Today was low voiced Mary, I’d managed to produce a crystal clear, non crackly Little Town of Bethlehem. I knew that fucking high note was going to be a bit of a stretch. And we were definitely up there.

So there I was wearing my manky old waterproof coat and my ridiculous pussy hat, screeching the carols like some peri-menopausal banshee. With a bottle of milk. And garlic breath. Trying not to show any outward signs of amusement or … well … any outward signs. While in my head I could hear my father guffawing his head off and saying something like, ‘Well Mary, you really have excelled yourself this year.’

 

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