Tag Archives: I hate fucking tags especially now I have to do them one by one instead of cutting and pasting them from one blog post to another

Weird things …

It’s been an interesting week this week. I did a lot of writing and discovered that I’ve spent the last three weeks going in the wrong direction. After that I went back to what I thought was square one and off in another direction, only to discover that was wrong, too. So now it’s back to another point where it went wrong. It feels right this time, though so I think it probably is and of the binned scenes, it’s probably the outcome of second one that’s right with a kind of mash up of the two beforehand.

So now I’ve managed about 800 words in what looks like it’s the right direction. I might have to sit down and do a time line or just work out how many plot threads I have before I go on though because it seems to be getting a bit hectic. And I so want the gunfight in the balloon factory where the helium canisters start leaking. I suspect I’m losing my grip on it because of the Mum thing, in which case, I need to make some kind of timeline/table of what happens when so I can lean on that and write it by numbers. Right now though, I’m just really enjoying writing it. Also, I’ve found a tracer I put in The Last Word that I’d forgotten about. I think I can use that to make it into something a bit longer, just another 12k or so to get it novella length.

I have also made a start on cataloguing my massive collection of sci-fi tat! That’s five items done so far. More on that story … next week … probably.

Other news, I’m going to be putting my author hat on (more on that story, in a moment) and going to two events this year to flog books. The first is St Albans comic-con in July, the second; Norcon (Norwich) in September. Several of us in my local authors’ group have booked a table so we can share the work, cover loo breaks and that kind of stuff. Also it’s much easier waxing lyrical about someone else’s books other than one’s own.

While we were discussing it a few weeks back the topic of cosplay came up.

Cosplay anyone? Er … no.

When people go to conventions, quite a lot of them dress up as their favourite sci-fi character. We discussed who we could be and whether going as characters from our books would be fun. The first question to me was, ‘Are you going as full Lord Vernon?’ Mwahahahargh!

Sadly, though I’m sorely tempted, I felt that the green face paint involved was probably a step too far. And suede gloves in July. A Big Merv-style suit with a light blue pinstripe was an option but it might make me look more like The Doctor.

The face is wrong but the hat’s right. Big Merv isn’t big enough either Mwahahahrg!

That left The Pan of Hamgee. He is my favourite character, except when I prefer one of the others, because they’re like kids. It’s hard to pick one. He also wears a hat, which is nice and distinctive; a cross between a Mel and Kim hat and a Zorro hat. Like Zorro he also wears a cloak, but it’s ankle length—unlike 1960s Zorro … although, did the Antonio Banderas version have a long cloak? Maybe he did. I can’t remember, anyway, onwards. The Pan wears a velvet jacket—I’m thinking the kind of gothic brass buttoned number you might have seen on members of Pink Floyd in the 1960s—and obviously the canvas jeans and elastic-sided boots. How much of this shizz do I have? Oh look! Everything except the hat!

Woot.

Hang on though.Does it fit?

… No. Not even the cloak.

Now what?

Go shopping of course.

First the shirt. Since my enormous, post baby, H-Cup boobs are too big to jemmy into any of my old shirts, I started with that. There are three vintage clothing shops in town, I found it at the second. It’s not quite as virulent as I’d hoped and it’s not silk, because silk paisley shirts are about 200 quid, but it’s dark blue cotton and perfectly good for this. If I find another one somewhere, I’ll buy that. In the meantime, job done I’d say. Next, I have the jeans and I also have some suede, elstic-sided boots. The most comfortable pair for a warm day is pink, which is the best that I can do.

Next … the hat.

Until I was about 40 I used to wear a hat every day. Usually a fedora, a wide brimmed trilby or a straw boater in the summer. I especially liked the hats worn by two stars called Mel and Kim in the 1980s but never bought one when they were ‘in’ and kicked myself for ever after.

However, a few years later at the Spanish/French border, I saw something very similar in the gift shop. I was on a coach trip and it was just a bathroom break so there wasn’t time to buy one—and they were too expensive anyway—but I did now know that Mel and Kim wore Spanish Flamenco Hats. Clearly then, since there is more than a hint that the original Zorro was hispanic, the Spanish Flamenco Hat would be the place to start.

A rigorous search on t’interweb revealed that yes there are such things and you can actually have one made for you for 120 Euros! Or you can buy one for 50 Euros. They were pretty much right but I couldn’t find a company that would ship to the UK … because bloody Brexit. Ugh. On the up side, there is a type of riding display where the horsemen and women wear these hats and there are sites selling them to horse people.

So then I thought what about Portugal … I mean, Britain’s oldest ally at 600 years and there’s the port logo right? The police officers mention that in The Wrong Stuff. So I googled, Portuguese traditional hat, and one of the things that came up was this. Oh my lord! Perfect. Even better it was a shade over 30 Euros from a Portuguese riding shop.

Yep. This, my friends, is a Bolero, one of the traditional hats of Portugal. It is also the hat worn by the geezer on the Sandyman port logo and the hat of choice if you want to look like Lee Van Cleef, or even Clint Eastwood, in The Good The Bad and The Ugly. Those are traditional Portuguese cowboy hats … totally different to the Texan thing, y’all but very much what you see them wear in the films.

Yeh. Well … the hat helps a lot. That’s the shirt.

Interestingly, while I was researching all of this, I discovered why the Sandyman port geezer has a cloak as well as a hat. This is not because he’s a cowboy—though a cloak would be practical to keep you and the horse warm and dry, Drizabone style. Nope. The Sandyman geezer is just a student. Mwahahahrgh! That hat and cloak is what Portuguese students wore when the logo was designed. They still do at some universities. I suspect the public image of port has altered somewhat since then, either that or students weren’t perennially brassic the way they are now.

Plastic loo-seat-shaped hat preserver.

It arrived in a huge box and since I was buying the hat I also bought a thing that looks like a clear plastic loo seat which keeps it flat and in shape … see below.

The correct way to wear it if you’re Portuguese is tilted to the left, if you are a British lady you’re supposed to tilt it to the right. I think I’ll wear mine going left the Portuguese way from now on.

I love that by pure happenstance The Pan’s father, the original owner of his cloak and hat—and lecturer at the University of Hamgee—turns out to have dressed as a Portuguese student. It kind of works too becuase in my mind’s eye, The Pan was always olive skinned until his blood went blue.

Other interesting factoid. Blood in its natural state actually IS blue at some stages in its journey round the body. It’s only when it hits the air and oxygenates that it goes red.

So there we are. Funny what you find out isn’t it?

On a different note …

If you’ve stumbled on this page looking for information about hats and are now wondering who on earth all these imaginary people are well … there are some books about that and they don’t even all cost money. Feel free to read one of the free ones if you’d like to give them a try. You can find a list of them, with links to buy them from the major stores, and mine, at the end of this smashing link here:

MTM’s Books

Or you can sign up to my mailing list and grab Night Swimming for free here:

Night Swimming

 

 

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Another fine mess I’ve got me into …

Although also … possibly … out of.

Too Much Information Alert …

OK, this post is, officially, going to begin with Too Much Information. I’m going go talk about one of the last taboos, my monthly cycle.

As a lady of a certain age, who is fitted with an … er hem … coil … I have been spared the joy – a word I use with extreme irony – of periods for the last ten years. Gone are the days when, were I to get appendicitis at the wrong moment, I would simply fail to notice and die. I have had both (although I still have an appendix) and on the pain-o-meter the monthly cramps won hands down.

However, despite this, I still have a, you know, cycle. There are days when I am completely sapped of all creativity and depending if it’s a long or short cycle the creative down times last from between forty eight hours to two weeks. I call this the meh time.

When Meh strikes (let’s give it a capital M) the trick is just not to try too hard until it’s gone. I can do artistic creative so long as there’s zero pressure on myself to succeed. So I can draw or twiddle with things in photoshop so long as I don’t take it too seriously. With writing, I can sometimes do stuff long hand but basically, I have to accept, at that point, that my muse has gone on a bender. I’m never sure if it’s on holiday, relaxing on a beach somewhere or if it’s lying in a dark back alley somewhere, out cold, in a pool of its own sick, empty vodka bottle still clutched in one limp hand. If I give it the time to have a bath and several black coffees it might produce something intelligible but on the whole, at moments like this it’s best left to sleep it off. I let it be and get on with other things. To do so is quiching out in many respects. But I’m not really talking about failing to turn up to the chair and write, this is more about sidestepping burnout.

An interesting aspect of this is that I hadn’t thought to count non fiction in the writing I do. Because despite the muse having fucked off on a bender, I have written quite a lot of things this week and historically, have written a fair bit of stuff in these phases. The bit that’s in trouble is the bit that makes up an intelligible plot then, it would seem. It may be that it’s not all Meh, or at least, not all Monthly Meh. I’ve found it really hard to get back into the saddle with the Sussex run and the whole looking after Mum thing and, as discussed last week (or was it the week before?) we have reached the stage where there is no point in denying our arses off any more. We have to accept that her memory is not what it was or, to be honest, I could probably just leave that statement at simply, her memory is not. It is slightly as if the whole looking after Dad thing has left me too exhausted to carry on. Whenever that thought occurs to me, I just have to accept that it’s probably true, file it in the can’t-be-fixed section and then ignore it and hope it goes away. Think of me as the owner of a 1960s car with a snapped fan belt, looping an old pair of tights round the alternator so it will generate enough juice to get me home. All that increased care and concern does tend to drop an anvil on the fiction-creation centre of my brain.

Usually from a great height.

Possibly even from the stratosphere.

Ideally, what I’d be doing right now is starting some K’Barthan Extras. But what I want to write is the big sweeping epic that will take years to finish and won’t sell (not that any of my books sell) – the Betsy’s Bordello origins story – and of course Space Dustmen. Neither of these will be finished by September which is, ideally, the point at which I ought to be publishing my next book. That said I could give Space Dustmen a go as I think that’s going to be less complicated and easier to split into adventures but in my world of highly-polished, unmarketable literary turds it’s the K’Barthan stuff that sells.

That said there wasn’t anything doing this week so I decided to do some of the things I’ve been meaning to do but haven’t got round to. This includes the thing for my will which I still haven’t done but hope to have finished today. Fingers crossed. It also included having a go at some of the settings on my metal detector and finally sending Gareth his share of the royalties for this quarter. Note to self: do the royalties quarterly from now on, it makes it look as if there are more of them. Mwahahaaaahrgh! Self-deception is my friend.

Chatting to Gareth via whatsapp this week, he was talking about his singing lessons and how he is trying to alter some of the physical aspects about the way he sings so it’s more natural – and is therefore more effective – I think that’s the gist. He was worried about sounding ‘wanky’ snortle – one of my own favourite descriptors, that one – so he didn’t go into too much detail.

However, it did strike me that talking to Gareth about these things is very like conversations I’ve had with an ex triathlete friend, who now mostly rides a bike. Both are extremely talented, but a big part of it, I suspect, is that they are also very aware of absolutely everything that they can do to maximise that talent. They have learned every shortcut that will speed their progress from bleargh to perfection. Actually neither of them is starting from bleargh, they start from exceptional and kind of go on from there but you get the picture. I love that artists and sports people are as insanely geeky about their various theatres of operation as any scientist – although Triathlon Man is a scientist so perhaps the geekery is slightly less unexpected in his case. But I’m drifting from the point which is that this intensity, to me, is what separates the men from the boys and, probably, me from the professionals. I have those short cuts but … I dunno … I still seem to get nowhere. I spent the last three years doing a ground-up rebuild on how I produce and think about the books I write. Maybe it hasn’t worked so well, or maybe it’s just that the background stress levels are going up again so, once more, I’m having to fight harder. I’m at a bit of a loss. Again, I’ve reached a stage with my writing where I should accept that I’m not in a situation where I can have a career of my own. I should stop and give up but I just … can’t. On the other hand, I’ve just read an article by Robert Webb during which he stated that having said he wanted to be a novelist he has realised, after staring at a blank screen for the last twelve months, that he might need to give himself some other options. Ah Robert, Robert … I feel your pain. Welcome to the writing pleasure dome.

For whatever reason, writing, for me, seems to take a huge amount of emotional energy, and after years and years of grinding, spirit-sapping stress with Dad and now Mum, a whole decade plus of playing to everything I’m shit at in life and existence – thanks a fucking bunch there, God – I just don’t seem to have that energy any more, or at least, only in very small amounts. I am so, so much closer to burn-out over that than I was with Dad, because I’ve already done ten years of worry – including five of the kind of high intensity stuff I expected to have to maintain for three or four years at the outside. Right now, after a brief dip, I’m looking at another five or ten years of the same thing again. It is not … yeh. Let’s just leave it at … it is not. But having time off in lockdown, while handy at the time, might not have helped to be honest. Not at all. It just gave me a glimpse of what could be, but which I’m beginning to think never will be. There will always be someone with dementia I need to look after, until I reach the point where it’s me. I am really, really struggling to get back into it all. At the start, I remember thinking I probably had the stamina for three years or so, five at the outside. I guess the basic gist is, I was right. But there is no option for the battery to run flat. No way out. No end in sight. Just more and more and more admin, my mother’s, my son’s, my own – blimey but I’m a miserable bastard today aren’t I?! I just have to get better at pretending it’s not happening and carry on. Tights round the mental fan belt. I can do it. I might need a bit more CBT. I’ll look into some options.

Additional Meh factors might be the fact that it’s April, a month during which I traditionally sell fuck all books but I’ve had the worst month for book sales for five years. I’ve up to earn 40 dollars this month. All on Amazon. Usually I earn over a hundred. The fact that I can no longer construct a Facebook ad of any description that gets out of the learning phase isn’t helping either. The frustrating thing with those is that I had an ad that was working well, inadvertently edited something and had to reload it and now it can’t get out of the learning phase. That said. People are signing up it seems so maybe I should just leave it. My Facebook ads always go tits up around Christmas, Halloween and American Elections. But there’s nothing worse than spaffing a load of money up the wall for zero return in a field of operations at which you used to excel. I don’t understand it. If I narrow it down it says my audience is too small to have any hits, but it’s saying my audience is to small to achieve any hits if I choose people in NZ and AU who like Terry Pratchett and Books. According to the numbers, when it bothers to say something other than that my audience is to small, that’s well over a million people. At the same time, I’m getting three sign ups a day for my two bucks so I dunno, go figure.

Out of the Meh came forth Merch …

Back to the point. Meh. I decided that if writing was difficult I’d do something book related that didn’t feel like pulling teeth but needed to be done. So it was that out of the Meh came forth Merch. I spent Tuesday and a lot of Thursday making products which featured Humbert the Parrot quotes. I also did a couple of K’Barthan swearing things. So far I’ve done a couple of badges – oh and one sticker! Mwahahahrgh. Despite feeling a bit Meh, I observed that I was still able to do stupid product descriptions. Well, they made me laugh anyway. Then again, that doesn’t necessarily mean they are funny. Still after anticipating a rather flat couple of days, I had a remarkably amusing time with myself. Mum was on good form too, on the Wednesday, which always helps and we went to the beach yesterday for a walk and it was beautiful light with bright sun.

I think these Meh periods are probably part of life for every creative. OK some folks seem to be able to produce hundreds of books and I salute them. I could do that if literary creativity was like painting. I can paint like ringing a bell just … not as well as I can write. The fact is though, I seem to be so adversely affected by every little thing that sometimes, I’m surprised I produce anything at all. What I do manage is the result of hours of analysis and effort into the how and why of my ability to create so I can squeeze the maximum juice out of each tiny drop. I suppose if you want to be good at something that’s what you do. Maximise it. But … I dunno … it’s as if I have a few drips of potent creativity and I have to make it cover each book. While everywhere I look other writers seem to be just vomiting out books. Really good books too. Burp! Oooh there’s another one. I am probably looking at the wrong people and in the wrong places.

Talking of books, Gareth is hoping to start work on Too Good To Be True soon, singing-related shenanigans permitting. Which made me think of something else and that is, how intensely physical the performing arts are. I remember reading somewhere how people who are in a production full time often have to do an extensive range of weird and arcane physio exercises to keep all sorts of obscure body parts in trim. It’s amazing how much of something that seems large cerebral is, in fact, physical when it comes to doing stuff with your voice or an instrument. I do remember talking about this kind of stuff with my violin teacher when I was small and good at it. Body posture and stance are a huge part of it because you’re not just playing the instrument, you’re part of it because the sound is resonating through you. And that’s why the way you stand or breathe can make a huge difference.

That got me thinking more about writing. There seem to be three important factors that can fuck mine up. The first is pressure. Can I make up stories under pressure? No. This is probably why I am struggling writing more K’Barthan extras. There is pressure to finish them whereas there is not any pressure to finish the other projects which are ticking along nicely. Well … not really. So I have this strange dichotomy where I can write an 85k novel in about six weeks but only if a) that’s not what I’m actually trying to do, b) other stress is reduced and c) the six weeks are spread out over the course of about a year. It’s like learning to fly Adams style. Except instead of throwing myself at the ground, getting distracted before I land and missing, I have to throw myself into writing the next book, forget why I’m writing it and just … enjoy my K’Barthan holiday.

Getting the first set up started is the difficult bit. Once that’s there, if it’s a simple story with a main character and not much else, it will get from beginning to end reasonably fast.

Second thing … admin. If I have something looming, like a tax return or, in this case, some bits and bobs for my will, I feel pathologically compelled to do it before I write. But when I come to do it, because I want to write, I get bored and my mind wanders and I stare at my computer and get distracted and before I know it a day has gone by of me staring at the screen doing … I dunno what. The way round that one is to do a short burst of writing before I start the admin. Then at east I’ve done a bit of what I’m supposed to.

Third thing, hormones. There is the one week in every four where I’m never going to write anything. This is the time I use for editing or to drop writing and have a pop at other stuff; newsletters, writing ads, booking promos. Downloading the graphics and sorting all the links I have to share … that kind of stuff.

Fourth thing, I need to take the right measures. If that means giving up on it for a day or two and doing other things so be it. Yesterday we went to the beach for a day. We spent an amusing hour having lunch in a pub garden and the conversation included inventing euphemisms for going to the loo. Starting with the well known ‘I must go siphon the python’ we built on the theme and finally ended up with McMini calling it, ‘I just have to go and deal with some yard trimmings,’ while I preferred, ‘I just have to go and fly-tip a sofa’. Yeh, I know but we thought it was funny. McOther just sat there with a contented, these-are-my-children kind of smile on his face.

picture of the sea
I must go down to the sea again, the lonely sea and the sky. I left my socks there yesterday. I wonder … continued on page 94/…

Thing is though – going back to my ongoing fight with my muse – for most of 2020, pandemic aside, I was in post op recovery or a great deal less stressed. I couldn’t do the Sussex run for a lot of it and in many ways, Mum’s well-being was out of my hands – or at least, I didn’t feel as painfully responsible for it and I was able to let so much stuff go. It was awesome. I didn’t need to take measures, or follow any of the protocols I usually have to follow to write. I ate exactly what I’m eating now, but I lost weight instead of putting it on. There was no need to keep a daily word count and do the ten minutes a day thing. Now there is. Now, I’m back to the place I was in 2018. I need to pull every trick in the book to keep the tiniest trickle running from the creative well. I need to keep it alive because if I don’t the other stuff is going to get a bit overwhelming and if I get overwhelmed, I’ll be no good to anyone. I need another holiday – already – and since I can’t have a real one, I have to pretend. And if there is any talent in me, it seems that I have to support it with a lot of painfully convoluted mental gymnastics. It’s a a gargantuan ball ache but it is what it is. I just have to accept it and get on with it. I guess part of it is simply that I’ve reached a perfect storm where everything writing related is going dismally badly at once. I just need to grit my teeth and push on through. And do those bloody lists for my will. Ugh.


On a lighter note … K’Barthan invective poll results! Phark.

As discussed here, last week … K’Barthan products. Mmm. Last week I asked if you’d like to vote on your favourite Humbert phrases. Many did.

Congratulations.

As you may have gathered from my previous wittering, I took the recommendations and ran with them, well, OK, it was more of a case of, I shambled crazily for a few metres, went purple in the face and had to sit down for a minute or two … but it’s a start!

The runaway winners, if that’s the right word, were ‘Wipe my conkers!’ and ‘Bite my winkey!’ but there were many more, here are the top six:

  • Wipe my conkers!
  • Bite my winkey!
  • Windy trussocks!
  • Jiggle my tumpkin but don’t touch my drink!

Extremely close behind ‘windy’ and ‘jiggle’ were:

  • Arse!
  • Shroud my futtocks!
  • Bombs away!
  • Gits in a bag!

After talking to Gareth, I realised that I’d completely forgotten to offer ‘Futtocks away!’ as an option which is, apparently, his particular favourite, and one of mine, too. Oh well, you can’t win ‘em all. If you’d like to see the resulting merchandise you can find it here:

This week, K’Barthan swearing is under the spotlight. So if you wish to vote for your favourite piece of K’Barthan invective, you can go right ahead and do that too. The ‘voting’ form is at the end of this link. Enjoy.

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