Blimey, it’s already that time of the week again when I’m supposed to be writing a blog post. It’s been a bit of a clearing up week this week. I’ve finally finished my story for Christmas Lites. It’s absolutely terrible but it’s done. I’m supposed to have sent it off today, but I need to put the last batch of edits in – and possibly write an additional scene. Which reminds me, I must email the organisers begging for clemency.
That said, although it’s terrible, it’s only the first part really. I could probably tidy it up a lot more if I had the actual event they’re trying to sabotage taking place at the end. Then our band of heroes and heroines could all stand about looking smug as their Grongle overlords commit what they think is an act of extreme sacrilege to upset the locals but … well … isn’t. I might miss the deadline if I do that though. I mean, really miss it. And also I doubt I could do it in under 4,000 words and I only have 3,000 to play with. And I have to prepare for my hospital trip.
First up I need to work out what I’m taking and I have a lot of paperwork to read about what I should bring, papers to sign about covid and other stuff to bring along. There’s also a lot of stuff I don’t know, which I do hope they are going to tell me. Soon. I’m guessing I’ll need to wear track suit bottoms. I have a mask with a filter in it that’s good for about 700 hours and I’ve bought one of those plastic face screens to wear as well. While I’m writing, I ought to give you the heads up that there may not be a blog post next week. It depends but I suspect I’ll be on the go driving down to the hospital to have my premed appointments. McOther and McMini may drive me but it depends because I don’t know how long these appointments will take.
The knee is really appalling now. I’m so glad I’m having it done, as I can only do tiny stints of walking before I have to go and have a sit down. I did manage to rake the leaves off the path today and clear away some of the dead and dying veg plants from the garden. I brought the things I’d like to try and keep alive over the winter indoors to the conservatory and I have also managed to make a few more inroads in my
room of shame office. See photos.
Meanwhile, Gareth is working on the next audiobook, Close Enough, at which point we will have my entire catalogue recorded. So in theory the next book, Too Good To Be True, should be released with an accompanying audiobook, and a lot fewer mistakes because Gareth is very good at spotting typos!
As usual, the chapters he’s sent so far are brilliant. Woot.
As always, he asked me, at the start, if I have any preferences for any of the new voices. On the one hand, it’s hard not to be like a kid in a sweetshop, on the other, I don’t like to be too overbearing. Even if I do stipulate something, I try, really hard, to keep it general and not be any more specific than, what about … accent a or b? But at the same time, Gareth can do pretty much anything I throw at him. I suspect he might surprise himself sometimes on that score. Also, he comes over as a man who enjoys an acting challenge, I sincerely hope so.
That said, I do try to stick to things he might not have thought about doing and stay within the parameters of what his particular voice can do rather than push him miles out of his comfort zone. The aim is for a positive reaction along the lines of, ‘oh yes, that’ll be fun.’ Part of the sheer joy of it all is feeding the ideas in and seeing what he does.
There’s a character in this one called Marcella the Pirate. I have slightly based her on Edward Teach – also known as Blackbeard. Originally she was a guy but then the idea of having her as a lady began to appeal because it made her seem even more of a scary psychopath. So I did that instead. I haven’t really a voice in my head for Marcella short of hard and nasty. Gareth asked if I had any particular ideas on how she’d sound. When I came to actually think about it I wondered if Edward Teach was from the West country and thought maybe that would work. I checked with Google and sure enough, he was, so I suggested hard and nasty West Country and let him get on with it. Mwahahahrgh, he has not disappointed.
Just on a quick tangent here, Edward Teach was from Bristol. Could that be why pirates traditionally speak with a Bristolian accent? He used to plait his beard and hair and attach firecrackers to the ends of his plaits. I thought he got this a bit wrong at one point and blew himself up. Na-uh. He was actually ambushed. He was shot 20 times, stabbed five more times, then they cut his throat after which, just to make absolutely certain he was dead, someone chopped his head off. Well. There’s nothing like making sure of something I guess but that, right there, is fear of your enemy.
Also on the audiobooks front, Audible have finally released the box set of the K’Barthan Series. To my complete and utter amazement, it sold 33 copies in the first five days. So at least the royalty cheque I send Gareth in however many months it is won’t be quite as risibly small. At the moment I transfer them with ridiculous references on them like ‘HugeRoyalty’ ‘MassiveCash’ etc.
The conceived wisdom on all this is that big books go well on Audible and small books go well on Findaway – though library borrows mainly. I am discovering this to be true. Neither Audible nor Findaway reports completely in real time, Audible seems to update more or less once a day, give or take. Findaway is quite random. So far, the last month’s sales have all been for library borrows with only three or four of the full length books being sold and absolutely zero sales of the Box set.
Going forward, I suspect what I should have done is kept the box set to myself and sold it via my own site for a reduced amount. I will probably do that with the pending K’Barthan Shorts box set. I have to write seven now, as well, because One, Two and Three make a nice novel length book. Four is a novel and Five and Six … well … I suppose they might be longer but I doubt it so I may need a Seven. Although I think The Pan is going to be getting into more trouble with Marcella The Pirate so I doubt it’ll be too tricky. I will probably sell all the books for a bit less on my own site when I get it sorted. At the moment I’m doing that through Author’s Direct. Gareth and I share a 70% royalty on anything I shift there. However, books I published weeks ago still haven’t appeared on my Author’s Direct dashboard so I’m hoping that eventually, I’ll be using the alternative platform that I’m testing alongside (CF the free book last week).
I’m wondering if those 34 people who bought the box set on audible are people who listened to the free book from the link I provided here. It’s difficult to say. It’s stopping now, but it does appear to mean that 34 people were waiting to download it, which is nice. I wonder what sort of royalties we’ll get paid for an audible token purchase. Probably about £2.50.
Audible/ACX does worry me a bit though – ACX is the platform run by Audible to which you upload books. I’m not even sure if I can remove my books from sale once they are on there, which is the bit of a worry with the subscription model looming. You can’t choose where you distribute either, so you have to put up with two listings on Apple, one which pays 40% royalties and one which pays 25%. You can contact Apple and ask them to give the 40% version precedence though. If I go through an aggregator to Audible/ACX, I think can take my books off there more easily but Gareth and I would take a big hit – we would earn 40% of the 25% royalty that Audible/ACX pay us to go direct.
Also, their exchange policy is concerning. It’s fine returning books you’re not enjoying. I have zero problem with someone downloading my book, loathing it and returning it. But audible encourages readers to ‘exchange’ a book and re-use the credit. They pitch this as one of the benefits of joining. That means an audible user who has enjoyed my book may well decide to ‘exchange’ it for a different one, Audible pitches this to customers as working like a library but as I understand it, they treat exchanges as a return. That means the author and narrator do not get paid and if they have already been paid Audible will claw back the money from future payments. Readers can ‘exchange’ books for up to ONE YEAR after purchase and yes, if it happens in that time, ACX/Audible will take back your money.
So if you’re an Audible user maybe avoid ‘exchanging’ books by authors and narrators that you like eh? Well … if you want them to continue putting books on Audible.
Authors and narrators are getting wise to this, though. Many are now distributing ‘wide’ beyond ACX/Audible while a growing minority are no longer uploading their books to Audible at all. Add to this that if you don’t go exclusive Audible slash your royalties from 40% to 25% – yeh, how dare anyone put their books in libraries – and although it’s supposed to take ’30 days’ for them to approve a book, in reality it takes three to six months to get a book approved and it’s a bit of a kerfuffle. Case in point, the K’Barthan Series Box Set was uploaded in July 19th and went live on 9th October. The glorious illogic of this was that, barring the five second beginning and ending credits, the entire thing comprised files that they had already approved and which were on sale as individual books. So that’s six months to check the beginning and end credits of the book – about 20 or 30 seconds of audio? Something like that.
In addition I encounter many tales of audible rejecting books after three months with a generic message such as – there is too much background noise. What they don’t tell you, of course, is where that piece of background noise is. Bear in mind this may be a 12 hour book with 70 chapters. At one point they changed the length of the silences they required between chapters, books where the silence had been within guidelines when they were up loaded were rejected because they now were not.
All the author or narrator can do is check their books and resubmit – there are actually pieces of proprietary software that enable you to do this. Not from Audible/ACX, obviously because that would be helpful. Another three to six months later it may well be rejected again. Some authors are resubmitting again and again because even going through their books with a fine tooth comb, they can’t find the place where the ‘mistake’ is and get this … Audible doesn’t tell them. Imagine if school was like audible.
‘Here’s your essay back, there’s a mistake in it.’
‘Oh, what did I get wrong.’
‘It’s not my job to tell you what you got wrong, you should know.’
Contributors check, and recheck, and scratch their heads. They resubmit what looks to be a perfect book, completely within all guidelines and it’s rejected again and again. There are stories of people discovering .5 of a second too long a silence at the end of one chapter in 60, resubmitting and it going through. Folks checking the chapters and over the book and then discovering an extra second on the silence after the opening credits. Seriously, how hard would it be to say, chapter 45 has .5 of a second of extra silence.
Audible/ACX is swamped with submissions but if they identified the mistakes how many hundreds books in the queue for checking would have passed by now. I know authors with books which have been going round and round since February. Would these books be clogging up the system had Audible/ACX taken the simple, blindingly obvious step of identifying where any errors actually are. Even ‘there’s an error in chapter six, you know the one, the forty minute one, it’s in there’ or maybe, ‘here are your first five errors, there were more,’ would be better than what they currently do which is: ‘here’s twelve hours of audio, somewhere in there, is a single, tiny background noise/a silence that is 4 seconds long instead of 3.5. It’s not our fucking job to tell you where it is because that might actually be of some practicable use to you. Now piss off and fix it.’ It’s extraordinary. And worse, people who’ve read too many Geoffrey Archer novels and seen too much shit on TV like Madmen are beginning to think this kind of shambolic, unprincipled, bollocks approach is how actual business works. I don’t think so.
It’s also the reason why, most of the time, any folks using Audible who want to get my books the same time as everyone else have to borrow them from the library. 🙂
On a lighter note …
Do you remember in this post here, where I talked about doing a podcast interview? Well the interview is now live, so if you’d like to watch me shooting the breeze for half an hour on Bibliofiles, with Bonnie K.T. Dillabough you can. It was great fun, I really enjoyed it although I will have to try a different camera angle next time I do something like that! Double chins anyone? Anyway, if you’d like to give it watch, you can find it here: