Tag Archives: free audiobooks

If I die before I wake …

Doubtless you’re delighted to see that I’m not starting off with a melodramatic title or anything, because clearly, I would never be a drama queen about having a totally standard operation or anything. Snortle. All the same, I am nervous so this will be a brief post, because I have an operation on Monday and there’s not much of practicable use bouncing about in my brain. We drove down to London yesterday for my pre op tests which included a Covid19 test where, I swear, they pushed the swab into my actual sinuses. Despite the fact the lady was brilliant and actually very gentle, it was not a good scene.

Rotherhythe tunnel

One of the things I particularly enjoy about visiting London is the stuff you find. We went through the Rotherhythe tunnel, opened by Edward VII in 1908 on my and McMini’s birthdays. That was amazing. Filled with porcelain glazed bricks to reflect the light, like the early tube lines; Piccadilly, Bakerloo and Northern. It makes a rather good picture. Who knows when I’ll need a light at the end of the tunnel type shot. It is also a very rare example of a tunnel where pedestrians, cyclists and traffic all go through the same bore.

This morning, having remembered to pay the congestion charge for yesterday and Sunday, ooo get me doing one of them in advance, woot! I realised that I’d forgotten to book any physio so I’ve been looking up the physio peps on my insurer’s books with a view to getting my rehab sorted out. I’ve found one that looks good and they have sent me a message which is handy.

In the spirit of if-I-do-this-hopefully-nothing’ll-happen, and not because I’m a batshit crazy old crone, no siree, I wrote The Letter. You know the one, where you add any bits to your last will and testament that you forgot at the time, or write one, tell your McOthers you love them and give them the passwords for your computer so somebody else can profit from the enormous earnings of your literary empire after your death. Then you sign it, fold it up, write, ‘Open if it all goes horribly wrong and I snuff it!’ On the front of it and stick it in your desk drawer.

No shit, I even broke down how the film rights get divided up. If that isn’t some kind of optimism, despite the overall pessimism inherent in the act of writing the letter, I dunno what is. Mwahahahrgh! What am I like?

In a packed afternoon’s activity, I also sorted out the blinds in my office, finally. Now, instead of blinds on one window, I have blinds on all of them. Which makes it a bit snugger at night. Obviously this has left me feeling that I am a complete household goddess … and with some unfortunate red pen marks all over the paintwork.

There’s me thinking, ‘I know! I’ll use a dry wipe whiteboard marker and then it’ll just wipe off.’

Yeh. That went well. Let’s label it option a shall we? Note to self, dry whiteboard markers do not wipe off vinyl silk gloss. It’s clearly not glossy enough.

Ho hum, can’t win ’em all.

Other news, I just want to briefly update you on the bit I posted about Audible last week. As an author colleague noted, when you upload your books to either Amazon or Audible, you know you are supping with the devil. And she has a good point.

Audiobooks are great, and Audible is great, but I suspect it needs to get its shit together. Fast. It also needs to accord the people it does business with the basic courtesy of transparency and honesty in its practises. We know these companies are gorillas. We know their contracts probably have a sub clause pertaining to the sale of our very souls, I have probably sold my soul several times over since I’ve signed contracts to access Apple, Windows, Amazon and Audible.

No mention that this is a ‘return’.

Nobody wants Audible to go bust but it would be good if they could stop behaving like idiots. I used to work for a UK household name, I know what big companies are like, but they have taken the crappiness and run with it. Plumbing new depths I’d never have believed possible.

Who knows where the future of creative material is going. In an ideal world, the targeting would become more precise and the algorithm at the vendors better at matching products and consumers that suit each other. If that were the case, the slash in royalties that inevitably comes with streaming would be less of a hit. But of course, it’ll be pay to play, so however excellent the algorithm, it will never be left to work on its own. It’s not as if I or anyone else who is worried about this ‘returns’ thing believes the world owes us a living. But I also reserve the right not to work with wankers more than I have to. Audible is 60% of my audio sales but if they and ACX get too much like hard work I will probably give up on them. For now, I’ll hold off with the new release until they can provide me with some basic, reliable information. Some is there, I just need the rest, as do all of us. All we need to know is:

1. How many books I have sold.
2. How many books have been returned.
3. How much I am being paid for each borrow/read/purchase.
4. Ideally this would be real time.

Over and above this, it would be good to know which books are in this Audible plus thing. Are mine in and being ‘lent’ or are they not? I dunno.

Then there’s submitting books to Audible which is a nightmare. The usual channel is ACX, which is owned by the same people, and kind of a sister company, until you want something looked into in which case each one can tell you it’s the other’s problem. Things that do lie squarely with ACX, though, are the interface, which is abysmal, and the reporting, which is also abysmal and the massive delays, which … well it’s great that a human listens but they still need to tell you where in the 200 chapters you’ve submitted the extra second of silence is, otherwise you’re going to be flailing about, resubmitting that book again and again. No wonder they are inundated. Half those books are probably on their third or fourth submission.

Hopefully, if enough writers, producers and narrators of audiobooks can join together to try and open some dialogue with Audible and ACX we might succeed in getting a bit more transparency and a better service. Things that will help them as much as us.

Remember I told you about the K’Barthan Box set, how I submitted chapters for four books which had already been approved, and waited from July to October for them to, basically, approve the opening and closing credits? Yeh. A lot of authors are abandoning ACX because of that. Likewise, the number of people going exclusive with Audible appears to have dropped. So far, there are – again unsubstantiated – claims that the time ACX is taking to approve files has improved drastically. We need to collect more data on that.

I have, at present, unsubstantiated intel that Findaway to flag any returns on their reports from Audible. I have asked them but haven’t heard back yet. I will keep you posted as to whether these efforts to persuade ACX and Audible to listen turn into anything.

In the meantime, remember there are alternatives to audible, Kobo, for starters. But also Google Play, iBooks, authors websites – including mine – and Chirp – which is not available everywhere at the moment but I hope soon will be. There are alternatives. Better alternatives. Go for it. Look for them.

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If you haven’t tried audio, you can, for free.

Yep, I’m still doing my beta test for distributing audible via my own site. Or at lest via my own site an alternative way. If you’d like to give it a go, you’ll need to download the bookfunnel app or join bookfunnel. If you’re happy doing that feel free to help yourself – the link is below.

It’s in beta, yes you are testing. That’s why you get a 13 hour audiobook for free read by a man who can seriously do funny; Gareth Davies. The fellow who made Roy Hudd laugh … and laugh enough to be asked back to do it again.

Once you click on the link, below, you’ll end up on a download page for the book. When you click listen/play it will ask you to download the bookfunnel app and enter this code, which it gives you right there so remember to write it down.

When you’ve done all the installing malarkey and you click to play it’ll ask you for the code you jotted down. I don’t know if the code is case sensitive but I’d presume it is!

This is a brand new app and brand new audio player, and Bookfunnel appreciate any and all feedback. If you get into trouble, or can’t get anything to work, contact their help address – which is given on their site, help @ bookfunnel.com – with a header: ATTN: Julie.

Here’s the link: https://dl.bookfunnel.com/fxd6bnoy7k

If you decide to listen to the book. I hope you enjoy it. I leave you with this fabulous book-shaped light. Rock on the lovely gift/interiors store on Peebles High Street. Go there, buy stuff. Oh and pop down the other end and have a sausage roll as well!

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Let’s talk about Things …

One of the things I tidied up was my room of shame … well … a bit.

Blimey, it’s already that time of the week again when I’m supposed to be writing a blog post. It’s been a bit of a clearing up week this week.  I’ve finally finished my story for Christmas Lites. It’s absolutely terrible but it’s done. I’m supposed to have sent it off today, but I need to put the last batch of edits in – and possibly write an additional scene. Which reminds me, I must email the organisers begging for clemency.

That said, although it’s terrible, it’s only the first part really. I could probably tidy it up a lot more if I had the actual event they’re trying to sabotage taking place at the end. Then our band of heroes and heroines could all stand about looking smug as their Grongle overlords commit what they think is an act of extreme sacrilege to upset the locals but … well … isn’t. I might miss the deadline if I do that though. I mean, really miss it. And also I doubt I could do it in under 4,000 words and I only have 3,000 to play with. And I have to prepare for my hospital trip.

I also tidied my desk … sort of.

First up I need to work out what I’m taking and I have a lot of paperwork to read about what I should bring, papers to sign about covid and other stuff to bring along. There’s also a lot of stuff I don’t know, which I do hope they are going to tell me. Soon. I’m guessing I’ll need to wear track suit bottoms. I have a mask with a filter in it that’s good for about 700 hours and I’ve bought one of those plastic face screens to wear as well. While I’m writing, I ought to give you the heads up that there may not be a blog post next week. It depends but I suspect I’ll be on the go driving down to the hospital to have my premed appointments. McOther and McMini may drive me but it depends because I don’t know how long these appointments will take.

The knee is really appalling now. I’m so glad I’m having it done, as I can only do tiny stints of walking before I have to go and have a sit down. I did manage to rake the leaves off the path today and clear away some of the dead and dying veg plants from the garden. I brought the things I’d like to try and keep alive over the winter indoors to the conservatory and I have also managed to make a few more inroads in my room of shame office. See photos.

Squee!

Meanwhile, Gareth is working on the next audiobook, Close Enough, at which point we will have my entire catalogue recorded. So in theory the next book, Too Good To Be True, should be released with an accompanying audiobook, and a lot fewer mistakes because Gareth is very good at spotting typos!

As usual, the chapters he’s sent so far are brilliant. Woot.

As always, he asked me, at the start, if I have any preferences for any of the new voices. On the one hand, it’s hard not to be like a kid in a sweetshop, on the other, I don’t like to be too overbearing. Even if I do stipulate something, I try, really hard, to keep it general and not be any more specific than, what about … accent a or b? But at the same time, Gareth can do pretty much anything I throw at him. I suspect he might surprise himself sometimes on that score. Also, he comes over as a man who enjoys an acting challenge, I sincerely hope so.

That said, I do try to stick to things he might not have thought about doing and stay within the parameters of what his particular voice can do rather than push him miles out of his comfort zone. The aim is for a positive reaction along the lines of, ‘oh yes, that’ll be fun.’  Part of the sheer joy of it all is feeding the ideas in and seeing what he does.

There’s a character in this one called Marcella the Pirate. I have slightly based her on Edward Teach – also known as Blackbeard. Originally she was a guy but then the idea of having her as a lady began to appeal because it made her seem even more of a scary psychopath. So I did that instead. I haven’t really a voice in my head for Marcella short of hard and nasty.  Gareth asked if I had any particular ideas on how she’d sound. When I came to actually think about it I wondered if Edward Teach was from the West country and thought maybe that would work. I checked with Google and sure enough, he was, so I suggested hard and nasty West Country and let him get on with it. Mwahahahrgh, he has not disappointed.

Just on a quick tangent here, Edward Teach was from Bristol. Could that be why pirates traditionally speak with a Bristolian accent? He used to plait his beard and hair and attach firecrackers to the ends of his plaits. I thought he got this a bit wrong at one point and blew himself up. Na-uh. He was actually ambushed. He was shot 20 times, stabbed five more times, then they cut his throat after which, just to make absolutely certain he was dead, someone chopped his head off. Well. There’s nothing like making sure of something I guess but that, right there, is fear of your enemy.

Also on the audiobooks front, Audible have finally released the box set of the K’Barthan Series. To my complete and utter amazement, it sold 33 copies in the first five days. So at least the royalty cheque I send Gareth in however many months it is won’t be quite as risibly small. At the moment I transfer them with ridiculous references on them like ‘HugeRoyalty’ ‘MassiveCash’ etc.

The conceived wisdom on all this is that big books go well on Audible and small books go well on Findaway – though library borrows mainly. I am discovering this to be true. Neither Audible nor Findaway reports completely in real time, Audible seems to update more or less once a day, give or take. Findaway is quite random. So far, the last month’s sales have all been for library borrows with only three or four of the full length books being sold and absolutely zero sales of the Box set.

Going forward, I suspect what I should have done is kept the box set to myself and sold it via my own site for a reduced amount. I will probably do that with the pending K’Barthan Shorts box set. I have to write seven now, as well, because One, Two and Three make a nice novel length book. Four is a novel and Five and Six … well … I suppose they might be longer but I doubt it so I may need a Seven. Although I think The Pan is going to be getting into more trouble with Marcella The Pirate so I doubt it’ll be too tricky. I will probably sell all the books for a bit less on my own site when I get it sorted. At the moment I’m doing that through Author’s Direct. Gareth and I share a 70% royalty on anything I shift there. However, books I published weeks ago still haven’t appeared on my Author’s Direct dashboard so I’m hoping that eventually, I’ll be using the alternative platform that I’m testing alongside (CF the free book last week).

I’m wondering if those 34 people who bought the box set on audible are people who listened to the free book from the link I provided here. It’s difficult to say. It’s stopping now, but it does appear to mean that 34 people were waiting to download it, which is nice. I wonder what sort of royalties we’ll get paid for an audible token purchase. Probably about £2.50.

Audible/ACX does worry me a bit though – ACX is the platform run by Audible to which you upload books. I’m not even sure if I can remove my books from sale once they are on there, which is the bit of a worry with the subscription model looming. You can’t choose where you distribute either, so you have to put up with two listings on Apple, one which pays 40% royalties and one which pays 25%. You can contact Apple and ask them to give the 40% version precedence though. If I go through an aggregator to Audible/ACX, I think can take my books off there more easily but Gareth and I would take a big hit – we would earn 40% of the 25%  royalty that Audible/ACX pay us to go direct.

Also, their exchange policy is concerning. It’s fine returning books you’re not enjoying. I have zero problem with someone downloading my book, loathing it and returning it. But audible encourages readers to ‘exchange’ a book and re-use the credit. They pitch this as one of the benefits of joining. That means an audible user who has enjoyed my book may well decide to ‘exchange’ it for a different one, Audible pitches this to customers as working like a library but as I understand it, they treat exchanges as a return. That means the author and narrator do not get paid and if they have already been paid Audible will claw back the money from future payments. Readers can ‘exchange’ books for up to ONE YEAR after purchase and yes, if it happens in that time, ACX/Audible will take back your money.

So if you’re an Audible user maybe avoid ‘exchanging’ books by authors and narrators that you like eh? Well … if you want them to continue putting books on Audible.

Authors and narrators are getting wise to this, though. Many are now distributing ‘wide’ beyond ACX/Audible while a growing minority are no longer uploading their books to Audible at all. Add to this that if you don’t go exclusive Audible slash your royalties from 40% to 25% – yeh, how dare anyone put their books in libraries – and although it’s supposed to take ’30 days’ for them to approve a book, in reality it takes three to six months to get a book approved and it’s a bit of a kerfuffle. Case in point, the K’Barthan Series Box Set was uploaded in July 19th and went live on 9th October. The glorious illogic of this was that, barring the five second beginning and ending credits, the entire thing comprised files that they had already approved and which were on sale as individual books. So that’s six months to check the beginning and end credits of the book – about 20 or 30 seconds of audio? Something like that.

In addition I encounter many tales of audible rejecting books after three months with a generic message such as – there is too much background noise. What they don’t tell you, of course, is where that piece of background noise is. Bear in mind this may be a 12 hour book with 70 chapters. At one point they changed the length of the silences they required between chapters, books where the silence had been within guidelines when they were up loaded were rejected because they now were not.

All the author or narrator can do is check their books and resubmit – there are actually pieces of proprietary software that enable you to do this. Not from Audible/ACX, obviously because that would be helpful. Another three to six months later it may well be rejected again. Some authors are resubmitting again and again because even going through their books with a fine tooth comb, they can’t find the place where the ‘mistake’ is and get this … Audible doesn’t tell them. Imagine if school was like audible.

‘Here’s your essay back, there’s a mistake in it.’

‘Oh, what did I get wrong.’

‘It’s not my job to tell you what you got wrong, you should know.’

Contributors check, and recheck, and scratch their heads. They resubmit what looks to be a perfect book, completely within all guidelines and it’s rejected again and again. There are stories of people discovering .5 of a second too long a silence at the end of one chapter in 60, resubmitting and it going through. Folks checking the chapters and over the book and then discovering an extra second on the silence after the opening credits. Seriously, how hard would it be to say, chapter 45 has .5 of a second of extra silence.

Audible/ACX is swamped with submissions but if they identified the mistakes how many hundreds books in the queue for checking would have passed by now. I know authors with books which have been going round and round since February. Would these books be clogging up the system had Audible/ACX taken the simple, blindingly obvious step of identifying where any errors actually are. Even ‘there’s an error in chapter six, you know the one, the forty minute one, it’s in there’ or maybe, ‘here are your first five errors, there were more,’ would be better than what they currently do which is: ‘here’s twelve hours of audio, somewhere in there, is a single, tiny background noise/a silence that is 4 seconds long instead of 3.5. It’s not our fucking job to tell you where it is because that might actually be of some practicable use to you. Now piss off and fix it.’ It’s extraordinary. And worse, people who’ve read too many Geoffrey Archer novels and seen too much shit on TV like Madmen are beginning to think this kind of shambolic, unprincipled, bollocks approach is how actual business works. I don’t think so.

It’s also the reason why, most of the time, any folks using Audible who want to get my books the same time as everyone else have to borrow them from the library. 🙂

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On a lighter note …

Do you remember in this post here, where I talked about doing a podcast interview? Well the interview is now live, so if you’d like to watch me shooting the breeze for half an hour on Bibliofiles, with Bonnie K.T. Dillabough you can. It was great fun, I really enjoyed it although I will have to try a different camera angle next time I do something like that! Double chins anyone? Anyway, if you’d like to give it watch, you can find it here:

 

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That’s … a bit of a thing.

These last fifteen days or so have been a bit of a roller coaster. You may, or may not, know – but I think you will know because I can’t believe I haven’t mentioned it – that I have an arthritic knee. Now I am on McOther’s health care but I’ve never thought to investigate it particularly thoroughly because … well I suppose because I had private health with one of my jobs and any problems with my left knee were actually excluded from the policy.

Every few years it flares up and when it recovers, never quite returns to previous levels. Living in a different county, I had a transplant to move some cartilage from a part of the knee where it wasn’t used much to an area where it was. That lasted a year or two, but I don’t think getting pregnant three weeks after the op (by mistake) did it much good.

The NHS will only give you one knee and they seem to have this slight of obsession with not giving it to you until you hit sixty. I suspect it’s because if people have to wait another 20 years there’s a good chance some of them will have died off before the operation has to go ahead. The official argument is that you won’t want to be in a wheelchair as an old person. My counter argument would be that actually, when you are 40 and have just had a little boy, or when you’re fifty and looking down the barrel of another eight years of bone on bone, that’s the time you want to be fit and able and … you know … pain free. Eat, drink and be merry for tomorrow you may die, and all that.

With lock down came a change in the way I exercised, more walking, less cycling, no gym and with that change came a truly evil flare up. So evil that I looked at our health insurance policy and realised that yes, I was insured for treatment for an acute flare up even if the underlying condition is chronic. So I asked.

I was given a call back from their triage team that same day. I then had a call booked a few days later to speake to a member of their physio teem who referred me straight through to a consultant. Within the week I was zoom calling a knee surgeon who fixed a friend’s knee. Wasn’t sure about using the local guys because I’m pretty sure one of them was the NHS guy who told me, aged 40, that I’d be fast tracked if I was 20 years older and that I should just go and lose two stones – I went to the gym where I lost two dress sizes and put on a stone so … a partial success there I suppose.

A quick chat by zoom and the following Monday I was making an appointment for photos/MRI etc. They offered me Wednesday but that’s my day to visit Mum so I chose the Monday after that. A week later I was heading down to London to be filmed and meet the surgeon in person. He’s very calm and measured and has a dry humour and subtlety to the way he delivers his verdict about things which reminded me strongly of McOther. He also has the same calm confidence about his expertise, which is always reassuring. He told me, ‘this is rather worse than I was expecting from your story. There’s not any cartilage that I can see.’ Then went on to explain that the knee was actually, ‘completely trashed’ and that a full replacement was the only real option. I may be fifty two, he said, but my knee is every bit of seventy years old. I’m not surprise. I suspect it’s been bone on bone for the last three years, at least.

While he was showing me the MRI it was intriguing to see it zoom through all the meat bit by bit. I looked at it and thought, Hmm, there’s some nice marbling there, if I was a steak, I’d taste nice. Which even I thought was a slightly strange thing to think.

I’ll be having surgery at London Bridge Hospital. The white and brown building second to the left of the Shard. HMS Belfast is near there, too. It’s on the left, just out of shot.

There we are then. As of two days’ time, I am about to plunge into two week’s isolation before having a knee op. When I come out the side I will have a replacement knee … I hope.

In so far as such a concept is possible, I am quite looking forward to having surgery. Counter intuitive as this may seem, if it works, I will be able to do a lot of things I couldn’t. Like … I dunno … walk. I suspect that once I get up and running after the op, I’ll do a fair bit of walking, just for the sheer joy of being able to. I may even be able to run for the first time in about 15 years.

Like any operation, there is a chance it will go horribly wrong. I might die on the table, have a blood clot or end up as a unidexter. But I like to think positive and believe that things will go well and that, by six pm, two weeks on Monday, I will contain some titanium and a lot of painkillers.

Let’s face it, they are sawing the ends off two bones, I’m guessing it’s going to feel a bit like having a broken leg at first. Or to put it another way, I think it might be going to smart a tad. On the other hand, since my knee is bone on bone, I’m probably looking at a reasonably substantial uplift, once I’ve finished the recuperation process, on the day-to-day pain levels I currently … ‘enjoy’ – if that’s the right word. Also, of course, once I’m out the other side I can go to follow up appointments on the train again and stuff. Which will be dandy.

Going to London on Monday used every last one of my reserves but it was fabulous. I left a wet, cold and windy Suffolk and walked off the platform at Liverpool Street into a warm, sunny autumn day. Bit of a bonus there. I do love the feeling of the sun on my skin and all that light on the backs of my eyes.

There was hardly anyone around and so I walked to my appointment and then walked back to Liverpool Street, via London Bridge, to see the hospital in which they will operate on me.

In order to preserve knee spoons I took it very slowly and happened upon Monument and Pudding Lane, which was rather lovely. I enjoyed the sunshine, not to mention the fact I could stand in the middle of Threadneedle Street to take a photo without being bothered by traffic. And I think I might have started a small love affair with the Walkie Talkie.

The Walkie Talkie is slightly nuts, which may be why I like it. Apparently it can focus the sun on a parking spot on the road below and, on the wrong kind of day, set parked cars on fire. I haven’t been able to substantiate if this is really true.

However, for all the rumours of murder rays, it looks a great deal more benign. Indeed, to me it looks like some well meaning creature bumbling through the streets. The others are really cool but they are buildings. The Walkie Talkie looks … a bit cuddlier than that.

When you catch a glimpse of it, over the roofs of other buildings, it looks as if it’s popped up to orientate itself.

If it spoke, I reckon it would make well-meaning noises; a mash up of Dara O’Brien doing impressions of whale song combined with his take on the flowerpot men; as seen on on Mock the Week.

See pictures below.

Boing. Woieoooooow. Blobalobolob.

Lobolobobloboblob!

Can you tell me the way to the river? I need to wash my feet.

Too weird? Yeh. OK.

I lived in London for a little while, and I love it. I left pre Canary Wharf – well I think the big square tower was there but that was it, it hadn’t even reached the point where it looked like a three pin plug. But I think for the most part, they’ve made a really good stab at the modern buildings thing.What seems to have worked well is the juxtaposition of the old and new; the way you have the Gherkin, the Lloyds Building and a bunch of other stuff all hugga mugga with some ancient church (that’s the little sandy coloured blob, right in the middle, with the Gherkin growing out of its head). I like that if something modern is good, it looks perfectly alright next to a twelth century church or the neo classical splendour of The Bank of England. I liked that there was no traffic too. I suppose even Covid has to have an upside.

This street is very K’Barthan. Quite similar to Fuller’s Row for anyone who has read Nothing to See Here. Except there aren’t the same railings.

Then suddenly, you get a whole Victorian row in the middle of it all, shown above. A small miracle, in itself, when most of this area was flattened by the Luftwaffe trying to bomb Liverpool Street in World War II. This is very K’Barthan, and looks more like Bayswater than the city. Looking at it, people might actually even live in these houses.

Looking down Threadneedle Street, with the Bank of England about 200 yards up behind me.

I also love that I managed a couple of shots which I could, plausibly, use for book covers. I have some shots taken from McOther’s London office of the shiny building in the previous shot being constructed. The brown building reflected in the shiny glass is the building in which his office is situated.

And finally, the cover of the ‘Christmas’ story I’m working on would probably be this one. As usual, I’ll do a short version for the Christmas Lights anthology this year and the longer expanded version will be released next year, the way Nothing To See Here would have been if I hadn’t run out of money and had to hold off releasing it until the following February! Oh and … er hem … sorry, we’re talking about Arnold, The Prophet’s Birthday, clearly, rather than Christmas.

So yeh … that’s where I am this week. Slightly in shock and about to enter splendid isolation.

_________________________________

 

Talking of isolation … if you’re bored and looking for something to keep you amused, I’m still giving away that 12 hour audiobook?

Yes, word up. Right now I am looking into ways I can deliver audiobooks direct to users: they buy from me and they can listen to the book in an app or on their computer. If you’d like to give it a go, you’ll need to download the bookfunnel app or join bookfunnel. If you’re happy doing that feel free to help yourself – the link is below.

It’s in beta, yes you are testing. That’s why you get a 13 hour audiobook for free read by one of the most distinguished actors you’ve never heard of: Gareth Davies. The man who made Roy Hudd laugh … and laugh enough to be asked back to do it again.

Once you click on the link, below, you’ll end up on a download page for the book. When you click listen/play it will ask you to download the bookfunnel app and enter this code, which it gives you right there so remember to write it down.

When you’ve done all the installing malarkey and you click to play it’ll ask you for the code you jotted down. I don’t know if the code is case sensitive but I’d presume it is!

This is a brand new app and brand new audio player, and Bookfunnel appreciate any and all feedback. If you get into trouble, or can’t get anything to work, contact their help address – which is given on their site, help @ bookfunnel.com – with a header: ATTN: Julie.

Here’s the link: https://dl.bookfunnel.com/fxd6bnoy7k

If you decide to listen to the book. I hope you enjoy it. I leave you with this lovely picture of Marvin the paranoid android.

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