Tag Archives: audio publishing

It’s a mad/happy/mad/happy world!

Is your book a lemon? Hopefully not.

Lots of things this week. It’s been a bit of a roller coaster! Up and down, for deffo!

Started off feeling a little low about Mum but she was in such good form on Wednesday that I came home reassured. We talked about how hard it was to stay close to Dad, how it hurt not to step away. ‘Oh darling, I do hope I don’t put you through that again,’ she said. I told her she wouldn’t. To be honest, even if she does, I wouldn’t have it any other way. You do what you have to do. I have to live with myself afterwards. Bless her heart. It won’t be like Dad because she’s different, I’m not sure how it will be, there’s no point wondering. That was kind of good and kind of sad, bittersweet, I suppose.

On the other hand, by some miracle, I managed to remember that it was World Book Day earlier than three minutes prior to McMini’s departure for school on the Day in question. God bless HRT! I haven’t had a memory that good in about fifteen years! Woot!

McMini wanted to go as Dennis the Menace. OK so, by the time I remembered I was at Mum’s the day before and could do nothing about it, but at least I was able to text McOther and ask if he could nip up to town and get some black crepe paper. I had decided to pin it to McMini’s red PE shirt to make stripes. To my delight, McOther had discovered an old red jumper of mine which bit the dust when the washing machine’s thermostat broke during the ‘delicates’ wash. It boiled a drum full of expensive jumpers with vigorous enthusiasm, so vigorous that the jumper in question was a perfect fit on our 11 year old. McOther suggested using black electrical tape rather than crepe paper. I went with his suggestion, which transpired to be genius!

Home on Wednesday night, I was still alert enough to be able to add the stripes to the jumper (God bless HRT a second time). OK so I’d forgotten to suggest to McOther popped into the costume shop and bought a cheapo black curly wig but hey, you can’t win ’em all! And they realised who he was!

Then there’s the Audiobook project! Squee! Now we’re onto marketing, though. Hmm … I’ve been trying to do a series of ‘hello and welcome’ emails for people signing up to my audiobook list. There are going to be two types, those who are coming into the whole thing cold and those who already know and love K’Barth and just want it read to them. I’m thinking that’s going to take two different sets of hello protocol. However, I can see that that the one thing both sets will want to know is the process of making the books, and they might have questions for Gareth, I would if it was me. From my casual forays into the audiobook marketing of other authors it seems they approach it as a team thing, too, and also give the narrator plenty of air time.

As a result I’ve started with the stuff about the audio side, because both series of emails will need it, and to that end I’ve sent Gareth some dubiously inane questions. Mmm, I bet he’s delighted. Mwahahaahrgh! But unfortunately for him, he’s amusing and folks will enjoy reading his answers. He has agreed to do an interview, too, in an unguarded moment, so I am compiling a list of questions to ask him – hopefully not all inane.

And this is where you come in. The questions. There are some about the whole process of audio, how it’s done, planning and all that, there are the inane who’s your favourite character type questions (which I hope will be made a tiny bit easier by the fact he likes the books) and there are the personal ones, when did you know you wanted to be an actor? But I’d like to try and make sure I ask him things people would want to know. It may be that you trust me implicitly to ask interesting things or … throwing this open to the floor for a moment … you may not. You’ve heard the Unlucky Dip demo, you know he’s a bit good at this acting thing and that he’s an utter lunatic (well, of course he is, he likes my books) what would you like me to ask him, lovely readers?

Back down the rollercoaster to the bottom again, and a blurgh moment about the whole pushing the rock up hill that is trying to persuade people to read my word barf. Or, marketing, as it’s called.

This is, of course, my hormones messing with my arse again. Yes ladies, gentlemen and everyone outside, beyond and in between, it’s constipation and brain fog week. But there seems to be extra, super-duper, improved weird on top at the moment. I’ve been enjoying, if that’s the right word, a lot of dreams about poo recently. Yes, we might be entering the realm of Too Much Information but since when have I ever cared about that? Buckle up folks, we’re going in [cue rubbery slapping sound of arm length rubber gloves being pulled on]. I am dreaming about going to the bog, in the bathroom, on the loo, having an extremely satisfying dump and then discovering that I’ve made a mistake and that far from using the loo, I’ve gone on the sofa, or in someone else’s bed, or in the middle of the hearth rug in error … then I have to try and clear it up before anyone comes and finds it and is upset, or sometimes they just come in and tell me I’m disgusting. Mmm. Nice.

As you might imagine, my first thought on waking up most mornings at the moment is, ‘What the fuck was that about?’

Eeee are you saying I look like poo I’m fluff I’ll have you know?

According to Monsieur Google, this kind of poo dream – or at least the doing poo in the wrong place by mistake – is a sign of insecurity; fear that you’re about to stuff something up. Hmm … from me? Say it isn’t so! There’s a surprise. Mwahahahargh! Yes, my subconscious, tell me something I don’t know.

Back up to the crest of the hill, a local author group I go to met this week. One has just finished a new book and it was so lovely to see her enthusiasm, and how utterly in love with her story and characters she was! And it made me feel a lot more normal, because I feel the same when I’ve completed a new book. She writes hers in one binge because she can’t bear the suspense otherwise. Sounds like a really good way of doing it. Ahhh if only I could! I can’t bear the suspense either but it takes me years. We also had a brilliant discussion about how you write spin off novellas to a series without spoilers. A knotty conundrum which is, currently, doing my head in! So, so fucking difficult. Why have I done this to myself?

What is especially lovely about hanging out with other authors, or just other creative people to be honest, is that the more of them I meet, the more I realise that all my creative foibles are actually completely standard. We are all as nuts as each other. Not just authors, musicians, artists, eyebombers … yep. All nuts.

Which is reassuring.

Also this week, I wrote something. Always nice. Not much but I’ve been slightly slacking on that front – more than slightly cf earlier bit back there about the knotty conundrum of spoilers – it’s good to have got going again.

Simpery nonce mode on … I probably should have brushed my hair and just rocked the Louis XIV curly wig look without shame.

On the down side, I tried to do some author pictures – the one with the marrow is now pushing 20 years old, but no fucker seems to be able to take a decent photo of me, and it seems I can’t either.

Eyessssss

Hmm … a partial success. I think the one of my scarily glowy eyes from mum and dad in-law’s bathroom looks better … sigh. Maybe I should just use that one and pretend I’m out of Dune. I’ve been riding the worm with Sting! Snortle. That didn’t quite come out the way I meant but I’ve left it anyway. Oh and by the way, there are occasions where I am not wearing that maroon jumper … it just seems to be the thing I have on, by happenstance, in nearly every photo. I do take it off, in the bath and in bed and the like and … I mean, you can see I did for the other pic. But sorry, I digress …

The strangest thing about the poo-filled You-Are-Insecure-Oh-Yes-You-Are dreams is that, right now, I’m feeling about as confident in the quality of my stuff as I’ve ever been. There’s nothing like listening to someone else read your books aloud, and do it really well, to feel that it’s not a bad story really … well … once you’ve got past the horror of realising you can write a lot better now than you did then! Handing over the alts for Book Two was almost physically painful, but I feel much more level headed about Three and Four – mainly because they’re rather better written.

The whole artistic insecurity thing annoys me when it hits because it feels a bit faux. Because when all is said and done, the creative thing is just something you do (you general you). And your sensible, pragmatic head knows it’s good enough and that’s all you need. But your flaky art head will never be quite certain and wants other people to like it. And you tell it to shut up and get on with life. That’s just … being creative. So on one level, yes, I’m totally confident that the writing I do is … the best I can do at that time … on the other I’m kind of … will people like it? But with maximum melodrama. You know the kind of thing, sobbing tearful voice … They have to like it! Sob! They have to! I will kill myself with this plastic fork if they don’t!

Ho hum …

Moving on …

This week the first book in my series, Few Are Chosen, was free on Kobo, it still is, and yesterday, US Amazon price matched and quite a few people downloaded my book. It even got one of those orange best seller tags, in the free book charts to be sure but I’ll take that. It got a couple of number two rankings (no not number two … maybe that’s what the dreams were about) a number four and a number 197 over all (not to mention a 15 with prawn crackers and 3 with lychees … sorry). I usually ignore my rankings, except when they do that! Mwahahahrgh! Screen shots were taken. I’m such a sad sack. I think it’s gone back to paid now, but that was jolly while it lasted and who knows, some of them may even read it, and if they do, a fair few will go on to read the others.

Talking of which … who wants to hear a sample from Few Are Chosen? If you do, there are two for your delectation:

Sample 1

Chapter 1: well, that seems like a sensible place to start, you know just go give you a feel, click here or where it says ‘sample 1’.

Sample 2

Chapter 37: where our heroine is walking home late at night and discoveres she is being followed. This is one Gareth enjoyed doing and I think that comes over. It’s the point where, as a listener, I went from thinking, blimey, this is good to, shut the smecking door! This is fucking marvellous! AND, I can share it without spoiling anything else much, because it’s kind of a little story in itself. To listen to that one, click here or where it says ‘sample 2’.

Also I’ve set up a page about the audiobooks here, I’ll add stuff … you know … as and when they become available. Hopefully it will be useful.

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Filed under General Wittering

This, that and audio marketing …

In a delightful departure from what was rapidly becoming the norm, I have no rodent-related shenannagins to report this week. Well … unless you count having a tetanus jab, which I did … you know … just in case.

To be honest, I haven’t done much. Partly because it’s been very windy here, I’m not sure what we’re onto now, we’ve had Brian and Chiara who segued seamlessly into Dennis and now we have Jorge who is Spanish and has pipped Ellen to the post. Snortle. But the weather is chuffing bogging a lot of the time.

Ellen. I had so hoped they were going to call it Windy Ethel. Never mind, can’t win ’em all. Whatever it’s called, it makes sitting in the conservatory like being underwater in a submarine. It’s about as dark and about as wet. I have not ventured out today and I don’t intend to any more than is necessary. Needless to say I have a packed social programme with school parents’ evening and some corporate wifing to do tonight. Bastard Ellorg or should that be Jorgllen?

Apart from an ambivalent effort at metal detecting on Sunday – right metals, wrong objects, clay pipe fragments but a nice medieval pottery shard, I seem to have been running around like a blue arsed fly all week but can’t really remember what for. It was mostly crises of my own making, delivering the iPad to the Apple shop to be fixed, picking it up and then setting it up. I was lucky enough to have a lovely visit to Mum’s on Wednesday. The gardening team was there as well as the career and Mum was very switched on. We chatted and watched telly.

While we were there, I played her a couple more of the audio voices. There is one character, Big Psycho Dave, he’s called, who I just can’t listen to without giggling. As you know, because heaven knows I’ve banged on about it enough, The K’Barthan Series is currently in production for audio, along with Unlucky Dip, which kind of acts as a prequel to everything.

At some point, I need to talk about the process, or at least, do a kind of dummies’ guide for Morons Who Are Unable to Grasp the Blindingly Obvious (as I call myself in these situations). Blimey but it’s taken me a while to cotton on. I’m still not sure I have.

One of the problems is that many of the people doing and talking about audiobooks are big hitters. I’m guessing some have little people to do the being an idiot bit for them and spit out the things they need to know at the end. But when it comes to what they do, they don’t want to talk about it. This may well be because they’re still experimenting and have no clearer idea of a successful strategy than I do. Alternatively, it may be as a result of legal advice in case someone says, ‘I did what you said and it hasn’t worked’ and sues them. Terry Pratchett had to stop visiting his own forums because people were starting to suggest things and, worse, say, ‘so, you used my idea then?’ And he’d be thinking, ‘What?’ And his lawyers advised him to make a sharp exit before the ‘so, you’ve used my idea’ bit got to the point where they started adding, ‘how much are you going to pay me?’

Actually, that’s not my approach, demanding compensation if it goes wrong. I’d just love to riff with people about what they’re doing and pick up some pointers. That’s what I’ve always done with the ebooks but there’s not much riffing going on as far as I can see, apart from on two Facebook groups where I’ve picked up a lot of interesting information. But, ideally, I need more points of view.

You may begin …

Some of the muted nature of the debate may be founded in that, if you go exclusive with ACX you have no control over the price of your books, so there’s not much you can do to market them, really, other than tell people they’re there. Obviously with Findaway, you do have some control over the price, you can set it at zero and folks are able to download the book for free in some places, but other sites will set the price at 99c. It’s a different model, I suspect, in that the data transfer costs must be very high, so free is probably not great for business, even if it leads to more sales in the long run. The royalties are smaller too, no 70%, anywhere.

Whatever the reason, I’ve failed to uncover much of the information I’m looking for out there or at least, not in as much detail as I’d like. Although there is a wealth of technical stuff about making your own sound booth, recording your own books, how to set the levels etc etc. If that’s the way you want to go, you’re laughing. As for what I have discovered about marketing audiobooks … well … here are my thoughts.

Thing One: the conundrum …

It’s becoming blindingly apparent that there is no obvious ‘right way’ to sell the ruddy things. Or at least, not that I can see. There’s what works for a particular author and what doesn’t. The only way to find out what works is to experiment. Gulp. And even then it may only work for you. My issue is this:

If you are an unknown tiny fish in the authorial sea – I am – you want social proof on your books, also known as reviews. With ebooks you just approach reviewers, grovel a bit and give them free copies. After a while they read them, tell their followers what they think and bob’s your uncle, five star joy to convince buyers your stuff is magic. (Ideally, but the right kind of one star, I-fucking-hated-that can be just as effective to sell your books.)

The difficulty with audiobooks is that they are massive so you can’t just send them to someone. Except you can with tokens. Both the major players I am looking at; Findaway and ACX, will provide tokens so reviewers can download your books for free and review them. But Findaway won’t provide them to British readers, which may not be helpful to me. Although other authors report their efforts to give away British codes often meet with complete failure, anyway. ACX will only give tokens out if you sign up to them exclusively. ACX exclusivity is for seven years but … if you have uploaded a finished book, rather than used their royalty share scheme (where they find an author for you) they will let you out after one year if you write and ask them nicely.

On the other hand, with Findaway comes Chirp, their own platform, and access to a BookBub style promotion system, and BookBub is extremely powerful. Although I’ve never scored one for more than ‘international’ – that is, promoting a price drop on a book to Canada, India, Australasia and the UK but not America. I’ve never scored a free promo there either. And yes these are the audio versions, but they are still the same less-than-attractive-to-BookBub’s-selection-panel books. On the other hand, you can advertise on BookBub and I suspect that if I can get my advertising shit together, that is where I could get some love for the audiobooks.

Also, there was a massive influx of audiobooks uploaded to ACX just before Christmas, and they are still wading through them. I could still be waiting for my books to go live in six months’ time, I know of authors who have waited five months, already, for their books to go live and are still waiting … At least if I am going direct to both, I have 60% of the market covered from the off … and it matters because it’s not just me, here, half the earnings are Gareth’s. It’d be nice if there were some after he’s put in all that effort.

Thing two: the options …

I think …. Yeh.

I have two cunning plans … although, whether or not you could, strictly, call either one cunning, remains to be seen. Basically, I reckon I need a few reviews for people to buy anything so I may need tokens. The books might get reviews from my lovely fans and friends, they might get reviews from Gareth’s. On the other hand, they might not. The choice is simple:

1. Get my advertising shit together and go wide. Run promotions, submit the books to Chirp, take advantage of being able to control the price, mostly. Give away Unlucky dip for 99c or even free to get them hooked. Use the tokens and try and attract reviews from Canadian, Australasian and American readers. After all, a review is a review, right?

Disadvantages … well … advertising might take more money than I’ve got. Also I might not find many British readers, and Americans might not be able to understand the British regional accents in my books. But, on the other hand, there’s a lot of British slang, and American readers have done OK with that in the ebook version. Also, while the audiobook market isn’t quite Audible-and-the-others yet, or at least, Audible is only about 40%, I believe, rather than the gargantuan slice of the pie Amazon enjoys for regular books, it’s still a big hitter and stymying my books there may cost us at the start.

or

2. Go exclusively with ACX for the first year to get the tokens and bribe people to review the books on the UK site as well as the US one. Get more sales organically because … more punters. Then ask them to release my books and go wide. Because ultimately, I want people to be able to be able to download my audiobooks at the library and in the long run, there is a lot more earning potential there for us. I also want to take advantage of Chirp and advertising and if I’m exclusive with ACX chirp is a non-starter.

The Advantage, ready social proof and the biggest UK market share (at the moment … I think). Also better chance of organic sales. Better royalty rates at Audible – like 40% rather than 25% – which is important if that turns out to be the only place where I sell any books.

The disadvantage of this strategy is that in a year’s time, when ACX release me, there may be a lot more competition for a Chirp promotion and more people advertising audiobooks meaning that traction wide is harder to achieve. In addition, while Unlucky Dip was approved relatively quickly, I have author colleagues who submitted books in December last year who are still waiting for them to go on sale. The upshot being that it may take six months to a year for my book to go live and it may be more like two years before I can go wide. In a market moving as fast as this one, a year feels like a very long time, but if it’s more like eighteen month or two years? Yikes.

And not forgetting that I loathe and detest the subscription model myself – it’s amazing how fast all those £7 a month for different things add up to something big, and cataclysmic, so it goes against the grain because I’d like to have my books available to people like me from the off; people who’d rather buy them outright.

Thing two: different books sell on different platforms.

There’s a suggestion that short books sell better on Findaway Voices than on ACX. The commonly held view is that this is because Findaway supplies more sites where people buy books out right and so those readers will want to try shorter, less expensive books before shelling out for the gargantuan ones. Conversely, readers on subscription sites usually are eligible for a set number of books per month, so they will go for the biggest possible books to get more bang for their buck. ACX supplies more of those, hence you would put your novellas and shorts on Findaway, but not necessarily on ACX (unless legions of your fans are asking) and then the box set – a nice big book for subscription site listeners – goes on both. But again, this would suggest that, if, like me, you’re an author of a novella series and a massive door stop sized books series, ideally, you want to be on both platforms. Or maybe some and some, I dunno. But yeh, I’ve had a brief chat with Gareth about him doing the rest …

Thing Three: there is No thing three.

Every fucking time Mary? Yep. I know. I’m sorry. I can’t help myself.

Thing Four: testing the market.

This is, kind of, where I am now. It’s taken me a very long time to work out how to upload a book successfully. Jeez ACX some coherent error messages would be grand. That said, I have now uploaded Unlucky Dip, the short series prequel to the K’Barthan Series, to all the sites I’m looking at; Kobo, Findaway Voices and ACX. I am also toying with the idea of uploading some snippets, or the odd chapter, up to Soundcloud for you to listen to. That does depend on what Gareth thinks about it. I can’t do it until the audio files are all finalised, anyway.

So we’re nearly set …

Gulp. Here begins stage one of our dummy run.

Unlucky Dip, is on sale. I think it’s about $2.99 and whatever that is in GBP pretty much everywhere, or as part of your sub on a subscription site.

Even more exciting, despite having zero sales reported on either ACX, Findaway or Kobo, I discovered, this morning, that it has an also bought on Audible, which would suggest that somebody, somewhere, has bought it. It’s a decent also bought, too; Jasper Fforde, whose readers sit squarely in my target demographic.

If you’d like to find out more, I have a lovely page, with links to look at it in store for a bunch of places so you are welcome to go and have a listen to the excerpt, or even download it if you like, here.

Unlucky Dip Audio Book

 

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Filed under audio publishing, General Wittering

A little bit of mousework …

Yep, more rodent-related shizz.

So … this week it’s half term and we’ve been on the road. I’ve realised we are going to be on the road the entire length of all our holidays until summer 2021. This is kind of good, we have exciting plans afoot, but also a little daunting from the point of view of my organising my life at all over this period, let alone doing any writing … Never mind. I’m sure I’ll work something out.

After last week’s exciting vole-centric adventure you may not be expecting any more up-close rodent-related action on my part – and who could blame you – but you’d be wrong.

Visiting my brother and family for the first weekend in half term we looked out of the window and noticed a little mouse on their bird feeder. A very sweet little brown mouse, no less, with a white tummy.

‘Aaawwwww,’ we all said.

And then I looked closer.

‘Hang on, is it stuck?’ I asked.

‘Hmm … might be,’ the others said.

Only one way to find out. I went outside and discovered that, yes, it was, indeed stuck. The bird feeder was an iron pole with two curled arms welded on either side from which to hang bird seed dispensers. Where they joined the main stem was a small gap and the mouse had got its leg stuck in it. It’s foot was very red but not purple, which I hoped was a reasonable sign. It was healthy, its fur luxuriantly shiny and I reckoned it would be fine if it didn’t rip it’s own leg off before I could free it. So with one hand, I held the mouse and with the other I tried to pry the arm of the feeder out a little so I could release its leg.

Nothing doing.

My sis in-law arrived and I asked her to hold the mouse and try to lift it upwards while I pulled the arm of the feeder outwards to widen the gap.

This did not go well.

I suggested we swapped as I got the impression she wasn’t enjoying holding the mouse. Except that the mouse was seriously unimpressed with the entire proceedings by now and had clearly decided the safest, and most prudent, course of action would be to make the big pink things manhandling it go away by biting them.

For a few seconds as I fumbled with it. I managed not to get bitten but then, as the mouse attacked what it clearly considered to be, the lumbering pink fleshy thing which was trying to envelop it in a hot, clammy, marsh-mallowy embrace – or maybe it just thought my fingers were attack sausages, I dunno – with renewed vigour it finally succeeded.

Yes, it got a firm grip on my thumb and bit it. Hard.

Oops.

‘Hold it by the scruff of the neck,’ my sis in-law suggested.

Good plan. Holding the scruff of its neck, carefully, and bleeding all the while, I gently lifted it up while she held the iron bits a little further apart. I put it on the plate of seeds in the middle of the feeder. It bounced off as if it had been shot from a cannon and ran into the undergrowth.

One of us was OK then, even if it was dragging its leg a bit, it looked as if it was going to be able to get around alright. I looked at the blood running down the side of my thumb.

Bro and sis in-law were extremely concerned that I’d die of rabies while McOther, rather cheekily in my view, expressed doubts that any rabidness displayed on my part would result in a noticeable change of behaviour or temperament. We put antiseptic cream on it anyway, and a plaster, but fearful that I might die on their watch, bro and sis in-law rang sis in-law’s mum and step dad who are both GPs. They endorsed our actions and asked if I’d have a tetanus jab recently. I’ve no clue if I have or not. Now I’m back, I might pop into my GPs surgery and ask but I suspect it’s OK, and if it isn’t a week after the event is probably too late anyway.

This reminds me of the story I didn’t have room for last week, and would rather like to tell you now! At my last grief counselling session, I told the grief counsellor about the vole. It turned out she had her own sorry (but hilarious) tale of rodent related social horror.

Some years ago, the counsellor had a cat and the cat tended to catch things and bring them indoors where it would lose interest and forget about them. Yeh, I know, cats do this, they’re gross. Sometimes, it was a case of removing the body, other times it was a case of never knowing until something started nibbling at things left out on the kitchen side or died and ponged. On this occasion, her cat had brought a large rat indoors. Said rat, knackered and a bit stunned but otherwise, basically, OK, had hidden. The cat, unable to find the rat, had lost interest and wandered away, leaving the rat nestled in its warm dark hiding place, sleeping it off.

Our friend the counsellor had no idea the cat had brought anything into the house and so unaware that there was a large rat … well … at large in her house, she put on her jumper and headed out to Palmers department store, in Bury St Edmunds. As she browsed the kitchen section she realised she could feel a lump in the shoulder of her jumper.

Can you see where this is going? Yep I bet you can.

‘Dammit, I’ve got a sock down there or something,’ she thought.

She put her hand up and felt the lump, at which point it squeaked. She gasped and held her jumper out by the hem in a kind of ‘what is this?’ manner, at which point the rat leapt off her shoulder and out of her jumper, or should that be out of her jumper and off her shoulder? The rat fell to the floor and ran off. She saw it disappear behind a display of saucepans and stood, in a state of shocked surprise, very possibly doing a little low key hyperventilating at the same time. I can neither confirm nor deny that about the hyperventilating, though, as I forgot to ask her.

Well, that was grim. She’d been walking around town with a rat in her jumper. But, on the up side, it wasn’t there anymore and, bonus, it hadn’t had a wee or poo while it was in there.

Every cloud has a silver lining eh?

What to do now though? Dare she go up to the counter and explain that she had inadvertently released vermin into their auspicious premises? She looked over at the stern, matronly ladies stationed at the till.

No, not really.

She looked around her.

There were some shoppers about and two women nearby but no-one appeared have noticed her moment of horror.

She could say something to one of the ladies at the till … she could and she probably should … or … not.

Yes. Right then. Probably time for a sharp exit.

As she turned and walked towards the door, the two women who’d been near her headed towards the display of saucepans. Oooo. The counsellor took a deep breath and with her best and fastest nothing-to-see-here walk, she stepped up her pace. Just outside, in the street, she heard a blood curdling scream as one of the women picked up a saucepan from the display, revealing the rat.  I imagine it was rather bedraggled after doing battle with the cat, and possibly a bit spiky haired from jumper static. In my mind’s eye, I see it squinting back at her or, perhaps, raising a quizzical eyebrow.

The counsellor paused for a fraction of a second as more screaming ensued. Once again, she thought about returning and explaining, and again she imagined how well that might go, whether they would believe her, if charges would be pressed and … Yeh. She kept walking.

Apparently, the rat in Palmers episode was quite famous in town folklore. No-one ever knew how it got there, and my bereavement counsellor – who I am not going to name – has carried the secret of its origins for many years. She has given me permission to finally let the cat, or should that be the rat? Out of the bag on my blog.

So now you know …

On the book front … glory be but Gareth managed to pull book four out of the hat before he went off on tour. Despite Storm Dennis, Windy Ethel, Farty Fred, Gusty Georgina or whoever we’re onto now. Fine work Gareth! Thank you, if you’re reading this (but I suspect he has better things to do). Then the book sat there on my phone, and I couldn’t listen, because you can’t really do that while you’re visiting relations, it’s quite rude. And while I think it’s fine if you’re all hanging out reading books together and chatting from time to time, sticking ear phones in and listening to something is definitely antisocial. I did manage the odd listen in the loo, or ten minutes or so before I got out of bed in the morning.

And …

Apart from the fact the anticipation has nearly killed me you mean?

Well, yes. Of course it’s fabulous.

It’s so gob-smackingly fabulous that, hang the expense, I’ll have to pay him proper money to do the other books. I was also surprised that for all the darkness in the story, books three and four made me laugh out loud … quite a lot. Yeh. I’m so horrifically egocentric that I laugh at my own books but obviously I’m going to lay the blame squarely on Gareth’s sense of comic timing. Yeh. Your fault Gareth. Nyar-nyar! But actually, it is pretty spot on so I reckon I can justifiably do that. I’m on chapter 28 so I’ll keep you posted on progress.

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A vole lot of trouble going on …

Just coming into half term so things are hectic here. Let’s see how much of tomorrow’s blog post I can write in 40 minutes. And the clock starts … NOW.

Well, it’s been an interesting one this week, I’ve released a book – you might have noticed that in last week’s post – I also received the third book in the K’Barthan series on audio. But first, I feel I should share the story of The Vole. Clears throat. Um … yeh.

A while back, last November in fact, our cat appeared to happen on a family of voles. To my horror he got four. They are feisty little creatures so they puff themselves up and bark at him. In three cases this didn’t work and, worse, it just alerted me to their plight and I still couldn’t get to them in time. In the case of the fourth, it did work. But I still couldn’t get there in time to liberate the vole, or get bucket down on it to trap it and take it outside before it belted under the fridge and stayed there.

Frank the vole

Ground zero: the failed bucket capture and flight to under the fridge, was 13th November, we took everything out of the room and found nothing. Yet, if I went in there in a quiet moment, stood still and listened, I could hear the sound of rustling and our small vole-shaped friend munching on things. I even managed to take this rather cute picture of it sitting under our fridge. We moved the fridge out after that, and I never found the vole but I did clean the floor and hoover up all the crumbs under there … I probably, unwittingly, did for our little friend doing that but … back to the story.

Our cat sleeps in the utility room, so we took him out, and all the furniture – except the fridge – and I set a humane trap. The vole was too fat for the trap, so I ordered a rat trap and guiltily put the cat back in his bedroom. With the vole. Since it seemed to be doing just fine nipping out during the day to eat his food and drink his water while he was elsewhere. Yes, I tried to feed it separately, but it appeared to be supremely uninterested in the more rodent appropriate fare I had purchased specifically for this purpose and pushed under the fridge, or at least it was, while there were the odd lost or discarded kibbles of Royal Canin Obesity Control in the offing, anyway.

A few days later, when the rat trap arrived. I set it with a dab of peanut butter. Nothing doing there either.

Hmm …

Over the weeks, the room began to smell a little bit. Was it dead? We didn’t know. We searched extensively but found no body.

The smell seemed, to me, to be more like the smell of our rabbit’s hutch when it needed cleaning out when I was a kid. The smell of vole excreta. Lovely. The McOthers posited a theory that it had died and was decomposing but I thought no.

Growing up in the school where my father was a housemaster, vermin was a fact of life. At one point, our bathroom began to smell as if something had died. Something quite big. The lavatory was in a separate room, so it wasn’t that. All was not well. One of the more stalwart members of the works department came to sniff the smell and pass his verdict. All the workers there knew the smell of a rat that had died under the floorboards when they caught a whiff of it. He did have a hopeful look, taking off the panelling along the side of the bath and having a thorough root around with a torch but he found nothing and short of taking all the floorboards up, at which point we were just as likely to find it was in the boxing round the pipes, the insides of the wall or some such, and which would involve removing the bath, anyway, my parents felt it was probably best to leave it. We’d grit our teeth and ride out the stench.

‘I’m terribly sorry,’ the chap told us, ‘it’ll stop smelling in three weeks at the outside.’

So we waited. Sure enough, the smell became pretty pungent and when I say pungent, I mean it was so strong it had almost evolved into a life form, with a personality of its own. Even so, within a month … gone. And I did learn a valuable lesson from this, ergo, what a rodent smells like decomposing. And it’s amazing how many of the rather nastier things of that nature learned during my childhood have come in handy later on in life.

And the thing was, a rodent decomposing did NOT smell like our utility room. I told the McOthers as much. Since I was the only one of us who had actually lived with the smell of putrifying rodents, and let’s face it, not many of us have, they bowed to my judgement.

So it was, that we looked out for the vole, hoping to find it and free it. The smell didn’t really get any worse and come January it was still ponging away. Not like the rat under the bath, so we assumed that it was, indeed, alive and well and it’s ‘cage’ was in need of a clean out. I continued my efforts to catch it, because I didn’t really want a vole living in our utility room, however cute it was.

Spool forward to Monday just gone. It had been consistently fine in the morning and throwing it down with rain in the afternoon for some days so I decided to get the washing on first thing so I could get it out for a quick blow before the rain came. Yeh. When I say first thing, I mean a time that, for me, was close to the middle of the fucking night. Seven something. Well before eight o’clock anyway.

The washing finished as I was on the phone to my Mum. I had the headset on so I could wander round chatting to her as I did other stuff. So I went to empty the washing machine, opened the door and … what was that thing? Eugh, what had McMini put in the pocket of his PE kit? I reached out and picked it up, it was like a bag full of liquid, at which point I realised it had arms and legs and with a small squeak, which was quite restrained of me in the circumstances I thought, I dropped it.

Splat! it went as it landed on the rubber door seal.

Yeh, I nearly hurled like this guy…

‘Aaaaargh (sorry Mum)!’  I said.

‘What’s up?’ she asked me.

I told her about the vole as I compulsively washed my hands again and again.

‘I’ve just found it,’ I explained. ‘Poor little bugger! I killed it!’ I moaned sadly.

Except, when I examined it further, I began to wonder if it had already been dead. Maybe the cat had found the body and been playing with it. Yes cats are gross and ours is grosser than most.

‘Well, you’ll soon know,’ said Mum.

‘How?’

‘If it was dead then, when you put it outside in the bin, the smell will go with it won’t it?’ she said. Ever practical.

At this point I finished the call with Mum, donned gloves, put the corpse in the dustbin, took the washing out of the machine and put the machine on a service wash at 75 degrees centigrade to sterilise it. It took an hour and a half.

Needless to say, the washing was all the stuff that couldn’t be washed over 40 degrees. Never mind, I had some of those eco balls and they claim to sterilise the washing at 40 so I’d stick those in, with about five soap pods, set it on a programme that would have it washing for a really long time and hope for the best. Two hours later it was done. I put it out for twenty minutes and then it started to rain. I suppose that was par for the course.

As I write now, the smell has gone.

‘It is winter,’ McOther told me kindly, ‘it probably decomposed very slowly.’

Anyway, after that bloody disgusting start to the week the only way was up really!

And it was.

Book three of the audio landed. Wahooo! I braced myself for another battle with my own personal artistic bell-endery. What’s up Mary? Well … I’ve this horrible suspicion that my material is not up to Gareth’s talent and I feel like a creative charlatan! Mwhahahaahrgh! (Drama queen? Creative hissy? Moi? Never.) I think part of it was simply that I’ve not done a creative collaboration with anyone else for absolutely ages, and certainly not at a professional level. And I probably don’t see myself as being at a professional level with this writing gig. After all, average earnings of £35 a month is definitely shite on anyone’s scale of achievement.

Conversely, while he plays down the amount of acting he does for a living, and makes jokes about living in his brother’s attic, Gareth has been pretty busy with actual proper work over the months we’ve been doing the audio stuff. Or to put it another way, despite the fact he is clearly a lunatic of similar ilk to myself, he is an actual, pukka professional. And his art thing is his career. He doesn’t appear to be a part time anything else to make ends meet. And my books … do. Not. Sell. Or at least, not widely, and only, pretty much, at gunpoint. So there’s … an achievement gap there. On top of which, I have a great deal of respect (possibly even mild awe) for anyone with the tenacity, strength of character and sheer, dogged bloody-mindedness required to get anywhere, in a profession which makes the average author’s 2% chance of getting a trad deal look like a walk in the park. Yep. Gareth is hard core.

Except that, as I listened to book three, I got completely lost in it, and this time I was surprised by the quality of the writing, to the point where it felt as if someone else had written it (this is the QA test, if I read it and think ‘fuck! Did I actually write this stuff, no way can I have written this can I?’ I know it’s OK). Which was a massive relief. Even if it meant I had to go back and start proofing that section again. Yes. At long fucking last, it felt as if there was a bit of talent in the offing my end of this project. And behold, those pesky feelings of imposterdom vanished! Thank bastard heavens for that!

So, hopefully that’s the third-of-the-way-wobble done with then and I’m through to the yes-those-doubts-probably-were-bollocks stage. Fingers crossed.

One of the things I’ve enjoyed a lot about this is that it’s always interesting learning about something, and it’s been quite a steep curve. But it’s even more intriguing watching someone else learning their bit of the whole thing with you. Each book Gareth’s sent me is a little more relaxed, yet, a little sharper and better than the last. It’s as if he’s just got through his one-third-in creative hissy and all – yeh well, maybe he has, trust me, we creative nutters all have them, although if he had one, I think it was on book one. Now that we’ve reached book three, I can occasionally hear the smile in his voice when he’s reading a bit he finds funny, even if he’s doing it straight, which is encouraging, because it makes the whole reading more intimate and friendly, which I’d guess any listening punters who buy it are going to like, a lot, even if they don’t know why. Proofing this one has been fun for me; relaxing and enjoyable, rather than the crisis of confidence melt down provoked by book two!

Take a chill pill MTM, this is not exactly news

But I suppose what I’m really saying, same as, or at least similarly, to last week, sorry to be boring, is that doing any creative stuff will always involve serious self doubt. But there’s this weird dichotomy between having serious doubts about something you’ve produced, yet still knowing that it’s up to your quality standards, that it’s good enough, and that you were right to put it out into the ether. And having doubts about something because it actually, genuinely is crap. And learning that difference is part of doing any kind of art stuff. It’s also part of the reason why you have to try and finish your shit, even when you are dying inside over how shite you think it might be … because it probably isn’t.

It may be that I’m not explaining this very well but I wanted to try because I reckon anyone who creates anything goes through a similar kind of head-fuckery. The more creative people I meet, the more certain I am of this. And I thought that if I talked about mine, it might make any others experiencing it as they read this feel better, or at least that they’re not alone … or … I dunno … something. I’ve made a tit of myself so you don’t have to, kind of thing. It’s just hard to put it into words in an intelligible manner and very hard to put it into words without sounding like a monumentally pretentious prick. But I hope it helps anyway! Because nearly all creative people are this nuts and even if you’re not creative, yourself, you should know this if you live with one! Mwahahahrgh.

As I write, Gareth is ploughing his way through book four, hoping to finish the first draft by Monday. It’s absolutely massive, but bless him, he’s going to give it his best shot. Go Gareth. Obviously, I hope he does, because it sounds as if he’s really into it now, and there’s definitely an extra energy to the recording of book three so I’m like … c’mon finish it while you’re in The Zone. Also I’m agog to hear the last book and then listen to all four, to see how the whole thing sounds as a … well … you know … work. But, at the same time the poor man does actually have a life, not to mention the fact that, as I keep saying … quality can’t be rushed!

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Nothing To See Here …

Except there is …

More on that story later. First, a quick update on the audiobooks.

It’s been a quiet week. My local writers collective met yesterday, which was lovely, and on Tuesday, I finally managed to send the blips I’d spotted in the audio version of The Wrong Stuff back to Gareth. It’s his birthday today. And looking at the quality of the recordings he’s done so far, I’m feeling a little giddy! As if it’s my birthday and all! I am a little in awe of his talent and I will owe him for this, pretty much in perpetuity.

Clearly I feel a bit nervous about the audio in some respects. This is partly because I can’t quite believe it’s happening but also because, as royalty share, I’d really like it to do well so Gareth actually earns something for his trouble. I suspect it’ll be work from other authors who hear it rather than royalties, but he is aware of that and seems totally undaunted, even if I’m actually beginning to feel a bit guilty.

The other, far more straightforward reason to harbour doubts is because it’s my stuff he’s narrating. And doubting your stuff is all part of being creative. And jeez there’s nothing like listening to someone read your magnum opus, and read it really well, to fully appreciate any deficiencies in the writing. Imposter syndrome anyone? Yeeees a bit. It’s definitely A Thing we creatives get; to shit bricks about what we’ve done I mean, even when we know it’s alright really. But there’s more than a slight feeling here of, ‘Oh god, this bloke is absolutely bloody brilliant and the material I’ve given him is … er hem … not actually quite as brilliant as he is.’ I was aware that my talent lies more in the telling of the story than any linguistic poncing toddling involved so it shouldn’t really come as a surprise, and yet … yeh … there we are.

Maybe one of the biggest, most important things anyone learns, while doing creative anything, is the difference between doubts that are, basically, just your mojo messing with your arse, and real doubts. Learning when to listen to those doubts and when to just grit your teeth, ignore the cringing inside and push on through is a big part of learning how to create. When I’m working on a novel, I usually start to get severe misgivings about a third of the way in. Then I get stuck. Either because I’ve gone off in the wrong direction, or because I just need a bit of time for my subconscious to work out what’s going to happen next. That’s why I had to stop writing the big stuff when Dad got bad, because there was never enough time to get back into the complicated projects, catch up and start working again, before the next crisis hit from the Real World.

Discussing the doubts side of it with Gareth, briefly, it turns out that he gets them too. Like I said, standard creative procedure I suspect, but it’s still comforting, and a little affirming, to have confirmation from someone else, too. Especially someone with less reason to doubt than many of us. Yeh, so while I do doubt the quality of my stuff, I guess I also know, sort of, that it’s probably a load of bollocks in this case.

Anyway, we are hoping to have the first draft done before he heads off on tour at the end of next week. It’s likely that I won’t have enough time to listen and get the alts back, but he will probably be able to do those during the spring holidays, in April, when he gets back.

Talking about doubts … I have a new book out today. Short is not my best metier and I have a few genuine misgivings about this one which, I suspect are well founded. Except the description of Mrs Dingleton’s, I like that. Never mind, here are the details anyway! In a new departure from my standard, somewhat laissez faire release strategy, I’m also running an exciting competition in which someone can win some smashing K’Barthan Blingery. Phnark. Feel free to enter if you like.

Nothing To See Here

Yes! It has landed. The next novella in the series of shorts about The Pan of Hamgee’s time as a delivery man for Big Merv is now out. Woot.

Here’s the blurb …

It’s midwinter and preparations for the biggest religious festival in the K’Barthan year are in full swing. Yes, even though, officially, religious activity has been banned, no-one’s going to ignore Arnold, The Prophet’s Birthday, especially not Big Merv. He orders The Pan of Hamgee to deliver the traditional Prophet’s Birthday gift to his accountants and lawyers. As usual, The Pan has managed to elicit the unwanted attention of the security forces. Can he make the delivery and get back to the Parrot and Screwdriver pub in time for an unofficial Prophet’s Birthday celebration with his friends?

If you’re interested you can find out more by clicking on the picture or clicking here:

The competition

Yes, bling your morning cuppa or amaze your colleagues with this fabulous K’Barthan Mug.

If you do end up reading and enjoying Nothing To See Here, you can use your incredible knowledge of the plot in a game of skill and chance to— er hem. You can enter a prize draw to win this smashing K’Barthan mug worth many Brtitish pounds!

Well … OK at least a tenner, £15, in fact. Oh dear, this is beginning to read like one of those spoof ads in Viz.

Hint, you’ll probably be in with a good chance because I doubt many folks will enter.

All you need to do to is answer a question about the story and you will be entered into the draw … unless it’s illegal to enter raffles in your country, in which case, please don’t.

The draw will be open until the end of February. Panic not if you’ve blown your book budget already this month, Noting To See Here should be available in many libraries across the UK, US and Oceana. You might have to ask your librarian for it though. Once you’ve read the book and can answer the question, you can enter the draw here!

The competition closes on 29th Feb.

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Quality can’t be rushed …

This week my son invented something called the White Wee Crew. Mwahahahrgh!

NO! You filthy ones at the back. This is about drinking vast quantities of water!

Yep. If you drink enough you end up doing what he used to call a ‘silver wee’ or one that the normals would call ‘clear’. He then changed it to the White Wee Club but has decided that the White Wee Crew is better. He’s read somewhere that being hydrated keeps your brain switched on. I believe that is A THING. So, he’s been proudly coming home and telling me he’s still a member of the White Wee Crew. I love the way his entire view of life is so completely non standard. And aimed to amuse; himself and others, but he seems unfazed if it’s just himself.

Weird square eye thing … eeeek!

Scary!

One of the delights about having a kid is what a complete giggle we have. Normally we’re talking bottom gags here but sometimes other stuff. The comedy of tiny noises, odd squeaks, floorboards that can be reliably walked on to sound like a fart, well yes, more bottom gags there, I suppose. But if anything makes a strange or surreal noise, no matter how quiet or insignificant, I’ll hear it and one look at McMini and I know he will have heard and think it’s funny too. From a squeaky hinge to McCat going mad for cheese. Any sound is fair game. McOther is able to be equally arcane but seems to derive more enjoyment out of watching us do it than indulging in arcanity (is that even a word) arcaneness, himself. Then there was the night at McOther’s parents house where McMini and I spent about half an hour in their en-suite positioning ourselves so we could take a selfie with the reflections from the bright strip light surrounding the mirror reflected in our eyes. We thought we looked like robots, or perhaps, I thought, that thing that happens to your eyes in Dune when you ride the worms. He hasn’t seen or read Dune yet and my memory is very sketchy but I tried to explain.

It does look weird. CF photos.

McMini is naturally funny, one of those people who is going to be funny whatever he tries to do  so has decided to ham it up. I’ve always felt that the trick was to make it look deliberate but I suspect I ham it up, myself. He’s definitely a chip off the old block. Or perhaps he’s just watched my coping mechanism and decided it’ll do for now. The other evening having implored him, with increasing desperation, to remove his socks I finally succeeded.

‘If you throw those at me, I warn you, I’ll get really cross,’ I told him, anticipating his thoughts, mainly because it was exactly what my brother or I’d have done at his age.

Needless to say, the little so and so threw them at my face. So having told him I’d go into orbit, I did. Except that I was doing it because I needed him to Learn A Lesson rather than because I was actually that cross – although it is completely fucking vile and I wish he wouldn’t do it. McMini looked momentarily crushed and protested at my turning into Ogre Mummy without due warning. I told him he’d jolly well had due warning and that he should have taken heed. But then he picked up on the faux nature of my rage and smiled. I desperately tried to maintain a Stern Exterior but failed and found myself laughing.

It took me straight back to being a kid and doing the exact same thing to diffuse my father’s rage. There were incidences, when he’d gone beyond a certain point, when you didn’t do this, but it did work most of the time. If he can see what we’re up to my Dad must be laughing his head off. I hear him in so many of the things I say to McMini. It’s not that I mean to copy his parenting style, although I reckon he was a pretty good Dad so I probably wouldn’t go far wrong if I did. It’s just because I’m like him. And as I tell McMini, of an evening, with increasing frustration, ‘Will you go to BED!’ As he cavorts about the place like a lunatic clown and I desperately try not to laugh so he stops and does as I ask, I hear my father saying the exact same thing to my brother and I, all those years ago. And I can’t help but smile.

Though I have always thought of myself as a bit of a Daddy’s girl, I’ve always felt that I was very much more like Mum, I have Dad’s soft heart, I think, but I am definitely able to override it more easily than him, or at least I was. One of the things about his illness and death is that, coming out the other side of them, I no longer can.

Then again, as far as taking after one or another parent goes, I guess the point is moot. They were both as maverick and non-standard as each other. My father revelled in the eccentric and in pricking the bubble of the pompous, but it was my mother who dragged me into a cupboard to hide from the over-chatty house matron, who popped in as we were about to go out. Yeh … there probably isn’t much in it, between the two of them.

Trying to parent my wayward, but good natured son, I guess I’m beginning to understand what my poor parents, especially, were up against. What makes me laugh is that there is so much of my father in McMini, too, that it’s hilarious. He has a great deal of McOther in him too, jeez you don’t discipline McMini, you open negotiations. It’s really terrible, but I would bet his father was exactly the same. He always drives a hard bargain, too. It’s interesting, he’s kind of cheeky but at the same time, he’s treating me as his equal, which is really rather lovely.

He’s also a kind little lad. The other day I took him metal detecting. McOther was away on business and there was a dig and I really wanted to go. I was aware he might not want to come so we agreed he could bring along his lap top and sit in the car playing games if he wanted to. We had a great morning out. He enjoyed it and he found some things. Worked out the exact spot and got them out. At the end, he told me that he’d had a lovely day and that even if we’d remembered the lap top, he didn’t think he’d have used it. He told me it was all the better because he’d been dreading it.

‘Oh dear, not totally dreading it were you?’ I asked.

‘Yes Mum, completely, but I couldn’t not come. I knew you hadn’t been for ages and you so wanted to go. I couldn’t stand in your way. How mean would that be?’

I thought that was pretty impressive for an eleven year old. So much like his father, and also so much like his grandfather.

Another area I feel a lot of the Dad influence is in cheesy stuff. Dad derived a great deal of hilarity from bad poetry, especially hymns. There were times in church when I could just lean forward and look along the row at Dad with a bit of a twinkle and he’d turn to me with a pained expression and we’d start giggling. We both tended to be a bit vague and sing the wrong verses in the wrong order, if they have them lined up so you go across you can guarantee we’d end up reading down, and vice versa. But McMini gets my hilarity at some of the terribly bad, sentimental Victorian poetry you find in hymns as well. He doesn’t come to church so often now, I don’t want to force it because he has a faith and nothing is more likely to switch that off than forcing him. And the church I go to is pretty good at picking the fabulous poetry rather than the crap stuff, anyway, but McMini, he does, sort of, get it; good and bad. I have come to poetry rather late in life, partly from school, but also, greatly, from my Dad pointing out the rousing stuff, in hymns and … well … anywhere. And then from noticing it in hymns, myself.

McMini can act, too. Really act, unlike my brother and I who are merely funny – not the same thing at all. He doesn’t, of course, he regards learning lines and attending rehearsals is far too much like hard work. Then again, as far as I can gather, so did Dad. Indeed, the old man’s louche approach to knowing lines or giving cues was legendary. Apparently you would often cover the plot points you were meant to in a scene with Dad but not necessarily in the order in which they were written or the time allocated. Sometimes he’d guess. If you were lucky, you might get enough indication, from the general gist of what he’d said, which line you were supposed to deliver in reply. There was also a lovely story a friend told about how he and Dad on stage. They were both very short sighted, but each was trying to help the other across the stage without falling off the edge, into the orchestra pit. The whole exercise was fraught with difficulty and an extra frisson of danger, because neither of them was very sure where it was.

Strangely, later in life, when Dad had Alzheimer’s, he could recite vast tracts of Shakespeare, apparently word perfectly. I’m thinking that he was probably in plays at school as a kid.

If McMini wanted to act in things, I suspect he’d be extremely good … if he could be arsed. Yes, he is so like his parents, but I see so much of my father in him, too. Dad may have died, but whether or not you believe in life after death, he lives on in us. Mwahahahaargh!

Talking about fine acting skills, the audio project is trundling along. Gareth is still coughing a bit and suffering a sore throat but he seems to be happily getting stuck into the second book. He has been surprised to discover the books are much longer than he thought, ‘another learning moment’ as he put it wryly. It sounds as if he’s been thinking, ‘bloody hell! What the fuck is going on! I should have finished this by now!’ Except I think Gareth is a bit less foul mouthed than me so he probably thought it more politely … possibly. I’ll have to get his address and send him some signed books. I suspect we may not get the whole thing done before he’s off on tour but I’m OK with that if he is. After all, quality can’t be rushed.

Meanwhile, if you’re interested, Nothing to See Here is available for preorder. If you want to know more, click here, or click on the picture.

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And now … this!

It’s a bit of an amazing thing that having spent the last four years or so writing posts on my blog that were, basically, excuses not to write, I’m now having to write posts apologising for not talking about the stuff I normally talk about because I’ve too much writing news to impart. Yeh, here I go again, because this week this happened.

Unlucky Dip Audio Book

Yes people, that is an audiobook cover and Unlucky Dip is now live and available for pre order on Kobo. Swoon!

It’s ready to publish on Findaway Voices too but I haven’t dared press the button yet, just in case. Naturally ACX, an Amazon company, is a whole different kettle of fish.

Gareth and I are both on a bit of a learning curve with this audio gig so when I uploaded the book to Findaway Voices, first, I discovered that there was a problem. An error message popped up informing me that the file was qqwe[ru09025jbm’ ytopqq09t574qyhgwa – or at least whatever it was it said, it made as much sense to me as that does. So I carefully cut and pasted it and sent it to Gareth, who knew exactly what it meant and fixed it.

Kobo, well, clearly everything went without a hitch there because we’d fixed the qqwe[ru09025jbm’ ytopqq09t574qyhgwa problem we discovered at Findaway. So with a little trepidation, I decided I’d submit to ACX which is an Amazon company. I’d forgotten why I deal with Amazon as little as possible. This reminded me. I uploaded all the files and when I tried to click the submit button which is labelled funkily, ‘I’m done’ I discovered it was greyed out and when I hovered over it this illuminating message popped up.

‘cannot submit production because there are issues with the uploaded audio.’

Marvellous.

I had a look at the submission guidelines to see if it was anything I’d done. It might be that the name is different. On all outlets the book is called Unlucky Dip but Amazon may want the series title given. This is where the problem will arise, because, if it does, it will not be looking for K’Barthan Series, instead it’ll be looking for K’Barthan Trilogy, because Amazon refuses to change the series name – unlike like every single other site on earth. Thanks for the blistering two star review that invoked, too, Amazon.

I tried to find help but ACX help was about as useful as a chocolate tea pot, thousands and thousands of help pages that tell you nothing and basically tell it to check it your fucking self! Mwahahahrgh! I clicked on their help pages and then on contact to ask their help desk. The link took me to Audible. I tried to contact the Audible help desk and explain. Chat didn’t work just tried to load again and again and asked for my log in details occasionally. Email did nothing either so I clicked on the button that would get them to phone me. A very kind fellow gave me the email address to write to but warned me that ACX help is only open from 12.00 to 9.00pm on Monday through to Thursday. It was Friday.

I emailed them, anyway, and got the standard canned Amazon response that they didn’t like my mail forwarding. So I emailed them again from the ‘right’ address. They replied. Had I published to ACX from Findaway? No. I replied but I had published to Apple, or at least I was going to but I hadn’t actually clicked publish on Findaway yet, in case something went wrong with ACX. Prescient of me eh? That’s as far as we got before 8.00pm.

Despite being officially closed, or maybe that’s the phone line, ACX support have emailed me today as well. Go them. I notice their version of the qqwe[ru09025jbm’ ytopqq09t574qyhgwa problem that we had at Findaway is slightly different. Possibly. So I’ve passed that on to Gareth, who must be doing his nut with all this. Especially as it’s the same as Findaway on the ACX guidelines you download. It’s only different on the help pages you see when you are trying to work out what to do if you have some unspecified error and the boilerplate bit of the support email that says, have you checked this? It’s like querying publishers or agents, they all want the same thing only each one is just that tiny, tiny bit different, and mistakes bar entry!

The little bit I’ve learned about Audiobook publishing so far

What I know about audio could be written on the back of a teaspoon. All I knew was that I wanted to go wide because I want to get my books into libraries if I can, hoping to start that process soon so I’ll let you know how I get on. Here’s what I’ve gathered so far.

You’ll need an ISBN and that means you have to add the record to Nielsen book data here in the UK. I found I needed to do the long form so that I can stipulate that the book is in audio format. (I was only allowed to choose an ebook imprint or a paper imprint so I have emailed them about that but in the meantime, I’ve logged the isbn as an ebook and then chose audio format later on in the form.) Yeh. I know. Counter intuitive or what? Or maybe it’s just me being really dim.

Kobo allows you to upload finished books, direct, but you may have to contact their support and ask them to add the audiobooks tab to your dashboard. I did and they added it swiftly without fuss. Kobo will pay you a 35% royalty for audio books under a certain price and a 45% royalty above it. They distribute to Walmart, Indigo in Canada and something called BOL in the Netherlands.

Findaway pay from 30-50% depending on the model you are using and distribute to over 40 outlets and libraries, including Apple, Audible and Amazon.

ACX accept publications from wide authors, with ready made books, and will pay 25% royalties. They publish to ‘a minimum of’ Audible, Amazon and Apple.

My cunning plan …

Publish to Kobo direct for 40% royalties. Go to ACX for Audible, Amazon and Apple for 25% royalties. Go through Findaway Voices for 40-45% of everything else, including Apple, again, but also libraries.

Knowing that ACX is run by Amazon, I decided that I would only claim the short story on ACX to start with and would see how it went before I committed to using them for everything. If ACX transpires to be as batshit crazy as Amazon, the reduced demands on my time and sanity, from not going direct, may be worth more than the reduced royalty rate in the long run.

  1. ACX does not allow you to opt out of Apple at the ACX end, more on that later.
  2. As I understand it, if you go to ACX through an aggregator you will not be eligible for their bonus system – so if you get someone go sign up to audible to buy your book, you won’t receive a ‘bounty’ unless you’re direct. Likewise, I think it precludes you from tokens to give away free books. This is why a lot of people go to both.
  3. The authors who I ‘spoke’ to have mixed results with the bounty system, some have done really well, some haven’t had a blip.
  4. At the moment, you can publish to Apple through Findaway and ACX at the same time, then you contact Findaway and they will contact Apple who will prioritise your Findaway, higher-royalty-paying listing. However, the support email I received said,‘Findaway distributes to Audible and Amazon through ACX, so if you already distributed you book with them you cannot submit the book through ACX yourself.Duplicate products are prohibited as per our legal contracts and agreements.’Which looks a bit worrying, although it doesn’t mention Apple specifically. I’ll have to double check the contract. I have demurred from pressing the go button at Findaway, anyway so I can deselect Apple if I have to.

So there we are … baby steps but yeh, audio is going to be a thing …

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