Tag Archives: K’barthan audio

Come with me on a journey through my exciting life!

Obviously, I use the word, ‘exciting’ advisedly, the ironic implication being somewhat the reverse.

This week, I have mostly been … running around like a blue-arsed fly! As previously implied, it’s not exciting and sadly it’s not even that funny either. But this is my blog, so I can do what I sodding well like, which means I’m going to tell you about it anyway.

On the Mum front … more admin popped up, just for a change. There is so. much. admin. Ugh. Never mind, it is what it is. I can’t fix that. It’s dealing with it in the most effective way possible that counts.

A few years ago, Mum very wisely decided that she would put all the bills with one provider. At the time this wasn’t the cheapest way but from the point of view of suddenly having to take care of Dad’s side of the admin for the first time in about 50 years while, at the same time looking after someone with dementia (Dad at that point) it was worth paying a little extra for the reduction in hassle. From the point of view of someone who takes to this sort of stuff like a duck to quantum physics and is now looking after a mother with dementia, I regularly give quiet thanks for this decision.

However … the company that looks after her electricity, gas and phone had been taken over by something called Ovo, yes that’s OvO people not OvUM. Needless to say, I can’t remember their bloody name because all I can think of is ovum. Yes well … moving on. We’ve been waiting to have our account ‘switched to Ovo’ for some time, inhabiting an uneasy limbo between the two which made it tricky to do anything. However, I reckoned we’d finally achieved splash down because something had happened to the direct debit so Mum suddenly owed them money. When I checked Mum’s post on Wednesday I discovered a welcome to Ovo letter with a phone number to ring to sort it out.

On, on… probably …

On the up side, despite the fact that all the operators were busy helping other customers, I only had to listen to a hilariously 1920s version of the Blue Danube before someone answered. I got someone nice, as well, which always helps. Her english had a slight midwestern twang and she kept calling me ‘ma’am’ so I suspect she was in India, or possibly Singapore or Thailand? It was all very straightforward though. Mum needs a smart meter but one of the carer’s partners, who fits them, had recommended waiting as long as possible … except that then the whole takeover thing began and we got stuck in the twilight zone between belonging to the old company and being absorbed into Ovum Ovum. Shit! I’ve just typed Ovum twice. Bloody Hell! OVO chuffing buggering OVO. Er … yeh. Sorry about that, where was I?

Right yes, ringing Ovo. I wasn’t sure if I was allowed to speak to them about Mum. I had special dispensation from the old lot but as we had a bill and I suspected this was because the Direct Debit hadn’t transferred over from the old supplier to the new one, I wasn’t certain the special dispensation would have transferred either. As a result, I saw no point in making things complicated so I did the usual trick of fraudulently pretending to be Mum so I could circumvent the security protocol without having to wait however many days it was for them to process a copy of Mum’s power of attorney or speak to her so she could give them permission to talk to me (which would have been difficult with her in Sussex and me in Suffolk). While I was on the line, I managed to book the installation of a smart meter on Tuesday, even better they have sensible slots so instead of 8-12 and 12-6 which involve a large gap when staff levels are thinner and I have to get an extra person in to make doubly sure that there’s someone available to deal with the engineer, they had a slot from 10.00 until 1.00 and from 12.00 until 2.00, which fitted into the right time frame for us and was surprisingly sensible and accommodating of them.

A quick message to the carers’ chat while I was on the phone and the engineer is now coming to fit a new electricity smart meter between 12.00 and 2.00 which is the time when there is absolutely guaranteed to be enough folks about for someone to take care of the meter man person. Even better, if Ovo turn up before 12.00 or after 2.00, Mum gets £30. Jolly dee … probably. So much could go wrong but … I’ve done my best.

I have also managed to end up running the bank account for McMini’s band, because I’m a special kind of stupid. That shouldn’t involve much, but this week I was busy sorting out T shirts to sell at their next gig. I managed to get more money, and therefore more shirts, by having the band member friends and family put our orders in up front. So that’s grand. I’ve also managed to set up a paypal account for the band with a Gmail address. Next step, when the money pours in after the gig, if it does, get an iZettle so we can take card payments.

Other news, this week, I went to a gin tasting with a group of ladies from Parents’ Swim, at McMini’s school, along with a wider group of folks, who I tend to run into when they’re walking their dogs on the school site and I’m going for a walk if the swim is cancelled, or I’m looking for mushrooms, or if I’m simply passing the time before the traffic dies down a bit and I can get home quickly (I see zero point sitting in traffic for 40 minutes when I can go for a 40 minute walk, get all my exercise in for the day and then drive home in ten minutes).

The tasting was in the bar part of the concert venue in my home town and was billed as being gin and ‘nibbles’. Naturally, all of us being either menopausal or a little older, we knew what our priorities were and a lengthy discussion ensued as to what ‘nibbles’ comprised. Would it be enough to absorb a substantial amount of gin? In the end, we decided it was probably canapes and as a result we all ‘lined our stomachs’ before we went with the kind of hearty fare designed to absorb large quantities of alcohol. The event started at 6.30 so the McOthers and I had supper early; spag bol.

It was absolutely lashing it down with rain, the kind of rain that would look far too unconvincingly heavy if you saw it in a film. I had to do that thing where you need to hold your coat out in front of you or the water runs off and soaks your trousers, leaving you with cold damp thighs all evening. I still got a bit damp but on the whole, it worked. I took photo of the town in the rain which I was quite pleased with, and also a picture of water running down the street because I thought it looked abstract. It does.

Rain soaked town … I think this would be a new Grongolian development if it were situated in Ning Dang Po.

Squigly lines and dots or running water?

Imagine our surprise, and possibly a little consternation, when we arrived to discover that it was a seated event and there were tables set for a three course meal. We started off with a cocktail that contained a lof of gin and an even greater quantity of Campari and probably some more stuff as well. On repairing to the furthest table from the others, so my laugh wouldn’t deafen people (I have had people on adjacent tables ask to be moved in restaurants before now) we then proceeded to get the giggles repeatedly about the fact we were going to have to do a Vicar of Dibbley and three Christmas dinners two suppers each.

We were immeidately identified as the Naughty Table so when two members of another party couldn’t make it, we were given their cocktails which we shared amongst ourselves.

The gin was fab by the way, the company is called the Heart of Suffolk Distillery and they have three gins out at the moment, the first was called Betty’s Gin, the second Rosie’s Gin and the third Ivy’s Gin. All were a bit of an eye opener as they were so much tastier and more aromatic than just … gin, but I liked Rosie’s Gin best, with Betty’s a very close run second and Ivy’s third. All of them were head and shoulders above what you’d normally expect in way of flavour, aromatics and general deliciousness. I bought a bittle of the Rosie’s becuase it had really lovely coriander kind of undertones and was delicious served with tonic and a strawberry floating in it.

The dinner was, indeed, three courses and was very good and luckily not too huge, although it would have been plenty on it’s own, without the large helping of spag bol I’d imbibed first. There were three little eats for starters; avocado mouse with a delicious home-made taco, a sort of salsa thing and a parsnip puree washed down with a lovely herby aromatic gin called ‘Betty’s gin’. It was followed by a kofta with some really good home made slaw and some ham croquette things, couscous with pomigranite seeds and a bit of curried parsnip soup on the side. This was served with Rosie’s Gin which was equally herbal and aromatic but where Betty’s was rosemary, this was definitely coriander, it would have been fab with a light thai curry. Pudding was a lemon tart with rasperry coulis served up with Ivy’s gin, which was more gluveinish in aroma, I could definitely smell cloves, and taste them too. McOther wouldn’t have liked it.

It seemed a waste not to finish everything so we drank all of the gin and I cleaned all three of my plates and the others did pretty well on theirs, too. Nom. But also sort of bleargh. Even now, two days later, I’m slightly feeling it … says the woman who bought a massive cake in the market this morning and snarfed it with lunch but … you know.

Next up we thought we might try doing pottery.

The following morning, in a somewhat debilitated state, hangover-wise (it took me until this morning—Sunday—to recover fully) I had to go for a blood test at the hospital. I didn’t get up in time to drive, it takes about 40 minutes that time in the morning, especially when some of the roads were flooded. I also left it too late to walk which meant the electric bike. It was still throwing it down so I put on my waterproofs and set off, aware that I’d only really left fifteen minutes for a twenty minute journey.

Unfortunately, I discovered that my usual route was blocked with an enormous puddle, however, there was no time to go round so I just had to plough on through and hope it wasn’t too deep. Needless to say it came up to the bike’s axles but somehow even though, when the pedal was at it’s lowest point, the tops of my boots were well below the surface of the water, none got through my waterproofs. I did pedal as fast as I could of course which may have created some kind of vacuum induced waterproofness … (is that a word?) I dunno. I arrived in time for the blood test. The check-in thing didn’t work but I managed to sort that anyway and apart from misreading someone else’s name and blundering into one of the bays while some poor chap was having a blood test it was more or less OK. Then I came out.

It was snowing.

A lot.

Never mind, I thought, it’ll stop in a minute. So I started off home. Pumped by my success on the way, I took the quick route which entailed going back through the enormous puddle. Once again, the feet stayed dry but the waterproof trousers caught on my pump, ripping it out of its holster. It disappeared into the murky depths with a plop. Since the water level would have been just below my knees if I’d put my foot down, I had to leave it and chalk the loss up to experience. If I go back in drier weather I might possibly find it … who knows … mind you, it’ll probably have tadpoles in by that time. As I exited the enormous puddle it began to dawn on me that snow is fucking painful when it hits your eyeballs at high speed. It was blowing a hoolie and I was riding into it as fast as I could, which was about 15mph with maximum electronic assist. The journey sounded like this.

‘Ouch!’ pedal pedal, ‘Fuck off!’ pedal pedal, ‘Ow that fucking smarts you fucking fuck!’ pedal pedal, ‘Fucking snow! Fuck! Owwww! Fuck!’

It only took me 10 (very unpleasant) minutes to ride home, but because snow on the eyeballs is so painful I was riding squinting out of one eye for most of it. By the time I arrived, I looked like this.

Lovely.

With all this extra eating, how is the eating thing going? Well … my weight this morning is 11 stone 8lbs and on Tuesday it was 11 stones 4lbs. Then again, it’s fairly arbitrary at the moment because two days before that 11.4 weigh in, I was clocking in at 11 stones and 7lbs. I have concluded that water retention affects this and some of it’s also about how much food there is in the system. For the most part, if I eat 1600 calories a day or more, the weight loss stops. If I hit my protein targets, it slows down. If I aim to hit my calorie target I get nowhere near my protein target.

At this point, I’m more concerned with which clothes I fit into and since there hasn’t been much change on that score I’ll not worry. I probably ate about 1750 calories yesterday and I was absolutely stuffed.

Other news this week. I am moving to a new ISP which means I’ve kind of broken my hamgee.co.uk website, on a temporary basis, though, I assure you. I need to do a couple of final steps in set up this morning and then, when the name servers are pointing to the right place, I need to reinstall the SSL certificate. After that, hopefully, everything should work again. Next steps after that will be to slowly rebuild it. I’m afraid it will probably be glitchy for a while.

And finally … once again, the chance to grab 12 hours of fabulous audiophonic joy for 99p (or 99c) continues … if the link works.

Yes. If you like cheap audio books, Few Are Chosen is on sale for all of March 2023. After that the price goes up again. As always, I’m cutting my own throat here. It’s 99c on Apple, Kobo and my own website. For anyone in the States, it’s also 99c on Barnes & Noble and Chirp (which is USA and Canada). I’m trying to walk the line here between offering a bargain from time to time and turning into a kind of audio DFS where there are only five days or so in a year when there isn’t a sale.

If you want to grab it while it’s mega cheap, though. You can find store links and a bit more info below …

Grab it direct from the author for 99c:

MTM’s Store

Or get it from one of these retailers:

Apple
Kobo
Chirp
Barnes & Noble
Spotify

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Enjoy yourself …

It sounded as if the Dalek operator inside was laughing as I did this.

OK, it’s a bit of a long one this week because woah! Norcon! What a gas! And I want to give you the low down. Yes, you will remember—if you wade through my outpourings regularly—that last week, through the wonders of modern technology, I was talking to you, in my absence, from Norcon where I was flogging books. Now I’m going to tell you all about it. Oh yes I am.

Why? Because it was brilliant! That’s why, one week on, I still haven’t quite returned to earth.

During the summer, I did St Albans Comicon with some author friends and we had great fun even though it was hot enough to cook meringues by just leaving them outside, and even hotter inside.

This time it was not hot, or at least not inside. I dunno about outside because I didn’t go out there during the day. Hang on, I’ve gone off on a tangent there. Right, yes, back on track now, the same three of us were sharing two tables, plus another lovely East Anglian author who we met at St Albans Comicon: Mark (Book of Souls Saga) Ashby. So half a table each, which worked out just peachy. A few feet round the corner was A E Warren (Tomorrow’s Ancestors Series) another East Anglian author who is a member of the author zoom group of which we are all part.

Norcon bills itself as the most friendly convention and it certainly lived up to its name. The atmosphere was very relaxed which was lucky because we had to get up at insane o’clock in the morning to get there and I am not at my best before seven a.m. Not even after coffee. Julia Blake (Erinsmore, The Forest, Black Ice and many more) and I were sharing a car; her car on day one, my car—which had arrived back from lengthy and convoluted (not to mention expensive) repairs the Friday before—on day two. Because the loading doors closed at 8.30 and we weren’t sure where we were going we decided to leave at six a.m.

As you know people, I have a light dash of IBS. What this means it that certain THINGS have to happen before I leave the house. Thank the heavens above, my body was in a cooperative mood that morning and I was ready for pick up at six. But to achieve that, I still had to be up by FIVE am. Gads! We decided that we would do cosplay too so we were all going to be dressed to match the characters or genre of our books.

Having scratched my head about the number of books I should bring, I decided in the end that I should assume I’d sell double what I sold in one day at St Albans over the two days … but then I got cold feet and in an act of hopeless optimism, I packed all the books into two huge boxes.

‘Blimey! How many books have you brought with you?’ Julia asked me as I heaved them all into her car.

‘Yes!’ I replied.

Us and our stalls

There was a small hiccup was that a large part of the A11 is down to one lane and Google chose to direct us the quickest way which involved Julia navigating her brand new car down single track roads. But something else happened to Google, or maybe I touched the screen of my phone with an unwitting fingertip, but it took us to someone’s house on Church Street, in a small village about ten miles short of our expected destination; the Norfolk Showground.

Oookaaaay …

Luckily, we got there unscathed, although I felt horrendously guilty for putting my friend through the crap in her BRAND NEW CAR (yeek!) or at least, for letting my phone do it.

Paul McGahn, Nigel Planer and Chris Barrie sitting at sci fi convention signing tables

Paul McGann, Nigel Planer and Chris Barrie with members of Norcon Crew

We set out our stalls and I discovered that we were opposite the signing tables — I hadn’t realised this but the others had cunningly planned it because that way we might have a captive audience of people queuing for signings to pitch our books to. The three opposite us were Paul McGann, who was the radio and film Dr Who, Nigel Planer who is the voice of the first 24 (I think it’s 24) Terry Pratchett audiobooks but, more importantly, was Neil in a comedy show called The Young Ones which my friend Kirsty and I watched pretty much on loop as teenagers. Then there was Chris Barrie, who is Rimmer in Red Dwarf. Julian Glover was down at the end somewhere and there were two more folks, stars from StarTrek the New Generation and another from StarWars, I think, in between, but the three opposite us were the ones I genuinely admire; being, as I am, a monster fan of Dr Who, Red Dwarf and The Young Ones.

Chris Barrie sitting at a table

Chris (Arnold Rimmer) Barrie

The stars were sitting with a Norcon team member each and in most cases they were chatting away and it all seemed very relaxed. Meanwhile we were doing the same thing our side.

As I was banging on about something in the voice of Dr Evil to my neighbouring author—Rachel Churcher (Battleground Series)—and primping and reprimping the books on my stall, I was aware of someone tall in a dark jacket reading the blurbs I’d pinned to the front of the table cloth and taking a picture of me. I looked up and the only person in a dark jacket in our neck of the woods was Nigel Planer, who was wandering back to his table.

‘Did he just …?’ I asked Rachel.

‘Take a photo of you? Yes,’ she replied.

‘Woah. That’s cool.’

So we had a quick squee moment and told the others and then got on with selling our books, photographing each other looking excited and holding books or arsing about, flaunting our costumes—or in my case, trying to prove my books were amusing by Being Funny at people—and generally Being Authors … er hem … probably.

During the gaps in traffic we looked at people’s costumes and took photos which the organised ones shared to instagram and Facebook but I just whatsapped them to the McOthers at home, or we watched the martial arts bunch behind us doing light sabre training with legions of pint-sized Jedi and Sith or photographed passing Daleks, because who’s going to pass up an opportunity to do that?

Meanwhile the signing tables were busy but in the gaps, Mr Planer appeared to be doing exactly the same thing as we were (sensible chap) wandering about with his phone taking pictures and clearly living his best life and enjoying at all. He kept stopping to look at my stall, and me, presumably trying to work out who on God’s green earth I was supposed to be. He was wearing an affable smile or an expression of intelligent enquiry (or both) for most of the time, but above all when he wandered past us, he appeared to be genuinely intrigued by the books I was selling. Which was a bit of a thing. And which threw me completely.

As the day wore on, all the others noticed and they kept teasing me that if Nigel Planer was looking at my stuff, I should go over and sell a book to him. I was just wondering if I could swing that and deciding that no, I very much could not, when I looked up and there he was, standing in front of the stall, like an actual … um … customer.

Shit.

‘Hello,’ I said, although, to be honest, it might have come out as a bit of a squeak.

I think he asked if my books were humorous sci fi to which I said yes and then, before I could stop myself, I sort of blew it. My brain went into overdrive.

You can’t sell him a book! Some of it told me. You have to give him the book.

I know but what if he insists on paying? The rest of me asked it. I can’t take his money. It’s really bad form.

Use a short. Then he’ll only have to pay £3 if he insists and you can accept his money without looking like a charlatan taking advantage.

And so it was that before I could stop myself, while the larger part of my brain was still attempting to compute, I grabbed the nearest short, Close Enough and I blurted.

‘Can I give you a book? Seriously, I would be honoured to, if you wanted one.’

Noooo! What was I doing? Where was the calm sensible, let’s chat about the books, let’s allow the customer to ask me the questions and choose the one they want selling policy that I try, and fail, to pursue with everyone who approaches my stall? Nowhere, that’s where. There’d been some kind of brain coup and sensible, mature Mary was now gagged and tied up in the corner. Gibbering fan girl was firmly at the wheel.

Worse, that was the wrong book! I’d picked a short, which he would be least likely to enjoy, because it would drop him in the middle of everything with minimal world building. But it would have to be a short because they were the cheapest. Except that if it does have to be a short Nothing To See Here is the one to throw them in with. And I didn’t even fucking ask him which one he wanted, poor sod! And if I was going to do that why, in heaven, didn’t I just sell him Escape From B-Movie Hell at cost, since that’s the one which eases the uninitiated into my style gently and I could have charged him a fiver for that without looking like I was grovelling but it would still not be rudely expensive.

Head desk.

On the other hand, he’d seen and heard me selling books all day so he probably had some idea what he was in for. And I didn’t dribble or start quoting vast tracts of The Young Ones at him and my Traffic Warden Clemency Begging Gland didn’t pump two gallons of spit into his face while I was talking to him either, so that was a bonus. Also, it wasn’t nearly as embarrassing as the time I met Dudley Moore (I die a little inside every time I remember that) which, I suppose, was a small win. I guess I was just a bit … starstruck though.

Rolls eyes.

Encore de head desk.

And the others chimed in and I think Julia gave him a book because … share the love!

He did insist on paying and I took his three quid. I also devalued his copy by signing it for him.

Nigel, thank you for being Neil (and Nigel) all the best … I wrote, drew him a picture of a snurd and signed it. In sharpie. God in heaven.

Then he told us he’d written a book which he’s crowd funded on Unbound and that it’s humorous sci fi, a time travel story. So we chatted about that and he had a flyer so I asked if I could keep it and Rachel (Battleground Series) asked for one, too, and he went back and got one for her, as well. Then, clutching mine and Julia(Black Ice, Erinsmore, The Forest and many more …)’s books, our hapless victim returned to his station. He left us bobbing up and down like overexcited pontipines.

Hmm, maybe not so hapless, then, since I’ve bought his book; the deluxe hardback version, signed by the author with my name printed in the back so I think he might have had the last laugh. Then again, he was so friendly and generally affable that how could I not? And it’s comedic sci fi and this is me so that I’ll buy the book is pretty much a given really.

I also apologised to him for being a bit starstruck on twitter and sent him a picture of Extra Special Deadpool man (I’ll come to that) and told him I’d bought the book. He dutifully liked the picture said he hoped I enjoy it.

Back to Norcon.

A bit later on, I was suffering with raging guilt over 1, taking money off actual Nigel Planer for my crappy book and, 2, giving him a book he’d probably loathe so I thought I’d better go and buy a photo. Then Amy (AE Warren; Tomorrow’s Ancestors Series) said I should try and get a selfie except there was a sign over each person saying what they’d do and how much for and Mr P’s said no selfies. Amy reckoned he was quite louche about that though and assured me that she’d seen him doing selfies with other people.

So I took my courage in both hands, waited for a quiet moment and went over to him.

‘Since you’ve been kind enough to buy my book, the least I should do is return the compliment. How much would you charge me for a selfie?’ I asked him, pretending that I was either terribly myopic or too stupid to have read the sign. Well, I wear spectacles and he’d already spoken to my by this time so I reckoned I could swing it.

‘I’m not really supposed to do them but I doubt anyone will find out if we go over there,’ he said cheerfully, waving his hand in the general direction of my book stall opposite.

‘Oh! Thank you, very much,’ I said.

He wandered over and positioned himself in front of the banner but also a bit to the side, you know, so people looking at the photo could read it. I trotted over in his wake.

‘There we are!’ he said as I stood beside him. ‘You can just pretend you are taking a photograph of something over there,’ he told me, pointing in the general direction of Chris Barrie. There was definitely a slightly gleeful vibe coming from him at this point, as if he was feeling the joy of doing some small piece of rebellion that’s Naughty and that he Wasn’t Meant To. That, of course, is something I can always get on board with. I was just about to start a light hearted sort of, ‘Oh look at that over there!’ in a suitably wooden comedy voice and hold up my phone when, bless her, up popped Rachel.

‘Shall I take the photo?’ she asked.

Brilliant. So I handed her the phone and he put his arm round me and we grinned at the camera. Rachel wisely took two photos, both of which are fabulous; like, really decent shots both of him and me, which might be natural for him but trust me, for me, it’s something approaching a miracle.

Woah.

What was lovely was that it came over as totally genuine interest in another professional, which from one so stratospherically elevated from us made all four of us feel good. Mwahahahargh! I guess that’s the power of fame but it’s amazing how such a simple kindness from someone who has that power can make another person’s day. If I ever make it off the bottom, I hope that I, too, will show the same generosity of spirit and encouragement to the people coming up behind me.

Where could I go from there? Well, on the Sunday, things did feel a bit flat at first but then I looked at the costumes and on the up side, I did get a belly laugh out of Chris Barrie by asking him, in the voice of the Toaster from Red Dwarf whether he wanted some toast. And obviously, I went and shook hands with Paul McGann as well because … you know. He’s The Doctor. And Terry Malloy, who played Davros quite a lot in Dr Who (one of my favourite villains) at a time when I avidly watched the programme every Saturday night.

Another delight was watching the Dalek operators. There was an impressive selection of Daleks; from the 1960s and 70s ones I remembered as a kid, to the copper-coloured David Tennant era ones. They were fenced off in an area close to us. The fellow in charge had brought his parents, who were in their 80s and absolutely sweet and would sit in deck chairs each day happily watching the action, or wander the hall, hand-in-hand, looking at all the other exhibits.

And then we heard the martial arts folks giggling and saying that ‘he’ was here so we asked them who ‘he’ was and they said,

‘Oh you’ll know.’

Sure enough, when this gentleman turned up I suspect we did. Yes. Dead pool. With a euphonium. Mwahahahargh!

Awesome.

He followed the people in particularly excellent costumes about playing their themes or the theme from their film. I asked him if his instrument was heavy and he told me that yes, it’s hard on the core strength. Apparently he has to wear a back brace to help with that.

I particularly like the way he’s wearing the trumpet like a side arm. I didn’t see him play it but I should imagine it would be too difficult to get to when the euphonium is in position and you’d need some extra arms to hold the euphonium while you used your main set of arms to play the trumpet.

On a final note, it was one of the safest spaces I’ve seen for a while. There’s a whole other level to cosplay. Nobody cares if you’re 20 stones and want to dress as Wonder Woman, nobody cares if you’re a he, a she, a they or a ze. Nobody cares if you’re a biological bloke but you feel more comfortable, and more yourself, in a dress. I should imagine there are a lot of folks who might be on the end of some serious prejudice in Real Life, who can come to a con and be who they really are. Not only be who they are but be applauded for it. I’d imagine that’s pretty freeing. I loved how open and accepting it was.

Yeh.

It was golden. All of it.

How many books did I sell?

Hardly any. In fact, sales were pretty dismal. I sold exactly half the number of books I sold at St Albans in one day, over two days at Norcon.

But fuck me! I sold one of them to Nigel Planer! Mwahahahrgh!

Will he read it? Who knows, but that’s not the point. He bought one. And I hope I haven’t got him into trouble posting the selfie. Sorry, Nigel, if I have and you’re reading this*.

* Well, you never know right?

And I managed to get a guffaw out of Chris Barrie. In fact lots of people actually laughed at my crap jokes, which made my day. Both days; because the principal aim when I do these things is to meet people, be funny at them so they think my books must be funny too and buy one, oh and have a gas, because then the books sell themselves. And anyway, without laughter what do you have? Well … no fun, that’s for certain.

I came home feeling the same way I used to after a really good gig in my very, very brief flirtation with stand-up. To be honest, I was so high I still haven’t quite come down.

Not a commercial success then, but will I go back next year? You bet your arse I will.

And finally … last chance to grab 12 hours of audiophonic joy for 99p (or 99c)

Yes. If you like cheap audio books, Few Are Chosen is on sale until Monday. After that the price goes up again.

As always, I’m cutting my own throat here.

It’s 99c on Apple, Kobo and my own website. For anyone in the States, it’s also 99c on Barnes & Noble and Chirp (which is USA and Canada).

If you want to grab it while it’s mega cheap you can find store links and a bit more info here

Oh and one more thing …

Here’s a little bit of Nigel Planer in action as Neil …

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Stuff happened … I even remembered some

Quite a lot to catch up on after the gap last week. Sorry about that, I was out digging, this time near Haverhill. Once again, it was a weekend event with two days’ on the fields.

However, on this one the fields had been ‘fertilised’ with something called ‘green waste’. Green waste is low grade industrial waste so it contains hundreds of tiny pieces of metal. Therefore, if you’re detecting on it, you will have to dig about 20 pieces of scrap; bits of circuit board, wire and—a favourite—the metal bottom bits of car light bulbs. The first day, I found a button, what I think was a Roman tile, a Roman floor tile and an amphora handle. Did I find anything metal among the pieces of twenty first century shite? Did I bollocks. The ground was heavy clay and wet so I had mud boats the size of snow shoes stuck to my boots and I might have been better with a cheese wire than a spade.

The fields were all on the same huge farm, so despite the fact they were releasing some new land to detect on the Sunday, I bugged out and went to a dig that a member of my club was having on his permission. It was the best decision ever, light sandy Norfolk soil and land that I knew. I found two long cross pennies, although one is almost blank, a Tudor button and a gorgeous cloth or bag seal … probably a cloth seal to be honest. I’d cautiously put that as Tudor, too, or possibly 17th century. I’ve had the little o-ring off the back and I’ve found the fronts of these seals but this is the first one I’ve found that was complete.

Interestingly, one of the other club members there had also bugged out of the big rally and both of us went home with interesting stuff, feeling fully vindicated in our respective decisions.

Maybe big rallies are not for me. You need to be fast because no matter how much research you do, you don’t know the land and it’s only by digging regularly somewhere that you begin to learn where the finds come up. That means the folks who are strong and fit enough to dig the highest number of targets in the shortest time are going to get the prize. On the up side, by the end of the first day, or the second day, you’ll probably have started to learn where the good stuff is coming up so you can go to those areas, on the down side, depending on how many people there are per square metre of land to detect, it may be that anything that’s at a depth a detector can reach will be gone when you get there or you find there is only stuff which is very deep and takes longer to dig meaning fewer items recovered and less chance of one of them being interesting. It is what it is but as someone with a dodgy knee who can’t always do a whole day, it’s only sensible to be a bit selective.

On the Mum front, things are looking up substantially. The Good news is that they released her from hospital a week after she was admitted, the bad is that we had to wait for the kit she needed to arrive at home. This being a broken ankle, she gets the stuff on the NHS who are kindly providing her with a hoist and a hospital bed. The bed was due to arrive on Wednesday but was the wrong type so had to be sent back. We were given a revised slot for Thursday; between 12.00 midday and 20.00 (eight pm). If if arrived in time, I had to ring the ward to let them know, which I did.

The following day, the Friday, Mum was put on the transport. It arrived home and the drivers, seeing that Mum’s drive was long, decided to leave the vehicle parked while one of them popped up to the house to see if they could turn round. The carers, waiting in the drawing room, saw her and rushed out. She explained what she was doing and said that yes, she could turn round so she’d go and get the vehicle. Naturally, having actually met the driver, the carers were expecting the vehicle to appear any minute.

It didn’t.

Not wanting to crowd the drivers, and thinking that they might have been going to go drop someone else off nearby first they gave it ten minutes and then walked down the drive. No sign of any ambulance anywhere. Next thing, 40 minutes later, Mum is wheeled back into the ward.

At this point the ward clerk is well annoyed but the transport is contracted out so she can’t find out much about what went on. The reason given for taking Mum back was that they couldn’t get the vehicle into the turning and since she is non-weight bearing, they needed a piece of equipment called a carry chair to get her to the house, which they didn’t have.

However, Mum has a wheelchair so, had they popped back to explain, both Mum’s carers were confident that the four of them could have easily got her into her wheelchair and off the transport, at which point they could have wheeled her up the drive, into the house and then, using the hoist, they could have got her into bed.

But no.

The transport staff didn’t bother to come and explain the situation to the carers. They just buggered off back to Worthing with Mum on board. And THIS, my friends, is why the NHS is running on a shoe string on the one hand, while it gaily spunks what little money it has up the wall on the other; because someone couldn’t be arsed to walk 100 yards up a drive and give an explanation that would have saved deploying another vehicle and two more staff to do the same journey. The Ward Clark told me this has been happening a lot recently. Urgh.

It’s also another way people with dementia are treated as things. My mother is not a flat pack wardrobe for fuck’s sake. It’s not sodding My Hermes dropping a card in. ‘I’m sorry your package could not be delivered, we will try again tomorrow.’ The carers who the driver had met and spoken to were effing there, waiting for the stupid bastard vehicle … or an explanation.

So we had another go and Mum finally reached her house, for the second time, at 5.30 but she was actually unloaded this time. Unsurprisingly she was knackered. Urgh. Head. Desk.

This last Wednesday, when she had arrived home she was on reasonable form but a bit distant. She just looked in pain and unwell bless her and seemed to be very muddled. Turns out she has a morphine patch though, so she might just have been tripping gently. When I spoke to her on Friday she was actually quite switched on. The words she uses don’t always make sense but I think that might be word finding difficulties making the confusion sound worse.

As you can imagine, I’ve done fuck all this past couple of weeks. Its’ been one of those ones when the small stuff mushrooms into a giant wobbly shite ball, like that canned foam stuff you spray into cracks in walls that balloons into enormous yellow bobbles that look almost edible (honeycomb anyone?).

On the up side, my Bruv had drawn my attention to a bin in the hospital which was labelled ‘offensive waste’. Obviously, we found this hilarious because we are both incredibly mature. I even took a vid so I can over-dub the bin saying something suitably offensive when I open it.

On the books front. No. Strangely there has been absolutely zero writing at all. On the other hand, I have boxed up one of each of my books with a covering letter ready to send to Suffolk libraries. Suffolk is in the Public Lending Right this year, which means that I will receive a royalty payment for any books people borrow. Since sending them, I have learned that they are now on their way to Bury St Edmunds Library so people can borrow them. I have used the online system to reserve a book from each of the authors I know and have also reserved one of my own, because I’m sad like that.

Also on the books front, the cosplay costume is done, I think. CF picture of incredibly sarcastic looking author in very messy bedroom. You might be wondering about the goggles. Yeh. Well the thing is, they just seem to raise the level of the costume from alright to Quite Good. So I’ll just have to write them into the next book, OK?

If you think it looks striking, have a squiffy at some of the photos of the event on Google and I think you’ll agree that it’s actually quite understated compared to most people’s and yet odd enough to fit right in. Or to put it another way, eccentric but not to the point where I’ll get mugged on the train … probably.

Norcon, as it’s called is running over the 24th and 25th September at the Norfolk Showground which is on the outskirts of the city of Norwich, Norfolk, UK. I will be there, flogging my books to the unsuspecting public and devaluing them by signing them.

If you want to know more or would like to come along, you can find more information here: https://www.nor-con.co.uk/

Most of the clothes featured there are things I couldn’t get into a couple of months ago so I’m quite pleased. The weight loss does seem to have started up again, at least some of it’s moved this week which is grand. I’m now wondering if the final target item of clothing—a pair of shorts—will fit by the time I go on holiday in three weeks. It’s not beyond the realms of possibility but I’m not going to sweat it if I fail to achieve that one. Even so we are entering the realms of being able to wear stuff that hasn’t fitted since just after McMini was born so it’s quite a thing.

The zip’s broken on the dark blue trousers but it’s a long shirt so I should be alright with some safety pins I think.

Briefly, I have to mention The Queen because she was ace. Both her and her father were reluctant monarchs. Maybe that’s why they were so good. But so far, Charles III is showing every sign of being a similarly excellent King. If I can get my shit together, I’ll do a longer post on this at some point. In the meantime, The Queen is Dead, Long live the King.

I’ve also been following events since her death including the lying in state. It’s been interesting, especially because of the amount of arcane ritual and tradition surrounding the accession of a new monarch and the death of the old one. It’s been an eye opener and I’m particularly peeved that I wasn’t switched on enough to saunter down to the bottom of my street and watch the king’s accession being announced by the Lord Lieutenant of Suffolk from the balcony of the Atheneum. Definitely missed a trick there, not to mentionan opportunity to take part in actual history. Then again, it’s been a bit like that this week, I forgot to go to a PCC meeting on Wednesday and I forgot to take my son to Boys Brigade on Friday then again, he forgot too.

Another member of the PCC also forgot or at least, he got the date wrong and turned up the following day. As he’s a world expert in his field, I felt a bit better about being a dunderhead because I can convince myself that intelligent people do stupid things so I’m not a thickie after all. Mwahahahrgh. As we agreed, it’s hard work being a pillock! We have standards to keep to. Definitely attained on my part this week though!

But, returning to the topic in hand, as you know, I like a bit of arcane ritual (rights of Twonkot anyone?) so I’m thoroughly intrigued and taking notes …

On a completely different note …

Here’s some good news if you like cheap audio books!

Once again, I’m cutting my own throat and having a sale. Kobo is doing a buy more save more deal on audiobooks this September and the K’Barthan Series, as well as Too Good To Be True, are in it. As a result, to make it more exciting, I’ve reduced the first book in the series to 99c on Apple, Kobo (of course) and my own website. For anyone in the States, it’s also 99c on Barnes & Noble and Chirp (which is USA and Canada). So if you want to grab it while it’s mega cheap there are store links and a bit more info here

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Spigotry …

Yes, I am still alive, although you could be forgiven for wondering if I’ve quietly shuffled off this mortal coil the amount of time it’s been since I wrote a blog post. I suppose the main reason for this is that the mood to waffle about my life tends to hit at the weekends, therefore, if I happen to be Doing Stuff several weekends in a row, the blog grinds to a halt. Case in point, when I came to write this post I found two others that I’d already begun before going out. On the upside, all this Doing Things does come under the heading of Putting Stuff In which is probably what other people call ‘refilling the well’.

So what’s been happening. Well, Mum stuff although less of it, Mc(Not So)Mini stuff and too much stuff of my own. I suppose you could say I’ve over-peopled but it isn’t really the social that’s hampering my efforts to achieve anything. I just keep on having to do things because I make trouble for myself. Yes, the reason for my absence is that I have been, mostly, trying to put out the fires I’ve inadvertently started in the dry grass of life. Or trying to unfuckup the fuckups, of which there are legion.

This week I went to see my writer friends where I used to live. For years they’ve been coming to me but now that I don’t have to collect McMini from school until 5 on the day we meet – or because, a lot of the time McOther picks him up – we have started going to the house of our eldest member and having lunch in the village pub. On the way I pick up the other lady in our group. She has a great deal of difficulty getting in and out of my car and this week, I discovered that taking the roof off merely made it worse. It was hot and I was wearing my prescription shades so while I was getting ready I took my actual spectacles out of my pocket and put them, in the little bag in which they come, on the back of the car because I didn’t want to bend them. The last thing I remember thinking is, ‘I must remember to put those back in the care before I drive off.’

Can you guess what happened next?

Of course you can! Yes. That’s right, I drove off with the glasses on the back of the car. Obviously, the fates didn’t do anything kind to me, like arrange for them to slide off on the side roads leading from the estate on which my friend lives. Oh no. They fell off as I turned onto the main road. When I reached my destination and went into the house I found I no longer had my specs. It being a social event and there being a table booked for lunch, I couldn’t just say, ‘Guys, I have to nip back and check.’ It would have been rude. The lady I had just picked up rang her husband and he went and looked but found nothing.

Resigned to their fate – I didn’t hold out much hope for my glasses surviving, unsquashed, until I dropped her back – we read each other our work, had lunched and talked writing things. When I dropped the lady back, it turned out her husband had popped out for a bike ride and found the glasses on the main road. They had sustained a small amount of damage, as you can see from this picture.

picture of smashed spectacles

When I break something, I like to do it properly.

Strangely, I had to visit the optician the next day to pick up some contact lenses for a friend’s daughter who’s a border at McMini’s school so I took my glasses with me along with another pair of frames that I’d picked up for a song at TK Maxx about twenty years previously (when I’d bought the smashed pair). I asked if they could fix my specs.

Yes well … at least I gave them all a good laugh.

Naturally, it turned out that they’d have to send the new frames I had away because it involved drilling the actual lense. In addition, it turned out that I was due for an eye test so they recommended I do that first, in case my prescription has changed. On the up side, they did have a slot sooner rather than later, on the downside, ‘sooner’ was next Friday. I found a similar pair on ebay for £24 and sent off for them so I do have those, although when I put them on they exaggerate the fact that I have asymmetrical ears and one is a lot higher than the other. On the up side, they don’t involve drilling the lenses so I can get them sooner and, if I have to go varifocal, maybe I can get the send always done as varifocals and the other as bog-standard prescription.

So now I’m wearing my sunglasses most of the time, Roy Orbison style, although he went on tour and left his prescription specs at home whereas I … yeh. If I ever can find another set of the others I’ll buy them and replace my old ones as they suited me better than any specs I’ve ever had before. In the meantime, I’m wearing a pair from 2008 which are more-or-less OK, although slightly weaker than the originals.

Add taking the cat to the vet, me to the gym and all sorts of other stuff and somehow, I achieve very little. That said the writing is still going. I’ve been going through Misfit 5 editing it and picking out where I’ve added tracers for plot development. I usually know where it’s going at the time and I put the tracers in but if I’m not writing for a long time, I then forget what they are and end up writing off in the wrong direction. This is a Bad Thing.

Other news, McOther has been a bit busy at work recently and McMini has had a gig with his band again. Their singer left, which looked as if it was going to be a bit of a disaster, but they’ve found a new one who is less experienced but I think could be very good so that’s a win.

Picture of a hitler european tour t-shirt

Height of bad punk taste.

We went to a re-enacters’ event today which was excellent and McMini spotted a Hitler European Tour T-shirt to wear on stage (it’s a punk band, after all). I bought it for him.

Lord but this is not Setting A Good Example, but since I had one when I was about his age, I’d be a special kind of hypocrite to point that out. Also it’s actually slightly less offensive than the T-shirt McMini was wearing, which advertises a band called Deicide.

On the up side, it’s black and white, and a lot more understated than the enormous red and black, front and back printed white one I had when I was the same age which also featured a huge swastika.

It’s also a bit easier to wear these days, I think. There were many instances when I simply couldn’t wear mine because it might be taken the wrong way. McMini’s is a great deal more understated than mine was, which is no bad thing, even though, as a whole, it’s still a bad thing and I am still a Bad Person for caving in.

It is difficult with gallows humour. I strongly believe that actually jokes do occasionally need to be offensive. I also believe that comedy is often far harder-hitting than the heaviest of moral-lesson type stories. I also think that one of the reasons Britain is such a horrible place right now is because we have lost our ability to laugh at ourselves in ways that are a bit sick, and we’ve lost the ability to trivialise the things that scare us to a manageable level by making jokes about it. Nonetheless, McMini has promised me this one is on stage only.

On a different note

My audiobooks are on sale again, so you can grab Few Are Chosen for 99c and Small Beginnings for 99c or free.

I’ve also reduced the other books in the K’Barthan series though some stores (a.k.a. where I can). Help yourself while you they’re cheap. They’re on sale until the end of June.

If you’re interested and would like more information about that, just click here.

AAAAAAND! There’s more!

The Last Word, available in Audio.

If you enjoyed the short story, The Last Word, the audio of that is also available, to find that, go here.

 

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The Chaos Fairies are back … the little bastards.

This week, as promised, how I was banned from Facebook. Many years ago Amazon had product discussion forums and I used to hang out on the one in the UK, for books mostly. It was typical Amazon, moderated only by AI. If your name was Richard, or William, you couldn’t be Dick or Willy even if you … you know … were. It would tell you you’d typed a profanity and refuse to let you post. Meanwhile on the dot com site, there was a really unpleasant bunch of people who used to descend on threads en masse and bully people they didn’t like. Even Anne Rice. Yes. Anne fucking Rice used to post on there. She was lovely. But they used to hunt down each thread she started and filibuster or ‘call her out’ as they called it, until they killed the conversation stone dead. 

Weird.

If ever there was comprehensive proof that AI is not going to take over the world any time soon, the AI Amazon used—and still uses on other parts of its site—is it.

Facebook appears to use the same lame AI, except it doesn’t say there’s a problem. It just lets you post and then the AI bans you.

Unfortunately much of what is banned appears to be harmless banter. I’m on one particular group there which is fans of a fellow comedy author. There are folks from all over the world and we take the piss out of one another about our nationalities, among other things.

In case you can’t read it, I said something along the lines of, ‘I love you all and everything but you Americans are crazy!’ on a post with some crazy guy doing mad stuff. I actually messaged one of the mods in that group, because I do post there quite a lot, and she posted a screen shot of what I said, at which point about 50 people commented variants of ‘but we ARE crazy!’ etc.  I was banned for seven days. I was also banned for three days for a humorous reply to someone commenting on a post about my son’s lost socks, saying ‘Yep, boys are gross!’

Since then I’ve read up and discovered that Facebook is particularly hot on taking down posts that diss Americans or males. Now I know. But because most of this stuff is just British humour, it means I am going to lose my account soon, for just … you know … being myself. Which is a bit of a worry. The last ban was five days in the end, I think and four days banned from groups which went up to seven on my profile but I was allowed to post in groups after 4 days as per the original smack down.

This afternoon, I notice that once again, my account has a red flag. I have no idea why but I’m guessing it’s a comment I liked somewhere. I think I dimly remember commenting on a post that someone had said might not be right but was still funny. Ho hum.

‘I’m sorry Madam, we at the CIA Facebook do not have a sense of humour of which we are aware.’

So that’s a joy. I admit that this one thing is hardly a proper Chaos Fairies attack but no, it’s not the only thing on its own. There was more.

What else happened then, Mary?

There was a death in the family. In this case, an electronic death rather than a human or pet one and an absolutely royal pain in the arse.

So. Why is it that if you save up for something really expensive, in this case, an electric enhancement for my bicycle, you will immediately incur a huge bill, out of the blue, the day after you’ve bought it?

Yes, last Monday night, I finally ordered a swytchbike kit for my trusty fluorescent orange bicycle. I haven’t used my bike much recently, mainly because it is always windy. Not me, obviously, although I’d be lying if I said I didn’t emit the odd tone poem but I actually mean the weather. Hence, thinking that if I got some electronic assist I would a) ride at a pace that is faster than walking and b) passers by would not be treated to my tourette’s like swearing at the fucking annoying wind blowing in my face making it like riding up a mountain in the stiffest gear. You know, one of the ones I’d use to pedal it faster while going down a hill at 20mph.

Yes. I get pissed off and then I mutter, ‘Fuck off! Wind! Fuck off! Wind.’ as I pedal.

I never pretended I was a model human did I? Although even I understand that’s probably not a good look.

The following day, I went for a walk with a friend for our weekly grumble in the jungle, whinge in the woods, etc and I dropped my phone. When I picked it up a strange line of light had appeared at one side of the screen. Not a big line but it was there. As you know, my phone had survived being dropped out of a car window at 35mph so I did realise that it might be quite … sensitive … to any future drops. I think the killer for this one was that it landed at the edge of a puddle, perhaps the water got in and … I dunno.

While we had a cup of coffee I got out a USB a-c stick I always carry with me and I downloaded all my photos. Suffice to say, by the time I got home, not only did the phone have the strange light bit but it also had a little blue smudge. It was 4.30pm. I looked at the blue smudge and wondered if it was going to get bigger.

If it was the fluid leaking out of the display I knew the thing was, essentially, haemorrhaging its life blood. The only question. How long did I have? Hours? Days? I didn’t know.

Naturally, it was Tuesday and the following day was drive-to-Mum’s-day so there’d be no getting near a shop. If it wasn’t going to last until the end of the next day or Thursday morning, I had to get a phone. NOW. On the other hand, while the blue splodge was getting bigger, it wasn’t growing that fast and so long as I made sure I’d backed up my pictures, music and audio books, which were the most important things, I might be able to limp on for a day or two. I didn’t want to buy a new phone if I could avoid it, having just stumped up six hundred and something quid for the electric bicycle kit thing. But if I had to then, even if I could string it out a few days, just to give myself time to identify some phones, track down a bargain and move some of my savings into my account, it would help.

The next problem would be backing up the settings, apps and stuff. My phone’s hard drive was double the size of my computer’s and over three quarters full so I didn’t think I should use my computer for this.  I therefore downloaded the important stuff I mentioned earlier onto two SD memory things. I had to keep recharging the phone because it only had one port and if I had the SD memory thing plugged into the USBc port, I couldn’t charge the ruddy thing. By the time I’d done that, the blue splurge was big enough for me to know that I’d be lucky if the phone lasted the night. It was also six p.m.

There were two things on my phone which couldn’t be transferred to a new one unless the old one was still working. The first was the card reader I use selling books at events and the second was my mother’s banking app.

Shit. The banking app. Fuckity-fuck! Yes. That put a rocket up my arse.

I was going to have to get a new phone.

With phones, I tend to go for as close to the top of the range as I can, and then I hang onto it for about five years. Unless I break it after three. That means I usually have to get one on contract and pay monthly because it works out cheaper than paying for a sim free. This was not a luxury I open to me right now though.

A quick google and we discovered Curries was upon until 8. I arrived at ten to seven and they were locking up. They actually close at 7.00. I tend to prioritise camera quality as ‘The Thing’ choosing a phone and with a sim-free now costing stupid money, I’d decided to go for the latest model but one, so it was a bit less expensive. I’d a list of three I’d been looking at (since I originally dropped the current one, you know, just in case this happened). The first choice, a Samsung S21 was out of stock. They might be able to get it the next day though.

Having showed him my phone, the screen of which was getting steadily bluer, he agreed that it might be risky to wait until then.

They didn’t stock the modern version of the phone that was dying, which was the second phone on my list. Indeed they had few high end phones to speak of because … COVID, Brexit and chip shortages …

I looked at the cheaper ones but none was so cheap I could justify buying it to tide myself over the next few months until I could afford something ritzy for long term use. I was also concerned that any new phone at the low end would be less backwards compatible with my 4G sim card, as well, which I could replace but not that night when I NEEDED the phone to work to move Mum’s banking app over. There were none by any brands I knew much about and none I’d researched, and as we were still looking at £300 or so I wasn’t keen.

As I turned to go, I noticed they had some Google phones. Their cameras are supposed to be great but I didn’t know much else about them. There were two, for £500 and something and £700 and something. I asked about the difference. Not much, it seemed and the £500 one was the same level as the Samsung I’d asked about. Ooo.

‘Do you have any of those?’ I asked him pointing at it the top of the range one.

‘No. But we have one of these left,’ he pointed to the £500 one.

‘Is that an older one then?’

‘No, it’s their flagship phone. It just has a slightly older chip and the camera doesn’t zoom as well. We have one left in this colour.’ He pointed to one with an orange stripe across the top and a doll’s-flesh-coloured body.

‘Right …’ I said slowly. Crikey!

‘You might get the Samsung you wanted from a supermarket,’ he said.

‘Hmm … but if I take ten minutes to nip down the road to Sainsbury’s and they don’t have it, will you still be open when I come back?’

‘No.’

And the Samsung one they had for £700 and something was nearer £900 in the supermarkets. I’d looked it up. OK, I’d found one I was happy to use for three years. I could get it NOW and I needed it NOW. There was nothing for it. I told him to hit me up with the grimly-coloured Pixel. It would be OK. I’d have to get a wallet case for it anyway.

When I got it home, I was able to connect it to my old phone to copy everything over. That done, it started downloading updates. Except the old phone had been charging off it and without my knowing, it had gone below 50% charged so although it showed apps updating they just hung like that. Nothing actually updated.

Luckily, I realised.

Even more luckily, I’d bought a wireless charger so I stuck it on that, although it still hadn’t finished updating until midnight. It had copied the files and google apps from the new phone but none of the others apps like WhatsApp, Signal, etc … or Mum’s banking app, for example.

I started with that. It needed either a second password—which I didn’t have—or a QR code, but by that time, the screen was too blue for the new phone to read the QR code off the old phone and it wasn’t doing auto rotate so I couldn’t rotate it so the QR code was in the white bit rather than the blue bit.

At last, I managed to get into the banking app on my laptop and use the (by now totally blue) screen to get a number to change the password.

It was now 2.30 am and I was doing a 300 mile round trip to Sussex and back the following day. Mmm. Probably time to go to bed. I’d started sending myself emails of the notes on my phone because I had assumed that when the new one said it was ‘copying over my files’ that it would have copied them and discovered it didn’t. I managed to get four or five really important ones but I lost the how-to for Mum’s call blocking on her phone and two or three others I could really have done with keeping. On the other hand, I did manage to save all my music and audio files and my photos … all six thousand of them. Gulp. For that, I am very grateful.

Even better, we are now sorted for Mum’s op. She’s going to have a bog-standard surgical procedure. It’ll last 30 minutes and her carer can go in with her. The surgeon wanted to do something called Mohs but you have to wait for results for a couple of hours, and with a chance that she’d be there all day, the carer was COVID barred from that one.

On a final note, a brief bit of politics. Last year, The Queen buried her husband. There as a poignant picture of her masked, in black, sitting alone in the stalls of Windsor Castle chapel. The day before, the Prime Minister attended a bring a bottle ‘business meeting’ in his garden. The contrast is striking. The Queen, leading by example as a leader should. The Prime Minister apparently assuming that he was too important for his own fucking rules to apply to him. Then he lies like an 8 year old caught with their hand in the biscuit tin. Idiot.

On a more cheerful note …

Just a quick reminder, the Christmas story is still up for grabs, also, the audiobook versions of Few Are Chosen and Small Beginnings are down to 99c on Apple, Chirp, Kobo and my own Store. To find an information page, with links to buy, or to download The Christmas One, just click on one of these links:

Few Are Chosen (remember it’s Kobo, My Store, Chirp and Apple the other stores still have it at£7.99)

Small Beginnings (this one is free on my store but 99c/99p on Kobo, Chirp and Apple.

The Christmas One This one’s an ebook, obviously. Gareth is currently performing in Worms (shortle) but there is an audiobook scheduled for late February.

Shows the cover of The Last Word

The Last Word

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Yikes …

An eventful one this week. It’s the summer holidays so pretty much anything except admin and Mum stuff has gone out of the window because all three of us are off. Instead we are Doing Things. Well … a bit.

This week McMini gamely came to Mum’s with me and we had a lovely lunch. Duck confit salad (om-nom-nom) and she was in great form. The lovely gardener was there too, one of his first days back after a long illness and a really tough time. He joined us and ate his packed lunch while we ate ours.

However, on the journey down we saw something that shook us a bit. A few miles out from the Dartford Bridge there’s a junction to Southend, I think it’s number 30, I’m not sure. The penultimate one in the stack, anyway – the other side of the Bridge they start at one. There was quite a bit of traffic and I was in the outside/fast lane, in a long, long queue of cars going at a steady 70 past a bunch of other cars and lorries going slower.

As we passed the Southend junction, a purple Mazda 2 came flying across three lanes of traffic and tucked into the fast lane in front of a grey Jaguar. There are four lanes there. The Jag was about to overtake a car that was going quite slowly in lane three and it looked as if there were about fifteen feet between the Jag and the car it was overtaking when the Mazda barged through this very small gap at speed.

What the actual f***?

The Jag driver was irritated, and as soon as both of them were past the car in lane 3 he undertook the Mazda and pulled a similar stunt, cutting in a few feet in front of the other driver in a there!-see-how-you-like-it gesture. The young man in the Mazda (I’m afraid it’s always a young man) then completely lost his biscuits. He tried to return the compliment but didn’t have enough grunt to undertake in the room available. He pulled in behind the Jag and drove up close on to the Jaguar’s back bumper, hanging out a bit, as if that was going to help him get past.

Just to go off on a tangent slightly, you do this because a) if they get past they may suddenly swerve in front of you and stop dead, causing you to run into them b) they might do the same thing but with a view to boxing you in, giving themselves time to either reverse their car into yours and smash it, or to get out of their car and smash you before you have time to reverse and escape. Or c) when they get alongside you they might try to side-swipe you or run you off the road. Amazing as it may seem, I have seen all of these things attempted on the UK road network. There are some very angry young men out there and sometimes, just noticing that a woman is driving a car they consider unsuitable for females – or simply being overtaken by a female (even as part of a long stream of other traffic) – is enough to set them off.

After a quarter of a mile or so, the Mazda driver suddenly broke left, swerved through three lanes of traffic, gunned it up lane one, the slow lane, in a few empty yards between lorries and then piled across three more lanes, but he still failed to pull in ahead of the guy in the Jag. By this point I had started to leave a gap so that if they hit each other or stopped in the fast lane to have a pagga, I had time to stop. They continued with the argy bargy but a giant flabby Range Rover drifted into my lane so I couldn’t see much of their antics, only that the Mazda had swerved back across the other three lanes into lane one again, presumably having another go at getting past. Meanwhile the Jag was doing what any self respecting motorist does when presented with an insane nutter, you keep them behind you.

An Arnold's Produce van.
Some traffic yesterday. Not on the M25 clearly, coz I couldn’t stop.

Since the Jag driver was now fleeing for their life, both cars were doing well above the speed limit and the knob in the Mazda was repeatedly weaving through three lanes of traffic, using gaps that were not a great deal longer than his car, then gunning it up lane one and trying to get back across to the fast lane in front of the Jag. I wondered if I should dial 101 (or is it 111?) to call the officially-less-urgent-than-999 police contact line and report them. They kept this up until we got to the speed limited section before the bridge. Once again, I saw the Mazda pile over from lane three to lane one, narrowly missing the back bumpers and front noses of other cars as he went. I slowed down to 50mph along with everyone else, and watched as he used lane one to undertook a lorry in lane two. Lane three had a lorry in it as well and the jag, in the fast lane, passed that. They were about 600 yards ahead of me at this point because by now I was firmly convinced they were going to have (or cause) an accident and I wanted time to stop. Once they disappeared behind their respective lorries they were masked from view.

However, a moment after the Mazda 2 disappeared, the traffic stopped. Dead. I didn’t get time to look much. I was concentrating, first on slowing, then on letting some of the traffic merge in front of me but not so much that I stopped completely and pissed off everyone behind me. We had ended up with three lorries at a standstill in lanes one, two and three and the only lane still open was fast lane; the one I was in.

It took about 30 seconds to file through. There, in lane three, was a metallic silver-green people mover. I’m not sure what it was, cause I was driving so I couldn’t really look that hard. I think it might have been an old Renault Espace, or the model below because, though it was a people mover, it was one of the smaller ones. It was facing in completely the wrong direction and its left front wing had collided with something resulting in a big crumple and the presence of a lot of other bits of metallic silver-green people mover all over the road.

The A14 in lockdown, because that’s all I have! Mwahahahrgh.

Total kudos to the drivers of those three lorries. They had stopped, in a line, to temporarily block the three lanes so the poor woman driving the green thing could walk across to the safety of the hard shoulder. A lorry was parked on the hard shoulder a couple of hundred yards further on, although I wasn’t sure if that had been involved or was just there, and another woman in a bright blue Suzuki Jeep (or at least a 4×4) had stopped and was giving the poor woman a hug. She was probably late fifties or early sixties, and clearly shaken. I couldn’t help wondering if the Mazda 2 had clipped her, spinning her car round 180 degrees, or if his sudden appearance, overtaking her on the wrong side, or cutting across her path had given her a start, shocking her into an instinctive swerve before she had time to check the space around her. The good thing is that the whole area of road is on CCTV and the dart charge cameras photograph the numberplate of every car that goes over there, so if the idiots in the Jag and the Mazda are required for questioning, I suspect the police will have no trouble finding them.

What is it about men in their twenties or thirties who drive hot hatches that makes them such utter and complete wankmuppets? I have not seen a lady driving like this, indeed, I have never seen anyone but young males, either alone or in a very small, hot hatch full of enormously tall men, driving like this.

After a quick debate with McMini I rang 999 and was relieved to discover that I was the first person who had called and was not, therefore, wasting their time. It’s really difficult to know whether to phone the police in situations like this or to just assume someone else will. I explained about the Mazda and the Jag, and I explained that while I hadn’t witnessed them cause an accident I was not surprised that there had been one. I explained where the lady was and that her car would need recovered and possibly someone would have to come and pick the debris off the road.

As the old adage says, I guess if idiots could fly, this place would be an airport.

Triffid!

On the up side, a cause for smugness. McBicycle was not happy and needed fixed. Yesterday, I fixed it. I realised after lockdown and my knee op, that it had got salt water on it at some point and a lot of the gubbins to move the big cogs at the front gears had seized net result, 9 gears rather than 28. Indeed, it wouldn’t change gear at all. I put WD40 on it, which is not what you’re supposed to do, but I decided I should un-seize it before I washed it, and since I was going to wash the WD40 off, I hoped it would be OK. So having squirted the offending bit with WD40 on Thursday afternoon, I spent yesterday removing the chain and cleaning it with bicycle de-greaser, plus the deralier (I think that’s how it’s spelt) cogs which were all totally filthy, and cleaning the gear mechanisms too, before putting it all back together and putting bicycle lubricant all over it. Yes, there is such a thing. Mine is called ‘Wet Ride’. Snortle, yeh, don’t even go there.

The result is a bicycle which will change through all it’s gears, and a lot more smoothly than before, to boot. I love fixing things so it was a very enjoyable afternoon all round.

Last but not least, my triffid flowered again.

On a completely different note …

In case no-one knew – and we’re talking my organisational skills here, so that is a very real possibility – I have reduced the cost of Small Beginnings, the first K’Barthan Extra, to zero. That’s right, you can pick up a copy for NO PEE. Mwahahahrgh. You can also pick up a copy of the audiobook for free from my store as well, if you’re into that kind of thing. This is the one I’m talking about:

Small Beginnings, K’Barthan Extras, Hamgeean Misfit: No 1

Small Beginnings …

Destiny called and everyone else was out.

When your very existence is treason, employment opportunities are thin on the ground. But when one of the biggest crime lords in the city makes The Pan of Hamgee a job offer he can’t refuse, it’s hard to tell what the dumbest move is; accepting the offer or saying, no to Big Merv. Neither will do much for The Pan’s life expectancy.

This is free to download from all the major ebook retailers for August and also in audio from my store – but I can’t make it free from the book vendors in audio so if you’re after that one, it has to be just from my store.

If you’re interested in the ebook, click here.
If you’d like to give the audiobook a go, click here.

If you aren’t interested but you want to help, feel free to copy and paste either of these links into the social media thingy of your choice and share away:

Audiobook: https://payhip.com/b/ubYs
Ebook – free from all the main vendors: https://www.hamgee.co.uk/infosb.html

11 Comments

Filed under Author Updates, Free Stuff, General Wittering

Life in plastic is fantastic …

Well, it’s been an interesting week. I’ve managed to do some more writing (woot!) but a little less because I had other stuff I needed to do as well. On the up side, some of that other stuff was proofing Too Good To Be True in audio. Oh. Yeh. It did not disappoint.

Other news, McCat has become rather too enthusiastic at jumping onto the back of my ball – phnark. I sit on a Swiss Ball to work. I do have one of those kneeling seats but I can’t quite bend the replaced knee enough to be comfortable yet so it’s short bursts for that. As a result, I usually sit on a Swiss Ball that’s specially designed for weight lifting so it will take my enormous bulk on a regular basis – plus that of the cat – without exploding.

McCat regularly jumps onto the back of it but that hasn’t caused any trouble until recently when he started reaching up and hanging onto it, with predictable results. As I sat on it yesterday morning, I thought I could hear a hissing noise. Hmm … Vos ist das? I wondered.

I was listening back to the speaky file I had been doing for the pronunciations and twiddly bits that needed changed in the audio, ready to send to Gareth, so naturally, at first, I wondered if the hissing was an unfortunate side effect of the piss-poor quality of my recording. I hit pause and listened. No. The hissing continued. Maybe it was ambient noise from my computer or my headphones. I took the ear buds out of my ears. Still the hissing noise continued.

The penny dropped. Maybe it was my ball.

Tentatively, I put a hand round behind me and felt about. Sure enough, I soon found a drought where air was not so much leaking as gushing out … of the ball, obviously, not my arse. At about the same time, I clocked that the desk seemed to be a bit higher than before. Yes. My ball was ruptured and I was sinking. Fast. Oops.

That’s not how it should look. It’s a Swiss Ball, not a beanbag.

I went into the hall, where the boxes I am supposed to be going through to sort my collection of tat into stuff for my office and stuff to store or sell still sit after about seven months. Somewhere in there, I knew, there was a back up ball. I couldn’t find it but McOther knew where it was instantly, bless him. Brilliant! Panic over. I bore the spare ball back to my office in triumph, where I was confronted with the true extent of the damage to my ball of choice, so to speak. It was looking a bit wrinkly and very, very small. Oh dear.

Dumping the alternative ball on my desk, I went to find a pump. After a bit of a rummage I realised it was in the cupboard in my office – I’ve sorted a couple of things out then – and went back to get it. On opening the door my nose was assailed by a very rubbery scent. The room smelled more like a rubber fetishists room of pain than an office. Hmm … and I was going to sit on this thing. No doubt my trousers would smell of rubber too after I’d been sitting on it a while. Jeepers, people would think I was wearing underwear like Dafyd, off Little Britain.

Mmm. I mean fine if it floats people’s boats jolly dee, but it doesn’t float mine so I don’t really want everyone to think I’m packing latex. I might be into vinyl but that’s records, not um … rubber. And the smell gets really a bit much after a while.

Yeh. Perhaps back up ball was not such a good idea. So I turned to t’interweb. Luckily, I was able to find an exact replacement ball for just over twenty quid. It’s coming next week. Until then, I’m stuck with the stool that’s not 100% comfy. Oh well, I suppose it could be worse, I could be wandering around stinking of rubber.

On the writing front, I have had trouble trying to write the thing I should be writing, which is, of course, another K’Barthan Extra. It’s time the poor Pan of Hamgee had to do another delivery for Big Merv, probably in torrential rain and storms after the weather has broken and with the usual nearly disastrous consequences. Naturally, because this is the one I need to write, my mojo is not playing ball. Instead, the first instalment of Space Dustmen seems to be unfolding merrily and there’s even been a bit of a break through in Traffick which is the sweeping epic one which might be a bit dark unless I’m careful. Never mind. You can’t win ‘em all.

Other news … well … there’s been very little. The weather’s been shit and I’ve been staying in doors and going out as little as possible! Also hay fever. I have vertigo today but luckily it was church and singing high notes does seem to help clear the sinuses so things are a bit less evil in that department. With any luck it’ll be gone by tomorrow, or certainly the end of the week when our wisteria and the lilac over the road will have finished flowering.

While ranting about my stinky spare ball, I mentioned vinyl which reminded me of the other vinyl, which I’ve been meaning to talk about for some time.

Vinyl?

Bizarre Beatles US import ‘juke box only’ coloured vinyls. Preciousssss

Yes, I’m going to talk about records.

McOther and I have always been big fans but over the lock down, we’ve been trying to have a bit of a life laundry moment and sort our stuff out. This hasn’t gone quite as well for me as it has for the others but it did mean I got my record player out. After eleven years in storage. McMini already knows the joy of playing records, we used to have a listening session with him just before bed time when he was small.

However, recently McMini has really taken to his music. He’s in three bands. He also loves records, so there are now three record players in the house. This might, possibly, be an extravagance but I do love having them. All three of us have somewhat eclectic taste. 70s and 80s music is a big plus, but think Ska and Punk, or stuff like the Smiths in the case of the McOthers, but also Talking Heads, stuff like that. It’s mostly alternative or indie. Stock, Aitken and Waterman are not on the agenda. The leaning towards punk is stronger in the case of McMini and I, and McMini ventures, alone, into metal, beyond Slayer, Metallica and the like into the realms of death metal. His father and I can appreciate the skill of the musicians and the musicality of the arrangements but the singing is … to be honest it sounds like someone doing a giant burp. He also listens to the non-Nazi black metal (some black metal isn’t pleasant) where the vocals sound like someone being murdered. Oh well, each to their own. He loves it.

McMini’s favourite singers rejoice in names like, George (Corpse Grinder) Fisher and the lyrics of these songs are hilarious; like a melodramatic fourteen year old boy trying to write about festering gore in the manner of Lovecraft – except totally exaggerated until it’s barking mad. I am pretty certain that, for the most part, it’s meant to be tongue in cheek. Naturally, McMini, micro troll that he is, loves the contrarian nature and general hamminess of it all. The bands are very interesting when interviewed. Some take themselves far too seriously, but a lot tend to be intelligent, amusing misfits. Ideal for McMini I guess. I’d have probably loved it all if I was younger. I do have this old fashioned thing about a catchy tune though.

After years I have unpacked my records and started playing them. I have reverted to my habit of wandering through charity shops buying vinyl albums and 45s. It’s bliss. There is also a record shop in town, which seems extraordinary but is true. Having been somewhat intimidated by its effortless trendiness, I eventually ventured in with McMini to hold my hand (he is a regular, needless to say). I have now managed to pick up a fair few singles I was after, either from there, or from second hand shops in town. I have started searching for the remaining quest songs, stuff I heard blaring out of study-bedrooms growing up in a school but couldn’t name. Things I remember from the John Peel show; heard once, thought were fab but couldn’t buy, on account of that I’d forgotten the name of the band and never heard them again. These days you’d just put some of the lyrics into Google and up they pop. In many cases, it’s a case of working out who is singing, since a lot of them were by groups or people who became famous later on. Electricity by OMD springs to mind, although I picked up the album with that on a few years ago (yes even though my record player was in a box in the garage at the time).

This last week, McOther arrived home from a car boot proudly bearing a copy of Video Killed the Radio Star, by the Buggles. Trevor Horn’s first musical incarnation and the venture that convinced him he wanted to be in a studio behind a mixing desk rather than out front, on stage. I also caved in and bought Size Ten Girlfriend, by The Chairs, from discogs for a whole four British pounds. Do I regret this? Not one jot! I have it on tape somewhere, taped from the John Peel show when I heard the first few bars and thought it sounded interesting. I never heard it again … until now and while it’s not quite as slick as some music – no auto tune in those days, remember – it’s still every bit as good as I remember it. Other delights include Being Boiled, by the Human League, although I haven’t managed to find a copy of Dare yet. I did score the Duran Duran album Rio the other day though.

Meanwhile McMini has started buying coloured vinyls; ELO’s Mr Blue Sky in blue … well … blue (yes, I’m as jealous as fuck) and he also scored a copy of his favourite Slayer album on pink vinyl the other day. To be fair, I’m less jealous of that one. I do envy the colours he’s managed to get though. I have a selection of Beatles singles in various colours but few things the gorgeous bright blue of his ELO single.

What a Waste – my signature song because I graduated in an arts subject during the massive recession of 1990

Indeed, through fluke rather than design, most of my favourites seem to be on red … with the exception of What a Waste, by Ian Dury and the Blockheads, which I have on yellow vinyl and which is my signature song, pretty much. While being worth jack shit in financial terms, it’s pretty much the pride of my collection … along with the photo of Jonathan Lyndon which he sent me, himself, a signed Hugh Cornwall album (lead singer of the Stranglers) and a signed photo of Paul McCartney which I have somewhere … but I’m not sure where. And the multicoloured Beatles singles … probably. Oh yeh and a red vinyl (see what I mean?) lip by the Ting Tings – I can’t remember the name of the album, it’s the one with That’s Not My Name on it.

Next stop, of course, is to rip my records to MP3 so I can listen to them in the car. This isn’t as difficult as it sounds, I have a plug that goes into the earphone socket of my computer one end and the output of my stereo the other which, as far as I recall, allows it to ‘listen’. I also have an ancient programme called LP recorder which should work for recording them all … unless I can get it to work on Audacity and then … yes … we shall be making playlists, or mix tapes as they were called when I was a nipper. Yeh, the name changed but the idea hasn’t.

Too Good To Be True in Audio, coming soon!

Too Good To Be True! In audio! Woot!

Yes because I’m ridiculously excited about this I’m just giving you the heads up here that Too Good To Be True will be available in audio format soon. As I may have mentioned, I am super-stoked about this because not only is it one of the more decent books I’ve written, and not only is it, to be honest, a bit funnier than some of the others, but Gareth has done a ridiculously good job on it.

With Audio, it’s not as easy to know when your books will appear as with ebooks. However, when I have a better clue of a release date you will be the first to know. It will appear on Kobo and in my web store within a couple of weeks, on other retailers it will take a little longer to filter through. Keep your eyes on your in box if you’re subscribed to my Readers’ Group, otherwise, keep checking back here or the K’Barthan Jolly Japery facebook group.

8 Comments

Filed under audio publishing, General Wittering

Careful with that ACX Eugene … #audiblegate

I was watching a programme about Pink Floyd last night and I’m afraid I couldn’t help myself.

Right. This week a suspension of the usual service to bring you a message about audiobooks.

If you’re a regular reader of this blog then, unless you’ve been living under a rock, you will know that my books are out in audio. You will also know that in the pantheon of THINGS which MTM loves the audiobooks are very, very shiny. Because entirely serendipitously, I’ve ended up with an absolutely blinding product. A thing of mind-boggling quality. This is not how life tends to happen to me unless I put in a lot of work. The unicorn farted and I walked right into the purple sparkly gas on this one. Lucky me.

Like most folks, I’ve put the audiobooks on Audible. I didn’t go exclusive because I’m not very keen on that sort of thing so they are available everywhere. I use a company called Findaway Voices for most of it. I upload my books to them and they distribute them everywhere else so I don’t have to. Also, the books are on Kobo, where I upload them direct, and on ACX which is Audible’s sister company. I think ACX distributes to a couple of other places, including iBooks which Findaway will also send your books to. However, Findaway pay between 35 and 55% royalties (depending where the book is going) it’s 40% to apple, I think, and ACX pay me a flat rate of 25% to punish me for not going exclusively with Audible. This is called leveraging people’s desperation and greed to achieve a monopoly. It works very well, too. It’s a big part of the reason why Amazon is Amazon.

On my Audible/ACX dashboard there’s a little chart which shows sales. One day, I refreshed it to see how my sales were doing and noticed that the entry for total books had dropped from 58 to 57. Yet I’d sold some more books over night. Hang on, I thought. That can’t be right. Now as you lot know, I’m a bit challenged with numbers. We won’t go off at a tangent on the Baldrick ‘some beans/very small stew’ sketch but that’s about the level I’m at. It’s called discalculia and 99% of cases still go undiagnosed because it tends to pair with smartness in some other direction that leaves people simply assuming you are right-brained … or is it left-brained? Yeh, anyway, moving on.

The result is that, knowing my weakness, I look at the numbers on anything very carefully and slowly. It’s like I’m this weird dichotomy between the thickest fucker on earth and extremely switched on. I probably check the numbers far more closely than I would if I could actually … you know … add them up or understand them the way other humans can.

So I looked at my charts. Total books sold 57, and I thought, Hang on there were 58 yesterday and I’ve sold another one but ended up with a smaller number of all over sales. How the fuck did I manage that?

Naturally, being me, I started digging and this is what I discovered:

Right now, Audible is encouraging some customers to exchange books they’ve read and enjoyed and get a full refund or another credit. They can do that on any book for up to a year after they first downloaded and listened to it. Clearly that’s brilliant for customers.

However, what Audible omit to tell readers is that every time they exchange a book, Audible claws back any royalties they’ve paid from the people who produced it: the author and narrator. That’s right, the people carrying the cost of Audible’s largesse are, well … us actually.

Also it’s important to note that these are not large royalties. I explained about the exclusive versus non-exclusive tier. One my books is a 63 hour box set. Gareth and I earn about$3.00 to share between us each time someone reads it on a single credit, except we don’t because 60% of readers ‘exchange’ the book and we earn nothing. Nada. Zilch.

Thanks to author, Cory Doctorow for this graphic.

Audible argues that letting people return books they have listened to right through, for up to 365 days after purchase gives customers the freedom to try out books they might never normally have tried. Judging by the numbers of people listening to my box set, that may well be true. Audible also say there are stringent checks in place to ensure there is no abuse.

However, experiments carried out by authors signing up, listening to, and returning books would suggest that you can exchange at least six Audiobooks a month before they switch it so you have to phone them up or message them. And after that point you can continue to exchange more books, just not at the click of a button.

Is this system open to abuse? Yes. Hugely. There are posts all over the web explaining how to use a single credit to get free books from Audible by exchanging them, and having your credit returned, again and again. So far, one experiment has hit 28 books returned in less than a month. Maybe those checks aren’t quite so stringent, then.

As one of the people making the books, I have to confess it is a bit demoralising for authors like me to see something we’ve created selling really well, like hot cakes even, but be paid as if it isn’t.

How can I help people to understand?

Imagine you look at your bank statement and discover that you have only been paid half your wages for the month. What do you do? You go to the boss.

‘What’s going on, Boss?’ you ask.

‘Oh,’ says the Boss. ‘I’ve donated your work for those days. I want potential customers to be able to try out our company for free so from now on, for some days in each month you’ll be working for nothing. I won’t tell you how many days it will be; it could be half or more, or less. You’ll be able to get an idea from your timesheet and wages at the end of each month. That’s OK isn’t it?’

Clearly, if I have bills to pay and rent to meet it isn’t going to be OK. At all.

Audiobooks cost. Whether that payment is in cash, per book, or time: days spent in a hot attic sat at a computer wrangling words or acting your socks off into a microphone for a royalty split, whichever way it’s done, the cost is extensive. It’s especially demoralising when half those royalties never materialise. I have no idea, month on month whether I’ll be earning from Audible or actually have that many return royalties deducted that it will bring my payment down to zero. September’s report had minus numbers for two books but a third made up enough to cover it. Furthermore there is no breakdown of the numbers. They simply deduct returns from my sales total and give me a figure at the end of the month. There are ways to buck the system and find out how many books were returned but there’s nothing transparent; nothing obvious or sensible like a column for total gross sales, another for returns, and a third for net sales.

Hundreds of authors and narrators have been writing and asking for this information but we are stonewalled or fobbed off with nonsensical boilerplate responses or promises to escalate it to The Business Team, after which nothing ever materialises.

Despite being an off shoot of Amazon; a company which has one of the most sophisticated sales algorithms that has ever existed, Audible and their content supplying arm, ACX, are unable to supply us with basic information.

It doesn’t inspire confidence. Hopefully ACX and Audible will listen and we will be able to work something out with them. We know they tell listeners who ask them that we signed up for this because those listeners have told us. It’s entirely untrue. There is nothing in our contract about half our sales being returned for nothing, if there was our books would not be there because it’s not a viable business model for us. I’ve seen comments to the effect that there seems to be a drop in the number of new books to listen to on Audible this situation may explain why.

Certainly, until the situation improves I can’t put any more books on there.

Cory Doctorov picked up on this and posted on twitter about it. And now the Romance Writers of America, the Science Fiction Writers of America, the Author’s Guild, the Alliance of Independent Authors and many more have put their weight behind us. The Alliance has downgraded Audible’s working partner rating to ‘caution’. Meanwhile, many industry bodies have clubbed together and made a public announcement about Audible. Along with the announcement is a letter damning their actions and demanding change. Please feel free to sign it. You can find that here:

https://www.authorsguild.org/industry-advocacy/sign-our-letter-and-tell-audible-to-stop-charging-authors-for-returns/

Make no mistake none of the authors involved in this are against returns. If someone has stumped up for a book and they think the writing is abysmal and the narrator sounds like a corn crake with a bad throat, they are perfectly within your rights to return it. Indeed, they should.

But if they’ve listened to an entire book right through, and returned it months afterwards, that isn’t a book they loathed. So, if anyone reading this does Audible, when all those pop ups appear urging you to exchange your credit for another book, please think before making an ‘exchange’ and denying us, the creators, our means to make a living. Furthermore, please also think about signing the letter from the Author’s Guild. Here’s the link. It’s pretty strong. I think we could say, the gloves are off.

https://www.authorsguild.org/industry-advocacy/sign-our-letter-and-tell-audible-to-stop-charging-authors-for-returns/

Susan May, leader of the authors kicking back against this has also done an excellent blog post here:

https://www.susanmaywriter.net/single-post/audiblegate-the-incredible-story-of-missing-sales

__________________________________

If you want to listen to audiobooks for free …

You can listen to a lot of audiobooks for nothing by borrowing them from your local Library. Just check the app or ask your librarian. Not only do you get to listen to the book for free, but the libraries pay authors for any books that are borrowed. Win-win. Audiobooks are also sold by Kobo, Google Play, iBooks, Chirp, Scribd and many, many more.

Alternatively, you can purchase my audiobooks from my online shop here:

K’Barthan Series:

https://payhip.com/HUP/collection/kbarthan-series-audio

K’Barthan Shorts, Hamgeean Misfit

https://payhip.com/HUP/collection/kbarthan-shorts-audio

More details about all my audiobooks can be found here:

https://www.hamgee.co.uk/audio.html

 

And there’s that link again: https://www.authorsguild.org/industry-advocacy/sign-our-letter-and-tell-audible-to-stop-charging-authors-for-returns/

 

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I am a luddite. It’s official.

Gah! Excuse me if everything is a little off today but … ugh something weird has happened.

For those of you who don’t know, this site is hosted by WordPress. A while ago, WordPress updated their main user interface from this …

Nice isn’t it? Everything’s there at a glance.

To this:

Although, if you increase the screen resolution you do get this:

which is slightly better.

For a while now, I’ve had the control panel rolled back from the new one to the original because it’s just so much easier on the eye and all the data is right there where you want it.

Recently, going along similar lines, WordPress decided to ‘simplify’ their editor – this is marketing speak for ‘make it impossible to find anything at a glance’. Everything is now buried under layers of menus, like the phone app only, in my case, on a pc. They’ve been banging on about something called the ‘block editor’ for months but I’ve just ignored it and hoped it would go away. Basically, as far as I can see, this is just a way of making your posts take longer to write.

You see, the way I do stuff is I barf the words onto the page and then when I’m done, I format them. Blocks mean you have to keep choosing your formatting before you write which is a gargantuan ball ache because it really interrupts the flow.

WordPress says that,

‘Retiring an entire editor — the place where you publish posts and pages on WordPress.com — is not something we would ever do on a whim. What inspired us to take this decision is the positive experience site owners have had with the newer WordPress editor.’

Which, of course, is marketingese for, ‘we can’t explain to you why we did it because it would take too long.’ I’ve worked in customer service and marketing a long time and like, seriously are they for real? ‘I love the new interface!’ said no software customer, EVER. They have changed the interface from this:

So simple, so straightforward, so why can’t they leave it alone!

To this:

Here’s the new editor where are all the widgets? I have no clue, the editing tool bar is part of the ‘classic’ block. The actual tool bar is those four icons at the top I think. I dunno.

They’ve made it ‘simpler’ ie they’ve designed it so there are fewer things on your screen; just acres of glary white and big writing with the features you need all jumbled up in sub menus and moved around. Because heaven forfend that any of us poor bastards using the thing should have the remotest fucking clue where they are.

They’ve added ‘new features’ ie a ton of pointless bells and whistles that slow down your creative flow. No more ctrl+A to select the entire post. Oh no. Now, if you want to copy and paste your post you have to do it from the front end or you have to copy it paragraph by paragraph – one of the most notable features of block editors which has been useful since never in the entire fucking history of human existence.

I don’t have time to learn that it’s x button, third down, I just look and see, ah yes, I need to click there. This new interface is as Lou might say to Andy … a bit of a kerfuffle.

Blocks are so crap. Why can’t I just type shit and do the formatting afterwards? Why this complete fucking obsession with formatting it all first, with presentation over content, with extra ‘features’ over and above the ones we require ie, things to stretch out the length of the task so we feel busy.

Newsflash! I am busy. I’m so busy I’m disappearing up my own smecking arse! I don’t need to feel it. I don’t. have. fucking. time. And when stuff is pointlessly added to my busyness it’s not going to make me feel important, it’s going to make me fucking irritated.

And if they have to do blocks can they not, at the least, do drag and drop blocks so I can just pick the bastard things out of  side bar and bung them in? I spent ages ferreting about to find the ‘classic editor’ block and even longer trying to work out how make it stick so that I was writing my blog post in it. Thank heavens they seem to have given me the option to switch back to the usual interface to edit this. So I’m now typing this in the understated, elegant peace of the wp-admin and classic editor setting, instead of the shouty in-yer-face, giant-writing, glary, retinal burn-inducing horror that is the new one. So much white … it burns … it burns!

OK so this isn’t the end of the world or anything, I am joke ranting here. The poor buggers at WordPress can’t be expected to keep three editing interfaces going and I know I’m completely at odds with the zeitgeist on this. My blog is about what I write, the content, the words, and I am beginning to understand that priorities for the myriad of other users outside my small circle are different. Everything else is about photos and videos so I guess blogs are no different these days. The salient thing is; text is yesterday. You have a photo and if you want to say something you post a video. Me? Frankly, if I can type at about the same speed I speak and I can edit my writing so it reads more fluently, why would I bumble and stutter at a camera instead?

How many people can touch type though? Not many. I mean, there’s text to speech now. I am pretty much a dinosaur. Touch typing is not a skill developers for places like WordPress are going to be factoring in is it? Not really. Which makes me wonder if a big part of the shift towards video and images is because typing in a phone is such hard work.

A while back, I remember downloading the WordPress app onto my phone. The interface wasn’t as intuitive because it’s a phone. It’s a small screen and there’s less room to work. However, any vague understanding I have of the new interface and where to find stuff is based on my use of WordPress on my phone. Basically, what they’ve done is shut down the desktop site and made the phone app the interface. Why? Well, I suspect what it comes down to is this one word.

Change.

I’ve been writing some sort of blog or other, week in, week out since 2006. All here, on WordPress. The first was called Babychaos and then, from about 2009, I switched to this one. The ‘classic’ editor – the one that is going away, because it’s already only used by a few legacy customers such as myself – that classic editor, is the one I’ve used since then. It’s straightforward, powerful and everything you need to use is easy to see as you look at the screen.

That’s how I work in real life. I lay stuff out on the desk in front of me and I pick the things I need as I work. I don’t work with a completely clear desk and run to the cupboard and get out each tool I need, using it and putting it back back only to have to run back to the cupboard a few minutes later, get the same thing out, use it and put it back again. But that’s how the interface on your phone works. And because that’s what they are used to, I believe this is how a lot of people now do work.

In 2006 phones didn’t do much. The main, online interface of pretty much anything was the web page designed for a desktop computer. The phone versions of web portals were very limited. Then smartphones began to take off. Gradually programmes and interactive web portals became apps, and phones and tablets became as powerful as some computers. The idea of a desktop site has become redundant in many respects.

Add to this that there were parts of the world where computers were never used in earnest, instead people skipped straight past all that and paid one lump sum for one thing that did everything – even if it wasn’t always that easy to do it with – a smartphone. Because if you are living in an developing nation you can’t necessarily afford a separate computer, phone, music player, camera and tablet. Furthermore, you may possibly live in a place where you don’t have electric power to your home, or where, if you do, it’s sporadic. You are going to buy the thing that runs longest off a battery, that does the most stuff, that’s with you all the time, and which will be the easiest to carry. That’s going to be your phone and you’re going to use it for everything. And people did. They started using their phone to play music, watch telly, talk to people, and yes, build their websites, write books, configure online shops. The whole shebang. And because the phone’s memory wasn’t big enough in those early years, they started using streaming services for many of these things and the (shudder) subscription model was born.

Software production shifted from emulating the way human beings naturally work to the way phones work – or at least to the closest version of how a human being works that a phone is able to deliver.

I know people who write books on their phones. I cannot imagine why anyone would voluntarily put themselves though such a profoundly horrific experience as trying to type text, in volume, on a phone but there you go. Folks do it. Perhaps they have less arthritic thumbs than I do. More likely they don’t touch type at 90 words a minute plus, so typing on their phone doesn’t feel like they are working at about the same speed as continental drift. Or they use speech to text and they have an American accent so it actually understands what they say and produces something vaguely similar to the original. Or their slidey keyboard works rather than guessing just about any word in existence if it can avoid using the one they’ve typed. Or maybe their spelling and autocorrect tailors itself to them personally, rather than using an algorithm that condenses information from all users, rendering three quarters of  the vocabulary the person uses unknown to it. I dunno. But I digress …

The thing is, even with all this capability behind it, the screen on a phone is still tiny, so you still couldn’t have the same kind of information packed interface in the app as you would on a larger screen. It has to be built around the phone. Me, I like the larger screen and detailed interface you get on the desk top version of a site. But that’s because I read information best when it’s laid out. Some people – most people it seems – stack their info. They file stuff in drawers, they see their information in towers. Me, if I were to file things my ideal way, everything would be spread out around me on a huge long table. Seeing stuff is an important part of the way I interact and process information. I think I may be unusual in this respect, but I doubt I’m unique.

That’s why I always use the desktop site if there is one, either on my lap top or, if I’m on the road, on my iPad. I can easily see how the phone interface of anything can only function with about five items, maximum, on each menu. And that is specifically why I avoid using my phone, except when I need to or I want to comment or in an emergency but … not for the day-to-day important stuff. To me, having experienced the joy of desktop sites where everything is laid out clearly, the phone-friendly versions are hugely counter intuitive. Things are hidden at the top of lengthy menu trees and going off down a rabbit hole to find each function is a pain in the arse. I get distracted, I get lost. I lose my way back. But that’s because I’ve grown up with the pre-smartphone technological experience. On my phone the text on desk top sites is tiny, I have to zoom in to read it or format it. I totally get why things have to be simplified even if, yes, I still find it easier to browse the miniscule desk top sites on my phone than the stark phone-friendly versions.

I can do all this stuff on my phone, but it’s like viewing the world through a tiny crack in a wall while a bigger screen allows me to out there in the open and gaze at my surroundings.

The nub of the problem for people like Microsoft and WordPress is that two different versions of a thing are expensive to run. So what do they do? They, build their interface to suit the majority of their users. And these days, if you are a world-wide operation, the majority of your users are phone users. That’s why Windows 10 feels like it’s, basically, the Windows Phone interface. There aren’t as many options, it’s hard to get underneath things unless you use legacy stuff like the control panel. It’s probably why you can’t choose what up-dates you download. With the pursuit of ‘simplicity’ comes less and less flexibility and it’s … weird. The richness of the desktop experience is going to disappear because the majority of modern internet users have never experienced it. The only exception to this is the Apple interface, which has always been a bit more like that, as far as I can tell, which might be why it’s never come as naturally to me. Maybe these transitions are easier to make for Apple aficionados.

But … that’s why I find the new WordPress interface hard work. Because it’s the same as the phone app. It looks weird and huge on a large screen and the stuff they’ve prioritised: the stuff that other people use, is not the stuff I use. Because hardly anyone values the large screen experience anymore, just a few luddites and writers like me. Hopefully, one day, they’ll get the folding or holographic phone screen down pat. And when they do, maybe, when screens are bigger, some of the richness and complexity of the desktop interface will return to the software and websites we use. Maybe … I can hope.

Right, I’d better go and write something. I have two old ladies, a bunch of n’er do wells and a parrot stuck in a warehouse … they need my help to get out.

________________________________

Talking of luddites … does anyone fancy a 12 hour audiobook?

Yes, word up. Right now I am looking into ways I can deliver audiobooks direct to users: they buy from me and they can listen to the book in an app or on their computer. If you’d like to give it a go, you’ll need to download the bookfunnel app or join bookfunnel. If you’re happy doing that feel free to help yourself – the link is below.

It’s in beta, yes you are testing. That’s why you get a 13 hour audiobook for free read by one of the most distinguished actors you’ve never heard of: Gareth Davies. The man who made Roy Hudd laugh … and laugh enough to be asked back to do it again.

Once you click on the link, below, you’ll end up on a download page for the book. When you click listen/play it will ask you to download the bookfunnel app and enter this code … which is some letters on mine. Write down the code then when you’ve done all the installing malarkey and you click to play and it asks you for the code, you have it right there to put in. I don’t know if the code is case sensitive but I’d presume it is!

This is a brand new app and brand new audio player, and Bookfunnel appreciate any and all feedback. If you get into trouble, or can’t get anything to work, contact their help address – which is given on their site, I’m not 100% sure I should give it here – with a header: ATTN: Julie.

Here’s the link: https://dl.bookfunnel.com/fxd6bnoy7k

If you decide to listen to the book. I hope you enjoy it.

This is to stop all my bog posts being illustrated by the picture of the book at the bottom! Mwahahahrgh!

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How does it work? Audiobooks.

Today I thought it would be interesting to do a what-are-the-duck’s-legs-doing-underneath style post about audiobooks. Obviously, I know jiff all about audiobooks or producing them so the best place to start is with someone who does; Gareth, The Voice Of K’Barth Davies. This means I also get to post some of the extensive interview he did, which is going to be delivered in several parts to audiobook listeners on my mailing list. Also, because after pestering him with that many questions, frankly, I think the least I can do is share his answers with as many people as possible.

Boing …

Most of you know how it all started, I’m sure, but for those who don’t, I got an email, out of the blue, in July 2019 from Gareth, with a link to Unlucky Dip recorded on audio. Obviously the email was funny so he had me at ‘hello’ – although it was actually  ‘greetings and salutations’ if I remember correctly – but the recording was brilliant as well. Bonus! I had no clue who he was so I had a look at his website.

He was, indeed, an actor and acted for a living, without doing anything else. This, I suspected, made him impressively bloody minded and, if he could earn enough not to die of starvation, probably quite good at acting.

Gareth cooking audiobooks …

It looked like he had a sense of humour (always a bonus) a bit of a line in pantomime villains (well, he was going to be reading Lord Vernon, wasn’t he?) and it seems he can also jump very high in the air.

In subsequent conversations, I discovered that he is a even bigger sci-fi nerd than I am, which takes a bit of doing.

One of the jolly side effects of this project has been that meeting of the spuds aspect! Put it like this, he kept rabbits at one point and one of them was called Wicket – after the Ewok, naturally. He was a children’s entertainer for many years and you need something to pull out of the … well … I think it was a house rather than a hat but you get the picture.

He can do funny, which is fairly essential for reading my stuff and he is very modest about his achievements. I suspect he’s a lot more distinguished than he makes out.

Having decided the project was go, both of us were feeling our way a bit at the beginning. He hadn’t done a commissioned book before and I … well audio was definitely on my radar but I’d looked at the prices and chalked it up as something to do in my dreams for now. So I hadn’t read up on it or anything and consequently, I hadn’t a fucking clue what I was doing (now I have read up on it I still haven’t a fucking clue but that’s by-the-by). Gareth made relatively few actual mistakes, even on these first books most of the errors I picked up were my own typos. Sheesh.

We were both quite nervous, after recording the first novel, Gareth sent the link to me with the rider, ‘Basically, I’m just hoping for any reaction other than “what the hell have you done!?!”‘

There was also something that went slightly skew whiff with the set up on the third and fourth books because he was experimenting with the sound set up. He did explain it, I think it was called ‘sound gate’ if I recall. Then it was my turn to be nervous, principally, about the weird nature of the feedback I was giving him.

When he’s not illuminated in green or dressed up in costume Gareth looks like this.

Since my only experience of audiobooks was still restricted to Radio 4s A Book At Bedtime it did feel weird marking up a document going, ‘8 minutes 10 seconds you breathed in a weird way there and I heard it!’ I was a bit unsure as to whether I was helpfully pointing out things or being an anally retentive wanker. As someone who is not at all comfortable with the notion of overt wankerdom, I did keep asking, to check. It was probably quite annoying, but Gareth cheerfully continued to reassure me … quite a lot … that it was the former, not the latter!

He has now recorded a lot more audio, including seven of my books, I get the impression that he has definitely evolved a working process that suits him. Clearly, no two people are the same but I hope you will get a general feel for what the process involves and what a narrator does.

As I understand it, Gareth proofs all his own stuff. Some narrators don’t though, so they have to pay someone else to do that for them, usually at an hourly rate. That’s how the costs of audio end up sounding very high. The minute you start to unravel what goes into producing a book you (general ‘you’ here, clearly) start to change your view. Narrating an audio book is way, way more complicated than just sitting (or standing) in front of a microphone and reading stuff aloud as Gareth’s answers show.

Anyway, enough wittering on already. Here he is answering my questions about audio book production.

Gareth on producing audiobooks…

Right oh. First question. You warned me you’d take a while to produce the K’Barthan books but actually I thought you worked impressively fast. How long can you read at a stretch before you lose the will to live have to give your voice a rest?

I work a bit differently now than I did when reading the K’Barth series (I have learned!) For those, I read the whole book through, sent it to you for notes, then rerecorded, edited and mastered the finished piece. That meant that I would just be reading for as much of the day as I had quiet. Which meant, on days where the house was completely empty – if everyone was away for a few days – I could record for many hours. We were up against a very hard deadline to finish the initial reading of the last book because I was leaving the country on tour. I recorded maybe 12 hours each day over a long weekend and I finished reading that at around midnight on Sunday! That’s probably the closest I’ve come to losing the will to live …

Now, I record, edit and master a section each day – that gives the author more manageable chunks to listen to and, on the off-chance a chapter has no notes then it’s finished. Generally speaking, for each hour of finished material, it takes at least two hours to record it, slightly less to edit. So I currently aim to get around 1.5-2 hours done each day, which is roughly 3-4 hours recording and maybe 3 editing. When recording, I tend to work by chapter. So, unless it’s a very short chapter, I’ll take a break; walk around a bit, sit in my comfy chair and – always – go to the loo: you are constantly drinking water when recording.

There was a long stretch at the start of book three where the male MC has a sore throat and Gareth read that with a croaky voice, which was genius. One of the most fun parts of the process is that, if I leave him room to work, this is the kind of thing he does. He did confess to being very relieved when he got to the point where the sore throat is mentioned as having gone. Likewise, I do give some guidance on the voices I want, but mainly because he can do a lot more accents than he thinks he can – and with a gentle (I hope it’s gentle) prompt he can produce a very varied cast of characters, often with just the tiniest tweaks on the same basic set of vocal parameters.

On a side note, that’s also wise advice about the weeing, we know what Billy Connolly said about never passing up the opportunity to use the loo.

Next question …

Do you do voice training and if so, how much? Do you have to do the voice equivalent of warm up stretches before you start reading. Or any other special measures (!) like … I dunno … standing up to read? (that sounds weird but I do it all the time on the phone when I want to make a complaint, or a business call, or pretend I’m a grown up … and I can’t speak and think sitting down sorry. Tangent.). Are there some days where you know your voice is just not going to play ball? Says Mary attempting to break the record for the longest question ever asked.

Oh, there’s a lot there and I feel I might end up giving you an even longer answer than the last one! Yes, I definitely do some vocal warm ups. For starters, I always want to have at least two hours between getting up and starting to record (which isn’t hard cos I’m not a morning person and it takes me ages to get going, anyway). Then, when I’ve got the laptop and mic and everything set up I start warming the voice with some humming, then soft vowel sounds then moving on to phrases I learned 20 years ago at drama school! This isn’t a long process, we’re talking a few minutes rather than half an hour or something, but it’s just until I feel things are fairly loose and I’m not pushing or straining. Then I run through a series of tongue twisters – because tripping over consonants when you’re in mid-flow is deeply irritating and annoyingly frequent!

There are days when you realise your voice isn’t really with it, but you only really know for sure when you’ve started. I’ve had maybe two days where, maybe half an hour in to recording, I’ve stopped and packed it in for the day.

But it’s odd that you mention standing up. I have read everything so far sitting down, but in a session with my singing teacher recently (over zoom, naturally) we found that my system is actually more relaxed and my voice more open when I’m standing, so I’ll be trying that out next – though whether it’s something listeners would be able to pick up on or whether its just for my own benefit remains to be seen…

Gareth’s first standing up book – I think – is Nothing To See Here which we signed off yesterday, as I type this. 🙂

Does your voice change over the course of the day and how do you deal with that when you’re reading audio to a deadline?

Yes, it does change, but maybe not in the way you might expect. Rather than the sound of the voice changing it tends to be more the mental shifting that gets reflected in the way you read. The clearest example of what I mean is that I noticed (to my embarrassment) that chapters I’d recorded first in the day tended to be slightly slower paced than those recorded later – hopefully not in an obvious ‘that’s weird’ way but certainly enough that I started to hear when editing. When you become aware of something like that, you can try to counter it.

In general, I suppose one of the benefits of both voice training and the practical experience I’ve had over the years is that I have a kind of ‘work mode’ so that no matter where or when or what’s going on I do default to that which keeps the voice pretty consistent.

In the 70 or so hours of recorded material Gareth has produced about K’Barth there’s only been two occasions when his voice didn’t play ball, one time he was ill. He was busy being The Fat Controller at Thomas World – a job description that still causes me an unreasonable amount of mirth – sorry Gareth. He was working through the run up to Christmas 2019. The weather was vile; cold and rainy. I should imagine that working outdoors, in the freezing rain, in a soggy fat suit, is a fairly good way to catch pneumonia. I think he felt quite rough for a week. One other occasion, his voice was just tired and not playing ball the exact way he described in the previous answer, so he had to wait until the next day. All in all he’s very consistent, which is handy. Next question …

How do you keep track of what voice you are doing for whom, do they slide a bit from time to time … or do you have an ‘are you nervous son’* for everyone!

* – Gareth told me that to do the accent for Big Merv he would always do one particular line out of Unlucky Dip when BM slaps a giant hand on The Pan’s shoulder and goes, ‘Are you nervous son?’

When I started The Wrong Stuff (book 2) I set up a separate tab on my recording programme. I transferred clips from book one onto it and then added recordings of new characters as they came in. That way I had a quick reference point to go to if I got confused – this was a lifesaver when it came to books 3 and 4. There are several chapters there with eight or more characters in, including many new ones; so I’d think ‘Damn! Which resistance officer is which?’, go and have a listen and then carry on.

Sliding? Yes! Two pairing especially come to mind. The Pan and Ruth, as our central pair, are both more neutral voices so sometimes their dialogue could blend too closely. Also the first few chapters between Deirdre and Snoofle – I kept giving them each other’s accent! But some characters did develop their own reference to help out! Aside from Big Merv’s ‘You nervous son?’, the best is Gladys; whose voice is accompanied by a forward and back shaky right hand! Every single line!

So now I’m wondering whether the hand moves faster if Gladys is talking quickly! I should have asked him.

How do you make up for the lack of audience to keep the buzz and energy in your performance when you record?

That’s not really something I’ve particularly thought about. Obviously for live theatre or concerts or street shows, the audience is a major factor. But there’s also plenty of acting work that happens without one, even in my career which has been predominantly theatre. Even in rehearsals for live shows you’re working for performance level so working without an audience, or rather, working as if there’s an audience is fairly common. It’s mostly just about staying focused on what you’re doing, which is obviously tiring in itself and one reason for frequent breaks!

When I’m recording books, my focus tends to be on the microphone, and the audience I’m thinking about is myself (will I accept that when I’m editing? If not, let’s redo it now) and the author (am I delivering something close to what they had in mind?).

The audio thing … it looks like it takes a hell of a long time to learn; making the booth, learning the tech, choosing the mic, editing out the trains (Gareth lives near a railway line) and mastering the … well … mastering … How long did it take you to achieve book readiness, so to speak?

This is one of those things where, to get to an acceptable level is not too hard, but then you keep learning and making improvements. My booth is basically a corner of my room with a spare mattress behind me (with a very nice Star Wars Lego cover on (next to a Lego Han Solo it says ‘Han shot first), towels on the various surfaces around me and sheets draped in front. I’ve now upgraded so I can remove the sheets.

Gareth’s recording corner, note StarWars tat on top of the sheeted … cupboard? Shelves? That’s probably all the Warhammer figures under there.

I am not remotely tech savvy so that was definitely the thing that slowed me down at first. I followed a guide (specifically for audiobooks) in setting up and using the software I bought. Even now, I barely scratch the surface of all the things that program does and I’m probably ignorant about 95% of it – but I mostly know how to do the things I need it for.

It probably took me two or three months to get comfortable with it, and much of that time was spent playing around recording Unlucky Dip, the short story, and getting that right. Certainly by the time I’d finished the first full book in the K’Barthan Series I felt pretty confident – though I was still referring back to my notes for the mastering process.

Since then I’ve invested in a better microphone and some very clever editing software that makes that process much, much easier! But there are still things I want to learn more about so I can keep improving.

That bit about learning what you need to know to get started completely resonates with me. I’m like that with Facebook ads, I bought a brilliant course a few years ago, learned enough to get them to work and now that’s what I do. There is so much more I could do, and a lot more I want to do, but there’s only so much time and those things come under the other 95%. Mwahahahargh! Sorry, next question.

How many actual hours do you reckon you work for a finished hour of audio?

Oops, I should have read ahead! I half answered this question above. In actual practical terms, for recording and editing, I’d say I’m currently at around 3-4 hours per finished hour. The usual estimate for audiobooks is around 3 hours, so I still have some room for improvement.

That does not, however, include the preparation time. I like to read the book once through just to read it, get the overall story and tone. Then read it through a second time making notes. Technical notes like the start and end page numbers for each chapter and which new characters are introduced when. And performance notes about the characters and any particular points I might need to be aware of when reading. And any questions I have for the author; such as checking pronunciations (we learned that the hard way when I went back and rerecorded every instance of ‘Blurpon’ in Few are Chosen…) their thoughts on character voices and – knowing that typos tend to slip through the tightest knot – even questioning bits of text if I think there might be an error.

Then there’s figuring out the voices. For some books it can be a simple thing of pitch or intonation. Then, there are books like the K’Barthan Series ………..

(Obviously, I loved it. Even when I was desperately running out of ideas towards the end!)

OMG the Blurpon thing! We were both so green at the start. I still feel a bit kind of … wandering in the dark sometimes but Gareth definitely has a process now. Not that he was ever anything other than a consummate professional. He has always come over as efficient and unflappable – and if anything did go wrong, like the Fat Controller flu episode – he kept me updated on progress. But I digress, next question.

Is there anything we authors can do when speccing up the audio job, that would be helpful – apart from the really obvious things like, remembering to tell you how all the made up words are pronounced (doh! Although you got them all right bar one anyway).

There’s that Blurpon again! (I really should read ahead…)

Accents is one (though, having just read ahead (finally) I’ll save that for the last question). But overall, I suppose knowing how much of an input you want, and being aware that there’s a limit to how close to your perfect reading any reader can get.

Some authors (like yourself) have very clear ideas in their heads about how characters sound or how certain phrases should be said, so it’s good to know that going in. Other authors have a more, ‘I’ve written it but you’re reading it, so just let me hear it’ approach. And some are in the middle ground. None is right or wrong, none is better than another. As long as that awareness that its someone else reading it is there. A friend of mine read one audiobook, but the author was so on his case about getting sentences exactly the way she heard them in her head, that he hasn’t done any more!

That’s unbelievably sad about the narrator who was scared off by the micro managing author. I think that, as an author, some of us are micro managing, which is fine. But if an author wants their book exactly the way it is in their head, and will brook no movement from that, the only option is to read it themselves rather than hire someone else. I know a couple of authors who feel this, have accepted it and are, indeed planning to read their own. The rest of us … there needs to be some give. Right at the beginning, Gareth made a point of explaining that, while he would give anything a shot – except a Liverpudlian accent – I needed to understand that all the voicing is being done by one person’s voice and the limits are set by what, exactly, that voice can physically do.

For all the caveat, many characters in the K’Barthan Series sound exactly the way they do in my head; Ada, The Pan of Hamgee, Lord Vernon, Ruth (intonation, tone etc), Big Merv to name the main ones. He also got Sir Robin Get bang on but we used that for Professor N’Aversion because the voice he suggested for for Sir Robin was so much better than the one I specced. In the general narration, he also has exactly the kind of voice I would have looked for had he not approached me. I consider myself extremely lucky in that. I think if The Pan, Ruth, Big Merv and Lord Vernon had been too different, I might have struggled … possibly … I dunno. But there is so much more to this than how the characters sound in inner space.

One of the joys of books is that they are living things in a way no other art form is. Because every other art form is presented to you in its interpreted form by a conductor, producer, director or whatever, but a book is something each reader interprets for themselves. Every single person’s head cinema is different. That’s what makes reading so wonderful, you can imagine it from the author’s cues but that’s just the basic framework; a lot of the rest is up to you, the reader. The way Gareth reads some words is different to the way I do, the intonation on some bits isn’t the same. I love that. It’s like a window into someone else’s thinking; how he sees it and hears it. As a nosey author, that kind of thing intrigues me hugely.

Surely, the overall tone and feel the narrator creates for each book is way more important than the minutiae. Is the way the characters interact true to the original – do their relationships come over, their feelings, their dreams their desires (where applicable) the chemistry between them, or lack of it … For me, there is so much more to it than soundy-likey voices.

Er hem, sorry. Went off on one there. Where was I? Ah yes, last and final question.

Is there anything you would categorically refuse to do as part of an audiobook narration, if asked? Or is it just the Liverpudlian accent? Mwahahahargh!

I can’t think of anything. My standard answer of ‘I won’t do nudity’ isn’t really relevant here.

But accents are where it gets potentially tricky. I’m reasonably good with accents, but I’m not one of those phenomenal accent sponge people. (I made that up, but you know what I mean.) But if there’s an accent required, I’ll do my best. The book I’ve just read had a South African character for a few lines. I did my best as a kind of placeholder while I finished the rest of the book, then went and researched and practised and tried to improve and went back and rerecorded it. It was better but certainly not brilliant. Then I was told that a future book in the series was set in South Africa. So I’m putting in more practise now…

But saying no? While I’m prepared to have a go at most accents, I’m a white European, so if an author came to me with a book set in, say, Asia, with a cast principally made up of Asians, I would suggest they find someone more appropriate to the task!

So there you go … A massive thank you to Gareth for taking the time to answer all my inane questions. I hope his take on doing audio or at least his answers to my questions about it, helps to give you a feel for what’s involved. And if you want to find out more about Gareth, you can visit his website here.

Also, one of the best chapters he did was one in Few Are Chosen, you can listen to that on soundcloud here.

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Oh and if you’d like to listen to Gareth’s work, why not try one of my audiobooks? OK not this one because we only signed it off yesterday so it’ll be a month or so before it appears online … and it probably won’t appear on Audible until next year. But anyhoo if you want a listen there are two ways to do so for nothing:

Thing one: If your local library uses Hoopla, Overdrive and Odilo so you should be able to find them on many local library apps – just ask your librarian if they aren’t obvious as some libraries have to buy a copy and you have to borrow it one at a time, others do a thing where multiple people can listen at once and I get paid per check out. The point is, they pay me but you get to listen for free.

Thing two: if you just want to see what it’s like, you can listen to an entire 90 minute story for free if you decide to join my Readers’ Group. A story that isn’t available anywhere else. You also get to listen to Unlucky Dip, the 30 minute short, for free as well.

Alternatively, for a list of my audiobooks, and links to buy from me, direct, or from the main stores, go here.

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