Tag Archives: M T McGuire new releases

This, that and audio marketing …

In a delightful departure from what was rapidly becoming the norm, I have no rodent-related shenannagins to report this week. Well … unless you count having a tetanus jab, which I did … you know … just in case.

To be honest, I haven’t done much. Partly because it’s been very windy here, I’m not sure what we’re onto now, we’ve had Brian and Chiara who segued seamlessly into Dennis and now we have Jorge who is Spanish and has pipped Ellen to the post. Snortle. But the weather is chuffing bogging a lot of the time.

Ellen. I had so hoped they were going to call it Windy Ethel. Never mind, can’t win ’em all. Whatever it’s called, it makes sitting in the conservatory like being underwater in a submarine. It’s about as dark and about as wet. I have not ventured out today and I don’t intend to any more than is necessary. Needless to say I have a packed social programme with school parents’ evening and some corporate wifing to do tonight. Bastard Ellorg or should that be Jorgllen?

Apart from an ambivalent effort at metal detecting on Sunday – right metals, wrong objects, clay pipe fragments but a nice medieval pottery shard, I seem to have been running around like a blue arsed fly all week but can’t really remember what for. It was mostly crises of my own making, delivering the iPad to the Apple shop to be fixed, picking it up and then setting it up. I was lucky enough to have a lovely visit to Mum’s on Wednesday. The gardening team was there as well as the career and Mum was very switched on. We chatted and watched telly.

While we were there, I played her a couple more of the audio voices. There is one character, Big Psycho Dave, he’s called, who I just can’t listen to without giggling. As you know, because heaven knows I’ve banged on about it enough, The K’Barthan Series is currently in production for audio, along with Unlucky Dip, which kind of acts as a prequel to everything.

At some point, I need to talk about the process, or at least, do a kind of dummies’ guide for Morons Who Are Unable to Grasp the Blindingly Obvious (as I call myself in these situations). Blimey but it’s taken me a while to cotton on. I’m still not sure I have.

One of the problems is that many of the people doing and talking about audiobooks are big hitters. I’m guessing some have little people to do the being an idiot bit for them and spit out the things they need to know at the end. But when it comes to what they do, they don’t want to talk about it. This may well be because they’re still experimenting and have no clearer idea of a successful strategy than I do. Alternatively, it may be as a result of legal advice in case someone says, ‘I did what you said and it hasn’t worked’ and sues them. Terry Pratchett had to stop visiting his own forums because people were starting to suggest things and, worse, say, ‘so, you used my idea then?’ And he’d be thinking, ‘What?’ And his lawyers advised him to make a sharp exit before the ‘so, you’ve used my idea’ bit got to the point where they started adding, ‘how much are you going to pay me?’

Actually, that’s not my approach, demanding compensation if it goes wrong. I’d just love to riff with people about what they’re doing and pick up some pointers. That’s what I’ve always done with the ebooks but there’s not much riffing going on as far as I can see, apart from on two Facebook groups where I’ve picked up a lot of interesting information. But, ideally, I need more points of view.

You may begin …

Some of the muted nature of the debate may be founded in that, if you go exclusive with ACX you have no control over the price of your books, so there’s not much you can do to market them, really, other than tell people they’re there. Obviously with Findaway, you do have some control over the price, you can set it at zero and folks are able to download the book for free in some places, but other sites will set the price at 99c. It’s a different model, I suspect, in that the data transfer costs must be very high, so free is probably not great for business, even if it leads to more sales in the long run. The royalties are smaller too, no 70%, anywhere.

Whatever the reason, I’ve failed to uncover much of the information I’m looking for out there or at least, not in as much detail as I’d like. Although there is a wealth of technical stuff about making your own sound booth, recording your own books, how to set the levels etc etc. If that’s the way you want to go, you’re laughing. As for what I have discovered about marketing audiobooks … well … here are my thoughts.

Thing One: the conundrum …

It’s becoming blindingly apparent that there is no obvious ‘right way’ to sell the ruddy things. Or at least, not that I can see. There’s what works for a particular author and what doesn’t. The only way to find out what works is to experiment. Gulp. And even then it may only work for you. My issue is this:

If you are an unknown tiny fish in the authorial sea – I am – you want social proof on your books, also known as reviews. With ebooks you just approach reviewers, grovel a bit and give them free copies. After a while they read them, tell their followers what they think and bob’s your uncle, five star joy to convince buyers your stuff is magic. (Ideally, but the right kind of one star, I-fucking-hated-that can be just as effective to sell your books.)

The difficulty with audiobooks is that they are massive so you can’t just send them to someone. Except you can with tokens. Both the major players I am looking at; Findaway and ACX, will provide tokens so reviewers can download your books for free and review them. But Findaway won’t provide them to British readers, which may not be helpful to me. Although other authors report their efforts to give away British codes often meet with complete failure, anyway. ACX will only give tokens out if you sign up to them exclusively. ACX exclusivity is for seven years but … if you have uploaded a finished book, rather than used their royalty share scheme (where they find an author for you) they will let you out after one year if you write and ask them nicely.

On the other hand, with Findaway comes Chirp, their own platform, and access to a BookBub style promotion system, and BookBub is extremely powerful. Although I’ve never scored one for more than ‘international’ – that is, promoting a price drop on a book to Canada, India, Australasia and the UK but not America. I’ve never scored a free promo there either. And yes these are the audio versions, but they are still the same less-than-attractive-to-BookBub’s-selection-panel books. On the other hand, you can advertise on BookBub and I suspect that if I can get my advertising shit together, that is where I could get some love for the audiobooks.

Also, there was a massive influx of audiobooks uploaded to ACX just before Christmas, and they are still wading through them. I could still be waiting for my books to go live in six months’ time, I know of authors who have waited five months, already, for their books to go live and are still waiting … At least if I am going direct to both, I have 60% of the market covered from the off … and it matters because it’s not just me, here, half the earnings are Gareth’s. It’d be nice if there were some after he’s put in all that effort.

Thing two: the options …

I think …. Yeh.

I have two cunning plans … although, whether or not you could, strictly, call either one cunning, remains to be seen. Basically, I reckon I need a few reviews for people to buy anything so I may need tokens. The books might get reviews from my lovely fans and friends, they might get reviews from Gareth’s. On the other hand, they might not. The choice is simple:

1. Get my advertising shit together and go wide. Run promotions, submit the books to Chirp, take advantage of being able to control the price, mostly. Give away Unlucky dip for 99c or even free to get them hooked. Use the tokens and try and attract reviews from Canadian, Australasian and American readers. After all, a review is a review, right?

Disadvantages … well … advertising might take more money than I’ve got. Also I might not find many British readers, and Americans might not be able to understand the British regional accents in my books. But, on the other hand, there’s a lot of British slang, and American readers have done OK with that in the ebook version. Also, while the audiobook market isn’t quite Audible-and-the-others yet, or at least, Audible is only about 40%, I believe, rather than the gargantuan slice of the pie Amazon enjoys for regular books, it’s still a big hitter and stymying my books there may cost us at the start.

or

2. Go exclusively with ACX for the first year to get the tokens and bribe people to review the books on the UK site as well as the US one. Get more sales organically because … more punters. Then ask them to release my books and go wide. Because ultimately, I want people to be able to be able to download my audiobooks at the library and in the long run, there is a lot more earning potential there for us. I also want to take advantage of Chirp and advertising and if I’m exclusive with ACX chirp is a non-starter.

The Advantage, ready social proof and the biggest UK market share (at the moment … I think). Also better chance of organic sales. Better royalty rates at Audible – like 40% rather than 25% – which is important if that turns out to be the only place where I sell any books.

The disadvantage of this strategy is that in a year’s time, when ACX release me, there may be a lot more competition for a Chirp promotion and more people advertising audiobooks meaning that traction wide is harder to achieve. In addition, while Unlucky Dip was approved relatively quickly, I have author colleagues who submitted books in December last year who are still waiting for them to go on sale. The upshot being that it may take six months to a year for my book to go live and it may be more like two years before I can go wide. In a market moving as fast as this one, a year feels like a very long time, but if it’s more like eighteen month or two years? Yikes.

And not forgetting that I loathe and detest the subscription model myself – it’s amazing how fast all those £7 a month for different things add up to something big, and cataclysmic, so it goes against the grain because I’d like to have my books available to people like me from the off; people who’d rather buy them outright.

Thing two: different books sell on different platforms.

There’s a suggestion that short books sell better on Findaway Voices than on ACX. The commonly held view is that this is because Findaway supplies more sites where people buy books out right and so those readers will want to try shorter, less expensive books before shelling out for the gargantuan ones. Conversely, readers on subscription sites usually are eligible for a set number of books per month, so they will go for the biggest possible books to get more bang for their buck. ACX supplies more of those, hence you would put your novellas and shorts on Findaway, but not necessarily on ACX (unless legions of your fans are asking) and then the box set – a nice big book for subscription site listeners – goes on both. But again, this would suggest that, if, like me, you’re an author of a novella series and a massive door stop sized books series, ideally, you want to be on both platforms. Or maybe some and some, I dunno. But yeh, I’ve had a brief chat with Gareth about him doing the rest …

Thing Three: there is No thing three.

Every fucking time Mary? Yep. I know. I’m sorry. I can’t help myself.

Thing Four: testing the market.

This is, kind of, where I am now. It’s taken me a very long time to work out how to upload a book successfully. Jeez ACX some coherent error messages would be grand. That said, I have now uploaded Unlucky Dip, the short series prequel to the K’Barthan Series, to all the sites I’m looking at; Kobo, Findaway Voices and ACX. I am also toying with the idea of uploading some snippets, or the odd chapter, up to Soundcloud for you to listen to. That does depend on what Gareth thinks about it. I can’t do it until the audio files are all finalised, anyway.

So we’re nearly set …

Gulp. Here begins stage one of our dummy run.

Unlucky Dip, is on sale. I think it’s about $2.99 and whatever that is in GBP pretty much everywhere, or as part of your sub on a subscription site.

Even more exciting, despite having zero sales reported on either ACX, Findaway or Kobo, I discovered, this morning, that it has an also bought on Audible, which would suggest that somebody, somewhere, has bought it. It’s a decent also bought, too; Jasper Fforde, whose readers sit squarely in my target demographic.

If you’d like to find out more, I have a lovely page, with links to look at it in store for a bunch of places so you are welcome to go and have a listen to the excerpt, or even download it if you like, here.

Unlucky Dip Audio Book

 

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Chip off the old block …

This week has been busy. Much going on anyway and then The Wrong Stuff arrived for audio proofing. Woot. More on that and the audio project generally in a week or two.

What I should be writing about, this week, is my new release, Nothing To See Here, which is out a week today on 8th Feb. But 8th Feb is also Dad’s birthday, I’m sort of releasing it then, in his honour, so I’ve kind of been thinking about that this week, too.

This last Sunday, I went to church and because McOther had Stuff To Do, elsewhere, I took McMini. McMini is pretty good on his own for a few minutes while I whizz up to the post box or nip to Tesco’s but I don’t like to leave him on his own for long periods of time – one and a half hours while I do church and then stuff my face with biscuits and bend everyone’s ear at coffee afterwards – for example.

As you know, McMini is a bit of a live wire and also has the same sense of the ridiculous as I do. When they do all the high church stuff with the cope and the incense round the altar on high days and holidays, and the acolytes follow and hold the arm of the cope out of the way as the celebrant does their thing, I immediately think of James Brown. James Brown used to do many encores and he’d pretend to be overcome with exhaustion and his acolytes would help him onto the stage, where he’d perform again … all part of the theatre. And he wore a cloak sometimes, which sort of helps make it feel similar. This is probably Blasphemy but then again, since Christ was not above sarcasm, in spades, and clearly had a sense of humour, I am hoping that, when I head pearly gates-wards he’ll intervene on my behalf about this one if things are looking a bit dicey for me. Not that it’ll do me much good, there’s an awful lot of other stuff – But I’m wandering off topic again.

Taking McMini to church I am aware that it’s a long service, and he doesn’t always enjoy the hymns (I like a good shouty hymn but I’m a half trained classical musician). McMini is beginning to enjoy classical music, and he will, because as a musician, he will end up listening to everything because if you are musical, that’s what you do. But I feel it’s important not to force it. The trick is for him to know it’s there and he’ll learn to enjoy it in time. He’s beginning to rather like opera … just as I reach the point in my life where it’s pretty certain I’ll never go to Glyndebourne again. Sigh.

Anyway, there we are in church. And for the first bit he was a little bored, then, in the prayers, he took it quite seriously doing all the responses etc.

The jumper tribble … octopus? starfish?

Then as we got to the sermon his attention began to wander again. It was actually rather a good one but I’d seen this coming and my theory is that, it’s better to behave a bit badly in church, for us to have a laugh together and for him to enjoy the experience, than to make him be ‘good’ and put him off going for the rest of his life. Because even if he’s a bit bored, if he spends most of the time giggling, it’s going to be a memory of happy bored when he looks back on it later. So it was that I picked the larger fluff tribbles off my jumper and made them into a little creature. This was the jumping off point for a lot of mirth.

McMini kept on waiting until I wasn’t looking and then knocking it onto the floor. Then the longer I took to notice the more giggly he got, especially if I trod on it a couple of times. This is definitely one of those events where you had to be there so you’re just going to have to believe me when I tell you it was funny. McMini is a naturally gifted clown, keenly vigilant for any opportunity to get a laugh and not one to let a single one slip by. Hence the wee joke at Dad’s funeral. Eventually the blue furry critter lost both its eyes and looked very sorry for itself. Obviously, there was also banter. I can’t remember much of it but … it was there, and there was a lot of giggling about that, too. Or at least a lot of shaking, going red and crying while we tried not to make any noise. It wasn’t stealth giggling, but we gave laughing in silence our best shot. It was only after the service that I appreciated that it wasn’t just us who’d been giggling. There’s a lovely lady who usually sits behind me with her Mum and they had also been enjoying the … er hem … show.

The mum flashed us a beaming, twinkly smile said, ‘It is rather a long service for a young boy isn’t it?’

And I smiled back and said, ‘Um… yes,’ and left it at that.

Then the daughter said she wished she could have heard what we were saying so she could be in on the joke but we were too far away. Well … at least we weren’t making too much noise, then.

What was rather lovely about it all, apart from the fact that the other parishoners, were clearly far more happy to see that I’d brought McMini than they were worried about any behavioural deficiencies, was that it reminded me so much of Church with my parents. Dad giggling about the awful Victorian poetry again, or pointing out the dirty bits. I had no idea what detumescence was until my father pointed out a line that reminded him of it in a hymn. Although once again, St John’s excelled itself with rather good poetry, and a couple of tunes taken from the Scottish Psalter and an Orlando Gibbons thrown in … all the kind of elegant, symmetrical, mathematical music that I love.

This morning, McMini had arranged to meet some friends in town. I wasn’t sure when but I felt that, possibly, meet up time was pending when there was a sudden sense of urgent activity and then I could hear McMini saying on the phone, ‘I’m running a bit late … I’ll be with you soon … It won’t take that long to walk up there will it? Where would I meet you then? OK.’

It occurred to me that if he was going to the other end of town, he might appreciate a lift. So I popped my head round the door and asked if all was well. He admitted that he’d agreed to meet his friends at ten fifteen but that he’d suddenly realised at about ten thirteen that he was still in his pyjamas.

‘Ah,’ I said. ‘So … did you make this arrangement at about half past nine think you’d just do a couple of things first and lose track of time?’ I asked him.

He no longer throws me an ‘are you telepathic?’ look when I do this sort of thing because he is old enough to understand about inherited traits and that he’s just a chip off the old block. Instead he gave me a sort of small, knowing smile and said, ‘Yes.’

Immediately I remembered the number of times my father had forgotten he was supposed to be somewhere, or that he’d invited someone to lunch. Mum became a consummate expert at Not Looking Surprised, when people turned up to lunch unannounced and stretching meals for larger numbers of people than anticipated.  I suspect there was also a reason we seldom ate before one or quarter past. Plenty of time to make extra arrangements if surprise guests suddenly turned up.

One particular time, I remember my uncle ringing and asking where Dad was. I asked where he was supposed to be. At the Rotary Club lunch, my uncle explained. Ah. Dad was, at this point, in Worthing, and when they set off, he and Mum had said they might stay and have lunch there. Obviously I didn’t tell my uncle this, instead I said,

‘Oh yes, he did say he was going to lunch, where was it again?’

My uncle named a hotel in Haywards Heath. I explained that Mum and Dad had popped into worthing.

‘He’s probably lost track of time, but I’m sure he’ll be with you shortly,’ I said, praying that this was true.

I managed to pump my uncle reasonably subtly for information as to where Dad had to go, whether Mum was invited too (no) and if he needed change for parking. I say I was subtle. I probably wasn’t but my uncle was good enough to play along with the pretence.

Luckily, Dad and Mum returned a few seconds after I’d finished talking to my uncle. I tipped Dad off but I’d forgotten the dress code. None of us were very up on the Rotary so we hummed and haad about what he should wear and decided that jacket and tie would probably be OK. So he quickly put a tie on, grabbed a decent jacket, leapt into the car and sped off to join his long suffering brother. I think he arrived half an hour late, in the end, which wasn’t too bad. Unfortunately, everyone else was wearing suits.

On the up side apparently the feedback was very good and one fellow Rotarian told my uncle,

‘Your brother is a very cool customer. Not only did he give a wonderful speech, but I was sitting near him, and I saw him write it during the pudding course.’

So there was McMini, late already because, like his mother and grandfather before him he had, ‘lost track of time’. Naturally, I offered him a lift.

We grabbed his phone and keys and I gave him a fiver. Then I went to open the garage and left him putting on his shoes and getting his bag.

‘Don’t forget to shut the door,’ I said. Obviously, it’s one of those ones that, if you shut it, locks itself.

We got into the car and I managed to get him to his meeting point by twenty past, so he was only five minutes late. When I arrived home, I discovered he’d left the back door wide open. Blimey he’s a chip off the old block.

As I watch my son following in his grandfather’s footsteps, and mine, I think a small penny dropped somewhere. I am brain fogged, for sure, but it’s a lot better since I started the HRT and while I may feel like I’m demented, perhaps it’s more of a case of being like my dad. Maybe it’s not that the numbers of instances when I’ve ‘lost track of time’ or just forgotten something that are increasing. Maybe I just feel like they are because, as an adult, doing this kind of stuff correctly is more important.

Maybe.

Which reminds me. I’ve a new book out next week and it’s available for pre-order. If you’re interested here’s the info click on the title or the picture to visit the links page:

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Nothing To See Here, K’Barthan Shorts, Hamgeean Misfit: No 2

It’s midwinter and preparations for the biggest religious festival in the K’Barthan year are in full swing. Yes, even though, officially, religious activity has been banned, no-one’s going to ignore Arnold, The Prophet’s Birthday, especially not Big Merv. He orders The Pan of Hamgee to deliver the traditional Prophet’s Birthday gift to his accountants and lawyers. As usual, The Pan has managed to elicit the unwanted attention of the security forces. Can he make the delivery and get back to the Parrot and Screwdriver pub in time for an unofficial Prophet’s Birthday celebration with his friends?

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20:20 in 2020? Probably not.

Happy New Year everyone.

Well, as always, that wasn’t nearly as bad as I feared. Christmas at Mum’s was a quiet but cheerful affair and New Year at the in laws’ was also quiet but also cheerful. McMum in-law wasn’t well and I was worried she wouldn’t want us up there. My parents tended to prefer a distraction, when ill, but McOther’s lot are like cats; they seem to prefer to withdraw. They don’t want us to see them below par. However, this time, despite clearly still feeling a little piano, McOther’s mum was in good spirits and they did and let us look after them and cook the meals. Hopefully we gave them a bit of a break and there’s nothing like a dose of McMini to lift the spirits.

And here we are … back to um … stuff.

Needless to say, on the way to McParents I received a crie de coeur from Mum’s care team. A letter had arrived, registered post, from the people who made her washing machine, along with an invoice from September 2018. The letter was dated 28th December and threatened my mother with legal action if she didn’t pay a £78.00 bill within seven days. This seemed particularly shit since, not only was the bill was from sixteen months previously but they’d only invoiced once at a point when we were instructed that any invoice would just be the system doing its thing before they could stop it and we shouldn’t pay. It was basically a case of Teflon desks at the insurer and the company they’d used to supply the machine. I hope I sorted it out but if the … you may receive another communication but that’ll just be because it’s gone through the system and can’t be stopped … line holds a well this time as it did sixteen months ago I will expect my mother to receive a court summons shortly.

Naturally since I was half way up the A1 on the way to Scotland, and all the paperwork was either in Sussex or in my desk in Bury, there was absolutely bugger all I could do until after New Year. I rang Miele – the swines issuing the threats – and told them this. I do wonder who thought it was OK to bill an octogenarian woman with dementia once, wait sixteen months and then send a letter demanding payment in seven days on 28th December and expect to get it – Christmas post, bank holidays and all, even if she paid up since it would be a cheque. I did ring and ask them if it was a mistake and the woman I spoke to, though very polite, reacted as if she couldn’t understand what on earth I thought was wrong with that kind of behaviour.

I asked McOther if this was normal. Only for American lawyers apparently as McOther put it, ‘the rest of us are more civilised.’

Back in Bury, I was able to sort it out. After, I hope, keeping Mum out of the small claims court, I went shopping and met with a couple of surreal experiences. While paying at the self service bit of Marks and Sparks, I noticed a munching noise next to me. It came from a little old dear who’d just loaded up her sholley at the check out, said goodbye to the cashier and was hoovering up a red pepper like a woman who hadn’t eaten for days. She noticed me looking so I gave her a smile, which she returned, shyly, before going on her way. What amazed me was that no-one else noticed. I’m not sure if strange things like this only happen around me, or if it’s just that the writer in me notices this stuff. Or, perhaps it was the day for eccentrics yesterday. On my way home from Marks, I noticed one of my favourite shops had an outlet sale and popped in. A woman there was singing along to the canned music at the top of her lungs. Pretty impressive as it was all that dance trance kind of stuff where the synths do all the melody and the singer just sings one or two notes, you know, like plain chant – only with a busier background and in a major key.

After stocking up with shopping, I did the first eyebombs of 2020 – start as you mean to go on – and returned home. I wrote some stuff and then it occurred to me that I should probably and work out some sort of plan for 2020.

MTM’s 2020 plan …

Yeh. Normally, my New Year’s Resolution is not to have one.

This year, though, I feel I ought to lay some vague plan. I am aware that since my full time job is looking after McMini (McOther when he’ll let me) and Mum my ‘career’ such as it is, will always be a side hustle. But I can’t help thinking that the equivalent of, at least, pointing to something on the horizon and saying, ‘let’s go that way!’ Might be helpful at this point. Especially as I have Gareth to think about now. Holy shit I still can’t believe that’s happening! And since he’s taking the time and effort to make the K’Barthan Series as audio books, the least I can do is try and earn us some money from them. The question, as ever, is how.

Looking back is often good, in that sometimes, when your forward momentum is about the same speed as continental drift, it is a real fillip to, kind of, speed up the camera and see how far you’ve come. Last year, after many false starts (thanks, benighted car) the following fabulous things happened:

  1. I finally published a book, exactly four years to the day after the previous one. I’d no idea the time had gone so fast. Gulp.
  2. The whole audiobooks thing, which feels as if I’ve jumped timelines and am living the life of a different far more successful MTM.
  3. Met a bunch of local authors here in Bury which is brilliant. Cluster marketing, support from like minded souls, and all that fabulous malarkey. Looking forward to doing stuff with them in 2020.
  4. I wrote some more stuff, although I haven’t counted the words.

Then there’s the longer game. During the four years between Escape From B-Movie Hell and Small Beginnings, I learned some great ways to keep writing when it feels as if you lack the emotional slack to do so. Last year, we walked the final stages of Dad’s dementia journey with him and while it was really hard, I am at peace with what we did. There’s nothing that I would change. I’m sure we did the best thing by him and while it hurts, it also feels right, possibly even righteous. The writing stalled, but only for three months, and at the moment it seems to be up and running again. I have reverted to my 10 minutes a day rule, there is lots to write and from the point of view of organising and publishing more books, lots to do.

Back to the book launch for a moment. Am I happy with the way the book launch went? Yes and no. Small Beginnings launched mid November with a very small plop, rather than a splash. It’s only a novella, I’m a very small and weedy member of the writing community, who is, basically, starting again from scratch so that probably isn’t bad. It helped that  Barry J Hutchison lent me his fans. Thanks Barry for letting me post on your facebook group. If you are wondering who Barry is – check his books out here. They’re a bit like mine only better and more plentiful! Plus he kept going when he had a far, far shittier year than me. Without Barry’s fans, the release of Small Beginnings would have been considerably down on Escape From B-Movie Hell in 2015.

This might be because Amazon is now pay-to-play and I can’t afford to, it might be because my mainstay group on Goodreads has become very quiet and I doubt the sales boost from there was anything close to 2015. So what can I fix that won’t take time I lack, or cash? I’m thinking, there are six things I could try, in no particular order.

  1. Writing more books, even if it means making them shorter and less complicated as well as long and epic. Increasing the back catalogue is paramount at this point.
  2. Increasing the variety of the back catalogue. Yes, I need to get my arse in gear and publish Space Dustmen.
  3. A blog tour might work, but it will be a time suck so I’ll have to see how well I do at writing the posts, in advance.
  4. I could set up some ads on Facebook, and if I can make them funny enough, might be able to blag some shares off my Facebook friends – especially for the audiobooks launch.
  5. I need to sort out my mailing list engagement, which is, frankly, risible. Back in the day, about 50% of folks I sent emails to would open. These days I’m lucky if it’s 20%.
  6. I am wondering about dipping a cautious toe in the world of podcasts or video blogs. These will not be particularly professional, mainly because I live on a main road which the emergency services use, doing full blues and twos, approximately every five minutes. And I have an extremely talkative cat who follows me everywhere.

The obvious ones to concentrate on are, one, two and five. After all making more product and building on the most straightforward and direct method contact with any enthusiastic buyers have to be the central effort.

There we are, that’s about it. Nothing to See Here will be released on 8th February, or there abouts. If you want to know when it’s available for pre-order, click here or click on the picture. I think I may have mentioned that before! Mwahahahrgh.

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Birth of The Prophet Greetings to one and All … and a mini whinge.

Yes, of course K’Barth has it’s own equivalent of Christmas. They celebrate the Birth of The Prophet, or The Prophet’s Birthday as the feast is also known. The Prophet was born on the darkest, dimmest night of the year – aren’t they all? In memory of His birth, K’Barthans prepare an enormous meal, with numerous courses and specific – mostly alcoholic – beverages, none of which particularly goes with the other. Does this sound familiar?

However, they don’t exchange presents, oh no, instead they present each other with pastry effigies of Arnold The Prophet, stuffed full of confectioner’s custard. Anyone who stumped up for a copy of Christmas Lites last year will have read about this in the short story I had in there. It was a truncated short though, I had to hack mercilessly at it to make the 10k word count and you know me, I believe in never throwing anything away, so I decided I would polish up the longer original version and add it to my current series and publish it at Christmas time.

Unfortunately, what with Dad dying and all that malarkey, I didn’t get it finished as quickly as I expected so it’s coming out in February, 8th February, 2020, put that date in your diary peps. If you’re interested, it will be up for preorder soon but, unfortunately, not yet as … Christmas … which is so much more complicated and a significantly greater pain in the arse than exchanging pastries, mwahahahargh! But fret not! If you do want me to tip you off when Nothing To See Here, is released/available for preorder you can sign up for a special email bulletin. If you haven’t joined my mailing list, you will receive no other emails. Yep. Unless I cock it up mightily, I will only tell you those two things. Nothing else. To sign up for that, just follow the link, below or click on the picture of the cover:

Tell me when Nothing to See Here is released.

And here’s the blurb, in case you wanted it!

It’s midwinter and preparations for the biggest religious festival in the K’Barthan year are in full swing. Yes, even though, officially, religious activity has been banned, no-one’s going to ignore Arnold, The Prophet’s Birthday, especially not Big Merv. He orders The Pan of Hamgee to deliver the traditional Birth of The Prophet gift to his accountants and lawyers.

As usual, The Pan has managed to elicit the unwanted attention of the security forces. Can he make the delivery and get back to the The Parrot and Screwdriver pub in time for an unofficial Prophet’s Birthday celebration with his friends?

Other news …

There are lots of things I wanted to say this week. I wanted to talk about racism and how stupid it is, I wanted to fact check all the U-turns the Conservatives have been accused of making so far and see if it really is that dire, I wanted to do a lot of things. But … Christmas.

OK, so this is where the upbeat stuff stops, so if you want to feel upbeat, this is probably where you should stop too. The next bit is honest, and a bit of a downer.

The thing is, I’m missing Dad quite badly, it’s not quite as grim as it was, I haven’t felt weepy for over a week now, which is grand, and splendid progress. I just feel down. The grief counselling has come through for the New Year, so I know that will help and I’m looking forward to it.

In the meantime, life. It’s like we are sliding into anarchy and extremism and I’m the only person in the world who can see. I’m so weary of it all. I can’t do it anymore. I can’t go on politely pulling people up every time they say something shitty about immigrants, asylum seekers, LGBT etc folks, disabled people, brown people or anyone different from them. I know what goes around comes around. If kindness and tolerance was trendy for a while then, clearly, we’re going to go through another phase where it’s cool to be a bigoted fucktard. Cool for twaaaats (sing it to Squeeze).

At the moment it feels as if the world is being run by the stupid jocks out of seventies movies. You know, the popular bully in the class in seventies films. The one who make our geeky hero or heroine’s life a misery until said geek saves the world using knowledge and science while the jocks who think they rock stand by with their mouths open. That’s right, the people in charge right now, the people being heard and calling the shots are the equivalent of Biff from Back to the Future.

Joy.

Once someone you love has become, ‘other’ be it disabled, mentally ill, whatever, it changes you for life. I met a couple yesterday, a man and his disabled wife. He was pushing her in a wheelchair and she was incredibly apologetic about getting in the way in a very small and pokey shop. They were both sweet, but he, especially, had the kindest, wisest face I have seen on another human in a long time. Here was someone who had clearly been the recipient of unending twattery from morons and doggedly continued to treat other people with kindness and dignity. Someone truly, truly good in a way that was impossible to hide.

Apparently people frequently have a go at this couple for taking up too much space and getting in the way. I had a bit of an oh Lordy moment, myself, trapped in a very narrow aisle between them and a pram and trying to get out of the way! Only last week, at the supermarket, the lady told me, they saw that one aisle where they had to get some stuff was really full. He parked her next to some things she wanted to look at and went to get the bits they needed from the packed aisle alone. While he was gone someone came along and wanted to get to something from the shelves by the lady. She was in the way, so instead of speaking to her, or even asking her if she could pass it to them, they just moved her. Without a word. As if she was a piece of furniture. Moved her out into the middle of the aisle and left her there.

How fucking rude is that?

This is Brexit Britain. It’s not Brexit, itself that’s the problem, it’s the fact that it’s given the handful of people who voted leave because they’re racist and bigoted the courage to think their Neanderthal, shitty viewpoint is OK. The courage to commit hate crimes against disabled people, to air views that are, frankly, pretty evil, and it’s made them feel entitled to do so. I’m not even talking people who think we need to look at immigration, here. We do need to manage immigration properly, you know, with thought, compassion and empathy. Not only for those who are wishing to move here (what on earth are they doing coming to our crappy little island) but for those among whom they will be placed. No, I mean people who are out-and-out vile and seem to rejoice in it. The kind of people who would call me a snowflake, simply because I have an imagination and, occasionally, use it to try and appreciate what it might be like for other people who are different from me.

Incidentally, lots of people call me a snowflake in jest and that’s fine. Let’s be clear, I don’t mean my right wing friends taking the piss out of me here, I mean the really scary people.

The fact we are standing at the top of the same hill, with Mum, as we were with Dad four years ago is probably not helping me to feel jolly either. I did have a brief respite, but I know what’s coming and it’s coming much faster with Mum. A few months ago, when Gareth the Voice first contacted me I played Mum the demo he sent. She read and loved the K’Barthan Series years ago, and we discussed how exciting the whole audiobooks thing was. By the time Gareth and I were speccing the voices, a month later I had one voice I wasn’t sure about and I thought I’d play it to Mum. Gareth had definitely delivered what I specced but … had I specced it right?

Mum has a very good marketing brain – she was director of a PR firm in the 1960s and that is some going in an era when it was considered perfectly OK for a client to refuse to work with a copywriter on the grounds of them being female. As a result, Mum and I have chatted about my writing in depth from time to time. I did branding, which was pretty similar to PR and she’s one of the few people in Real Life I can talk to about both my writing, and my efforts to market it.

When I mentioned the voice conundrum to Mum she said,

‘Oh yes, darling, I meant to remind you about that. I haven’t read any of your books and I haven’t a clue what they’re about, it’s awful. I’m your mother. I really ought to read them. Could you lend them to me?’

I was a bit thrown.

‘Uh … I can’t remember now, but I think you read them,’ I lied. ‘But it was a very long time ago, so you’re well within your rights to have forgotten them. I pretty much have. I needed to re-read them thoroughly to get up to speed for doing the audio,’ I told her, continuing to lie comprehensively, through my teeth. ‘Does anything come back if I remind you? D’you remember Ruth, or The Pan of Hamgee? Big Merv? Lord Vernon?’

She remembered the ones in my latest story, which is short enough for her to be able to follow it. But otherwise, that’s it. She’s completely forgotten about all of it. She’s completely forgotten so much stuff.

Already.

All of it’s gone forever.

Which is grim.

I was hoping, so hoping, that it was just the strain of looking after Dad but it isn’t.

One of the toughest bits about Dad is that even though he is out of pain, and, even though, as a Christian, I believe he’s gone on to somewhere happier, I still find it hard to look his suffering in the eye. I need to if I’m going to move on, but it hurts, it hurts a lot and I suspect it always will. And now I have to walk the same journey with Mum. A costly, painful journey. One that’s going to make my heart ache for the rest of my life.

Pain on pain, hurt on hurt.

Another three years of this. Minimum. Where, in God’s name, will I find the strength to do it all over again?

Um … yeh. Merry Christmas.

Never mind, I’m going to church now. With any luck, when I come back, I’ll feel better.

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Filed under About My Writing, General Wittering

What on God’s green earth am I doing?

This week I have mostly been, well … to be honest, I’ve been on a bit of a downer. It’s probably just the Christmas blues getting to me, as you know, I loathe it all with a passion and this year, it’s my first one as a demi-orphan, which makes it worse.

On top of that, I think the combination of a moment of extremely bad judgement coming home to haunt me, plus a bit of reality check threw me rather. Also, there’s nothing like a general election campaign to show us humanity at its ugliest. And of course, that makes me miss my dad. Not sick Dad, but the man he was. Who I’m grieving for even more now, it seems.

Eventually, I got so low, I reached the point were I had to open my mental baggage and have a good old rummage about to see if I could work out what the fuck was going on. It culminated with a long chat with my Mum on Wednesday. She’s feeling a bit down, too. I’m going to share the results with you, because as a creative bod, I found them quite illuminating, and quite helpful. Even better, said rummaging complete, I feel several orders of magnitude better about life, the universe and everything this morning. So there we are, I’ve done the thinking so you don’t have to. Fellow creative types will get this, I think, the rest of you may not. It’s difficult to articulate it well, so apologies if I come over as a pretentious prick. Unfortunately, I am. I just hide it well.

Doing any kind of arts, while often a very public act, can also be an intensely personal one for the artist involved. On a more general note, it’s also why artists of all types need self-belief and strength of character in spade loads to keep doing their art, year in, year out. It might even be why some of them suffer from depression. That said, even the successful ones suffer from that. When it comes, validation in the form of popularity, may not necessarily make the artist feel any more fulfilled.

The lovely Dan Holloway wrote a brilliant book about writing and being happy without selling your soul called ‘Self Publish with Integrity: Define Success in your Own Terms and then Achieve It. If you haven’t read it, I can thoroughly recommend it. It is the most lovely book.

In it Dan talks about working out what you mean by success and what your goals are. Know these things, he argues, and you will not be quite so gutted if ‘success’ is more about producing art you are proud of and which speaks of your soul, than art which sells. He talks about the need to get down to the nitty gritty of why you really write so you know, and so your whole business sits on this solid foundation of goals and expectation.

For many years, my rationale has been that I write because I have to. Confidence isn’t a problem. I’m good at something, really not bad, and I want to do that thing. I am a bona fide Authorholic. If I don’t get my fix of writing or writing-related action each day I get pretty crabby, like an addict on the brink of cold turkey. But it’s only recently I realised that, ‘I write because I have to’ isn’t really the answer, because what I need to know is why do I have to write?

Amazingly, it appears that the main reasons are because I have THINGS to say. Sure, I only ever set out to tell a good story and make it funny. I never set out to put the THINGS in, but whatever I write, they are always in there; love, kindness, people being decent to one another, burying their differences to work together, the cost of unkindness, greed, selfishness and the pursuit of money and wealth at the expense of all else. About the danger of treating people as things. I have something to say about the difference between physical and moral courage. About how doing the right thing is really hard the first time but how, no matter how difficult the actual mechanics of acting with integrity are, the more you do, the easier it becomes. I have stuff to say about tolerance, and the nature of true strength of character – which is rather more complicated than just being bolshy or shouting down the opposition with a loud voice. I have things to say about imagination, and how important imagination is to maintain a civilised society where people treat each other the way they’d like to be treated. And of course, I want to make people laugh, because nobody’s going to hoist in that sort of bleeding-heart, love-thy-neighbour, Christian clap-trap unless it’s funny. And anyway, I can’t do serious.

Those things are all quite personal to me. They go deeper than I realised. I think watching my dad ravaged by Alzheimer’s, dealing with the way others behaved towards him, has completely changed me. Perhaps I underestimated the importance of imagination, and using it to put yourself in the place of others. Dad’s suffering also changed the way I view people or social groups with whom I share little common ground. Maybe I can see a bit more clearly where ‘them and us’ tribalism takes us now that I’ve spent a lot of time with one of them. Some people were utterly lovely with Dad and some were utter cunts. Always, their ability to use their imagination, to empathise, was the only difference between the two.

Obviously, all of us creative nutters care about what we do, we wouldn’t do it otherwise. I’d guess, we all have those days when we look at our work and think it’s crap., and other days when we feel we’re on top of the world – and so is our stuff. Then there’s that horrible bit when you send it out into the world for the first time. That moment when you think, ‘Lordy, what have I done? Is it shit?’ That’s a natural part of the creative process. I’d bet my life anyone who does anything creative, ever, will have felt that. But I suppose what I was trying to get to the bottom of with all this introspection, really, is, when I make something I’m happy with, when I think it’s about the best I can do, why am I sad when the world disagrees? Why do I give a toss what the world thinks? And if I do give a toss, what on earth is it that’s driving me to keep spending money I don’t have putting out books only a tiny handful of people want.

And what this has shown me, I think, is that I care a lot more about my writing than I thought. It means that what I do is not just an addiction, but a vocation. I need to write this stuff. All of it; this blog, the books, the non fiction stuff I’m working on. I need to connect with people. I need to try and spread the light and I need to do it especially badly now Dad has gone, because before his illness, he did all that, effortlessly. And maybe, what this also means is that, when I write a book and it doesn’t sell, it’s the complete indifference of the world to my efforts that hurts. Because I need to make these people understand. Then again, there’s always a flip side; if no-one gives a shit, it’s unbelievably liberating because you can write anything you like, right?

With that better understanding of the unconscious emotional investment I make in each of my endeavours, I think I finally get why that rejection is painful. Why it’s hard to shrug off the heartache when, on another level I’m genuinely not bothered. And maybe understanding this simple fact is, sort of, the essence of producing art. Whatever it is; be it drawings, writing, music, dance, acting … you name it. Because that’s what people do isn’t it? They get good at something. And sometimes, they get noticed. But for every one who does, there are thousands of completely invisible people churning out art because something drives them on, or because they believe in what they’re doing and enjoy doing it, and that’s all they need. A lot of it is fabulous stuff. A lot of these people are amazingly talented yet they receive little or no recognition. But it doesn’t stop them. They don’t care if no-one else gets it. After all, they do. So they keep putting themselves out there, for nothing, because they want to, or have to. Weird isn’t it?

Strangely, a big reason I want to earn cash for my creations is my wish to create faster, and to diversify; large print, hardbacks, it’s all missing because it costs money. Money I don’t have. I save up, when I’ve enough cash, I spend it releasing a book. It takes ages because there’s no time in my life for a real job. It would be amazing if I could earn enough from each release to pay for the next one. It’s a modest ambition and my consistent failure to achieve that is galling.

Now, I have to point out that everything I’ve said about creating stuff is pretty much moot on the eyebombing front. Eyebombing actually is something I do, solely, to make people laugh. It’s light and fluffy. I get to pretend that I’m edgy and street by calling myself a street artist. In truth, I’m just a fifty something mum who likes to prick the bubble of the pompous and has failed, spectacularly, to grow up. It’s taking the gentle piss out of the world and myself. I don’t take it seriously. I’m not putting my soul out there or anything.

However, on the back of the positive reaction to the pictures I post, and to the handful of calendars I had printed for family and friends last year, I genuinely believed the calendar would sell. That it would bankroll my next release, or some of it, and raise some money for charity as well. If the calendar sold well, it meant an eyebombing book would sell. It meant that my publishing efforts might become self-financing.

In the event, I have made half the cost back, and managed to raise a few pence for the things I’m supporting. I can chalk this one up to experience, but my pride is definitely dented. And, of course, I’ve made a piss poor judgement call, not to mention a complete fucking idiot of myself, which is always a bit of a bummer.

It was a bit of a blow to discover the truth a time of year when I’m a little more maudlin than usual anyway. Add in the whole demi-orphan aspect and it certainly explains why I was so utterly down for the first part of this week.

It’s an ill wind that blows nobody any good, though. By making an absolute tit of myself and pissing my ill-gotten winnings up the wall I have, at least, learned that a book on eyebombing will not sell. I’ve also learned it for a LOT less than the cost of a book on eyebombing. Sure a book would have a longer shelf life than a calendar, and longer to earn out but I fear the shelf life in this instance would be about the same as that of nuclear waste.

If I had enough eyebombing books printed to sell to shops with a decent discount for them and profit for me, apart from bankrupting myself, I should think my descendants would probably be trying to flog the last few in a couple of thousand years’ time. So yeh, calendars-wise, I made an expensive mistake, but it was made with cash I wouldn’t otherwise have had and it could have been so, so much worse. So while I am gutted that my judgement is absolutely fucking miles out, it’s probably just a case of how you look at these things. It was an experiment after all, and it didn’t work out. Dust the sand from your feet and move onwards and upwards.

With the books … well … it’s weird. When I released Small Beginnings it was four years, to the day, since I’d released the previous book. K’Barth is a slow seller (except to a select few loyal fans) so I’d been trying to write other things, but the Real World was doing my head in and it just wasn’t possible. In the end, writing something was better than writing nothing. If that meant more stuff about K’Barth until Real Life calmed down a bit so be it. Anyway, a series of shorter, cheaper books for the haverers to try for less cash made sense, you know, to ease them in. I expected very little from Small Beginnings. I was hoping against hope that I might shift a few more of them over the release period than I had of the previous release but that’s about all.

So did I? Er, no.

Do I care though?

Yes, a bit, but not nearly as much as I did about the calendars. It’s not been a success. But it’s K’Barthan so I haven’t expected it to be. Yes, I feel a bit disheartened in some ways, but people bought it, lovely people who read it, liked it and some even reviewed it. It didn’t completely die on its arse, unlike the calendars.

Furthermore, though I’d planned the launch, it wasn’t the smooth affair I envisaged. For starters, it was suddenly in the middle of an election campaign which is never helpful when you use social media in your marketing. Since the election was announced, most of the on-line groups I frequent have been post-apocalyptically quiet. The cost of advertising has also risen sharply – out of my range – so nothing doing there. Finally, several other authors I know released books at the same time and I missed an opportunity to organise something with them. Teaming up and pooling resources on this kind of stuff always works well.

On the up side, I’ve discovered I can sell books reasonably successfully face-to-face. Conventions and events are clearly the way to go. As my lad gets older it’ll be easier to follow that path. I’ve met a lovely bunch of local authors now as well so who knows, maybe we can work together on that – the cost of a table split between four is much easier to absorb than one on your own.

There’s also been a bit of a change, this last few months, in the way I do my social media interaction, email marketing and Facebook advertising. There’s a K’Barthan Jolly Japery facebook group now, which is a gas. It might be this up-close, personal contact with my lovely readers that fooled me into thinking I was turning the corner. Because though it’s a small group they are hugely supportive. Perhaps I won’t really know if anything’s happening until the group gets bigger. I mean, my books are only ever going to be cult, but if these lovely nutters found me, I can kid myself that others will. Who knows. I’m just glad they’re there.

Perhaps, that’s the secret of happy creativity then; keeping your expectations realistic. Believing in what you do, yet being pragmatic enough to prepare for the worst – even if you are idealistic enough to hope. I’m think I’m, sort of, almost at peace with myself on this. Almost … it’s just that … sometimes … earning the production costs back would be good.

There is a choice, I think. I can try and be an outlier, do something different, or I can write to market. Writing to market will earn me cash, being an outlier won’t. Not unless I’m up there with Terry Pratchett, Douglas Adams or JK Rowling. But the thought of trying to find a way to make shape shifters and vampires interesting. Or writing a new slant on manly men fighting other manly men in space – or thin women in leather jumpsuits who are basically, manly men fighting other manly men in space, but with boobs and a high voice … I know it’s what the market wants, and what I should be doing, but the thought of following standard tropes makes something inside me want to curl up and die. I can’t even bring myself to take the piss out of them. I tried with Deirdre Arbuthnot, but I got too interested in her back story and it all went to pot.

I always knew that, if I wrote the books I like, it’d be a niche. I mean, I can’t remember what the actual letters in my Myers Brigg profile are, but it’s 8% of the population. That’s a small niche. Sure 8% of the world’s readers has to be a big enough chunk, but in marketing terms, it’s still like looking for a needle in a haystack. It is going to take ages to find them.

What all that means, is, I have to get real or get over myself. I must decide if the joy of creating these lunatic worlds is more important than earning a living at it. And when I look at it, deep down, I know I have. Well … for starters, it makes my tax returns a lot less complicated to do.

As for the calendars. Well, I’ll just chalk them up to experience and keep on publishing books. Books I like, for the handful of fellow nutters who enjoy them. It really shouldn’t bother me if hardly anyone else gets them. After all, I do and the nutters do. Our own secret in-joke.

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Filed under General Wittering

Shiny things and other news!

Apologies for my sudden absence last week, I was on holiday – woot. I meant to write something but when the time came, I wasn’t so inspired. Portugal was lovely, as always, although on the down side, I failed to score any Don Rodrigo this year, which was a blow. I should point out that Don Rodrigo is not a bloke or drugs but is, in fact, this weird Algarvian pudding. Imagine Baklava, you know, the ones that look like shredded wheat, but the shredded wheat bit is made with egg. Egg they’ve extruded and done odd stuff to, good stuff, but odd nonetheless. That’s Don Rodrigo, it’s like … I dunno … deconstructed custard, but it’s Oh so much more than that! It is one of my favourite things. McMini and I have even made a rap type song about it because we’re both nuts.

We had some fantastic pork and clams, fish stew, piri-piri chicken, and other general om-nomess, the sun was out, and I did loads of work. Work on holiday? I hear you cry. Well, yes, but then, my job doesn’t feel like work, so it was more of a case of it being a holiday from Real Life to have some fun. Indeed, I managed to finish the next short in the series, which was weighing at a measly 10k and needed to be 15 or more. It’s now up to 19 with an added twist. I managed to sort out one that was done but … you know, not done. Although that went up from 20k to 26k. Then I tidied up the one between.  McMini was hugely pleased when McOther gave him his old flippers. So pleased that for the first couple of days he wore them as slippers.

Also, I was delighted to find I was able to eyebomb the Zamboni at Faro airport. McOther refused to wait, initially. Then as we sat outside on a bench outside the terminal while McMini finished his lunch he relented.

‘Just five minutes, and if you get arrested, we’re not coming to bail you out.’

Anyway, I meant to post something a bit more meaningful today but things have overtaken me and I’ve got distracted by shiny things again. Mind you, since I’m here, I feel I may as well share some of the shininess with you.

First up; the audiobook, MTM starts fidgeting and jiggling about with poorly suppressed excitement and glee. Last night Gareth The Voice sent me the recording of Few Are Chosen to listen to. It’s the weekend, and I have things to do and Real Life to interact with but I managed to get to chapter 17 as I wandered round the market. The first appearance of Humbert made me laugh out loud and the good burghers of Bury St Edmunds  around me stepped gingerly away from the mad woman guffawing to herself! My early first impression is a good one. I still can’t quite believe that a person with a voice that’s so totally right for the story has popped up out of nowhere, unbidden. Then again, Gareth is a bright bloke and he’s probably smart enough to pick something that his voice fits. I’m just delighted it was my stuff.

There could have been a lot of auditioning, even if I’d had anything approaching the money, and it had been on the radar. And while it could have been a lady or a man, I would have spent ages trying to find the right person. Instead, he finds me. I have been an unbelievably jammy bleeder in this respect.

It feels as if, finally, when the unicorn farted, I contrived to be vaguely downwind. Mmm. Go me. Phnark.

It’s a really intriguing process, and kind of nerve racking in a way, so, for example, Gareth’s Lord Vernon is kind of a cross between Donald Pleasance doing Blowfeldt, with a dash of Peter Cushing saying, ‘you may fire hwhen ready,’ in Star Wars. It’s quite strange because it’s not quite how I imagined it, but bloody hell it works. He sounds so fucking evil! Mwahahahahrgh! Several folks who have listened to Unlucky Dip since I posted it here thought Gareth had Big Merv and The Pan bang on, too.

Second, yesterday, I managed to sort out this year’s, or at least, next year’s EyebombThereforeIAm calendar. I’ve used the prize money I won in the photographic competition and had 100 copies printed. So far, I have offered to sell it and split the profit with three separate entities. Hopefully that should account for all 100. Having them printed up front does give me a chance of actually getting somewhere with them because it’s cheaper so I can sell them for £10.99 rather than having to sell them for £16.99 to make 99p profit. I think I may have misspelled instagram in the blurb on the back though. Such is life. It wouldn’t be me if I got this stuff 100% right it seems.

Third, the next instalment of the Hamgeean Misfit series of shorts should be ready for editing by the middle of next week. Indeed the only thing that’s stopping it at the moment is my usual chronic lack of cash. I’m hoping to have it ready for sale by January though, since it’s sort of, about Christmas really, but a midwinter-ish release date is fine.

Fourth, Future Adventures seems to be doing well, I am loving it anyway, but other readers seem to have enjoyed the book I put in and have bought the others. There’s been a significant uplift in income this month … or to put it another way, there’s been some, and I can’t think of anything else that would be responsible. Whoopeee!

On the home front, we are ramping up for Dad’s memorial service, not next week but the week after. It should be fun as it will just be a celebration more than anything. A group of people standing around telling silly stories about him. When I think about Dad now, I am just overjoyed to have known such a lovely chap, and unbelievably proud that he was my Dad. I do also feel that I have to step into his shoes, try harder at acts of random kindness and at being the voice of reason. I will post more about that soon, but I have to be in the right mood to write it up and at the moment I’m just too exuberant and excited about all the other stuff.

Yeh, another champagne week, I guess.

_____________________

If you’re interested and missed it before, you can find out more about Future Adventures and Small Beginnings by clicking on the links, below:

Future Adventures

Small Beginnings, K’Barthan Shorts, Hamgeean Misfit: No 1

If you click the Small Beginnings link and scroll down, you can also sign up to be informed when the other books in the series come out.

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My lord! I bring news!

This week has been quite a contrast to last week.

First of all a brief word about superstition and its place in society. Now there are some folks who say that butterflies are a sign that angels/dead loved ones are watching you, and ditto about white feathers. I have no idea if any of this is true, but if I can see a white feather bobbing down from the sky and use it to make myself feel less sad, I will.

Obviously, it would be lovely if it was a message of support from Dad. There have definitely been a few white feathers over the past few years, something I’ve noticed because John Lennon always told his son that he’d send a white feather drifting across the room as a message after he died. Julian Lennon said once, ‘I’ve always been looking for that white feather.’  So when I saw my first one, during a pretty grim time in Dad’s illness, it left an impression.

No, I didn’t think it was John Lennon, but I’d never noticed a white feather drifting down from the sky before and I thought that pushing fifty was quite late to notice my first one, so it did make me wonder, slightly, if some dead relly somewhere was sending me a message of support – look I’m a writer, OK? I imagine all sorts of weird shit, it’s my job after all.

The instances have increased dramatically recently, and they have definitely coincided with good days, not just because I can use them to pep myself up but because genuinely good things have happened on the days when I’ve seen them. Coincidence? Probably. They are white, so they’re coming from the gulls rather than our local pigeons, who are all grey. Perhaps there is a particularly scrofulous gull flying over our house every day, one with a dash of the gift,

‘Ah yes, I must drop a feather on MTM today, good things will happen to her.’

Mwahahahrgh! Or perhaps he’s just the gull equivalent of Humbert. Hmm… could be. I don’t really mind, I’ll even put up with them shitting on the conservatory roof if I can use this phase of vigorous moulting on their part to help me be positive.

It’s like the bit in Terry Pratchett where he talks about telling people stories, or at least, Granny Weatherwax does. Tiffany Aching is trying to use facts and truth and Granny Weatherwax contests that people don’t respond to facts and truth and that you must tell them stories.  Tiffany is at her wits end because a family in the village have dug their outdoor lavvy too close to the well and they keep getting ill. Despite her most earnest entreaties to move it, and despite her repeatedly explaining to them that the crap is seeping into the drinking water and making them ill Tiffany can’t galvanise them into moving their out door kharzi. They can’t be arsed. She seeks Granny Weatherwax’s advice. A few days later, Granny Weatherwax tells Tiffany she persuaded them and the two witches visit. Sure enough, the bog has been moved.

‘How did you do that?’ asks Tiffany.

‘I told them there’s goblins down it,’ says Granny Weatherwax matter of factly.

So another brief lesson about grief then, don’t be afraid to use headology on yourself! If seeing a white feather floating in the air makes me feel something good will happen, my attitude is going to be such that it probably will, even if it’s just something that mightn’t have registered on another day or in different circumstances.

But, that said, quite a lot of smashing things are happening! Here are some.

Big news this week.

Small Beginnings is now available for pre-order in some but not all places, I’ll post a proper link next week when it’s live everywhere. In the meantime, click on the picture for more information, or if you want to to, you can sign up to receive three email reminders around launch time. To do that, click the link below.

Receive a reminder when Small Beginnings comes out.

Ultimate launch date is 19th November. Feel free to tell your friends.

Eyebombing news

I have to fess up to being piss poor at posting my eyebombing recently, but I’m also hoping to organise the eyebombThereforeIAm calendar a bit more formally this year. It depends if I can get a stall at the Christmas Fayre though, and I won’t hear about THAT until Monday or Tuesday. More on that story next week.

And some even bigger news this week. Um … yeh.

So a while back a chap contacted me explaining that he was an actor and that while it was a grand and jolly life, he would quite like to do a project of his own.

[MTM waves] hello Gareth!

This being the case, he’d decided he would learn to read and produce audio books. He wanted to use something as a guinea pig while he got to grips with production skills, sound booth construction, etc, and for this purpose, he chose the K’Barthan Series.

However, he hadn’t just said he’d like to do it, he’d already recorded a rough outline of Unlucky Dip. Since then he’s recorded another one. So yesterday we had a chat on the phone about well … basically about the recordings he’d sent me, and the characters. It’s a pretty great project to be involved in when two people can spend over an hour on the phone doing silly voices at one another, and giggling, and then tell people, solemnly, that it was work. Mwahahahaahrgh! Yes he’s as nuts as I am but then, what would you expect? He likes my books!

If anyone wants a listen, you can do that by clicking the link below. It is a draft, so it isn’t nearly finished, and he’s reading it off his kindle, rather than a marked up script so he sometimes puts the emPHAsis on the wrong syllAble, but as an outline sketch I reckon it’s chuffing marvellous! He’s got Big Merv and The Pan of Hamgee, absolutely how I imagine them and he also knows how to put in the right kind of energy to bring it all to life … through the magic of acting he tells me with tongue firmly in cheek. Feel free to have a listen and let me know what you think.

Unlucky Dip Sketch Number Two

So yeh. All in all, a good week.

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What the fuck do I call my new series and other quandaries …

Easter! What an adventure that was. We had a lovely holiday trundling round France. There was a tense few hours, on our first day at the ski resort when Mum ended up in hospital after a fall with a suspected stroke and I thought I was going to have to fly home. Luckily she was fine, just very stiff and cold because she’d been lying on the floor for two hours. I’m also feeling a little guilty because I just didn’t have the stamina to visit Dad and Mum this week, but on the up side, Mum was in great form. I have just had the new cover designs through for my short story series and for the one I’m going to give away so I showed her those, because she is actually really interested in all things K’Barthan, genuinely too rather than just because she’s my Mum. So I told he all about the batch of short stories I’ve written, and we had a giggle about the plots. Then she and the carer and I discussed titles. And having done that with Mum and Katie (waves at them) now it’s your turn.

Yes, this week, I am going to be talking about my books. That’ll put half of you straight to sleep while the others makes their excuses and leave!

The thing is, despite the picture you may get from my release schedule, and my blog – which is normally about pretty much anything other than my books – I am actually an author – you’ll notice about 99.9% of my posts are labelled, ‘off topic’ if you’re new here, now you know why. I write stuff. And amazingly, after three years in the wilderness, I finally have some work ready for publication. Woot. I’m trying to release it properly this time. I mean, I’m supposed to build a buzz, although, while I’m stoked, I doubt anyone else is particularly excited but I do, at least, have a big enough email list and enough webtastic contacts now to be able to involve my audience in the process. This, again, is hugely exciting for me – probably rather more exciting for me than for them. So at the moment, I’m bouncing around like a rubber ball in a jam jar. We are nearly there. I have the mailing list freebie ready to go, the covers are shaping up beautifully, one story is edited and two more are ready to be sent to the editor. In the meantime, there are conundrums facing me. Three to be precise.

1. The covers.

This is the least conundrumy of the three. When I speced them, it seemed smart to stick with the incredibly cunning plan that I would use the same image and then have different colours – pretty similar to the K’Barthan Series, then, which did that, except book two was set in London so the city was London. Mind you, the city on the other books is London too, although a different bit, but I digress. Also, since drawing is expansive, I want to get the titles, series name and art work finalised first. This stuff costs less if you batch it. I sent the designer various photos and sketches and an outline of what I wanted. This is what he came up with.

New M T McGuire cover; paperback version

New Series, Ebook cover

Naturally, I am completely stoked with these.

OK, so ignore the words on the front, they’re just to give a feel for text type and where it’ll go.

Having read that book covers and adverts with people in them are way, way more effective – if you look at indy book covers you will notice I am not the only person who has read that research – I wanted a figure in the cover, but at the same time, not too much drawing. Since the stories I’ve written are about The Pan of Hamgee’s adventures after he arrives in Ning Dang Po but before the events of the main series begin, it seemed smart to put him on there, complete with trademark hat and cloak, seen from behind because … less drawing and also more scope for ritzy view and a glimpse of the SE2 because … flying cars! The colours will vary so the final item may well be brighter than this. More like the prequel shown below, for example – although this one is still in progress so I’ll probably ask the designer to remove the white outline round the figure.

There’ll be four short stories in this batch, three at around 20k, one at 10k but I’m working on making that one longer so it ties in. There is also a starter at about 12k which I will give away exclusively to people who join my mailing list, or as a free paperback at any events I do. That is one that works equally well as a prequel to both series; the main, K’Barthan Series of of full length books or this one.

So far, feedback on the covers is good but a couple of folks think that although it ties in with the overall M T McGuire brand, these are bordering on a different genre to comedy. There are two ways to fix that. One, change the font or brighten the colours or two make sure the titles are properly comedic. More about this in a minute.

Second thing about the series … I suspect there will be more stories, both about The Pan of Hamgee and possibly about other characters. So this is where the second conundrum comes in.

2. Series Name

To make sure nobody muddles stuff up and that everyone reads everything in the right order, I’ve called the short stories, ‘K’Barthan Shorts’. Clearly, though, since these ones are all about The Pan of Hamgee and others may be about different characters or settings, with different covers, I need to qualify it a bit. I do have ideas for a series of short stories about events at The Parrot and Screwdriver and I’d quite like to write one about that assassination mission Deirdre Arbuthnot goes on when she ends up getting ambushed but manages to escape by blowing up the Grongolian first minister with a lorry full of custard.

So, I was thinking that K’Barthan Shorts would be the umbrella name and then I’d qualify it with a secondary name so it would look like this: K’Barthan Shorts, Misfit Hamgeean: Part 1.

3. Book Names

Bearing in mind the comments on the covers so far, I thought funny titles were probably expedient. Normally, when I name my books I take my cues from Sir Terry since he’s probably the nearest thing to my demographic. He tends to do three things:

  1. Snappy phrases that are already in use – or sound as if they are – such as, The Light Fantastic, Lords and Ladies, or Feet of Clay.
  2. Two words, for example, Wyrd Sisters, some of which are also short snappy phrases, for example, Interesting Times or Soul Music.
  3. One word titles, such as Thud, Nation or Snuff.

With the original K’Barthan Series I went for titles which fell into the first group. Since the stories in this series are shorts I thought I’d also try pithier one or two word titles. They tie in both with the main series and with the free short, Unlucky Dip. In fact they pretty much come between the two. But after some of the comments about the cover, I wonder if I should go the phrases route again, to make the genre clearer. So what we have are the following:

In the one word corner: Jump, Drop, Pastries, Switch/Punched and Flight/Spiced (but spice is a drug here in the UK so I’m a bit ambivalent about using it).

In the two word corner: Night Swimmers, Small Beginnings, Special Delivery, Close Enough, Spice of Life/Blind Flight.

In the three/four word corner: Night Swimming, A Poor Start, Nothing to See Here, A Spot of Bother and Too Good to be True.

What do you think? Your thoughts are hugely appreciated since you are my readers, after all, and what is comfortable, to you, will be fitting to other new, untamed readers who are encountering my books out there in the wild for the first time. To make it easier for anyone who wants to give feedback, I’ve made a quick survey. Which should be embedded, below. If it isn’t, follow this link:

Enjoy!

 

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Filed under About My Writing, Author Updates, General Wittering, Humorous Fantasy Author

New stuff, has landed! Woot!

So, I have a new release.

Yep. That caught you by surprise didn’t it? It’s a 10k short and it’s in an anthology of other excellent stories for yes, now, once again, ’tis the time of year for Christmas Lites. In this case, Christmas Lites VIII.

You may or may not remember the story behind this because I shared it last year. Splitter, an author friend from way back, found himself in a women’s refuge, dressed as Father Christmas with a bunch of candy canes in a sack. He was supposed to be arriving at the office party but instead, ended up doing the whole Santa malarky where he was and giving the candy canes to the people staying there.

You may also remember how his boss asked him where he’d been and how she then called him into work the next day where he found she had loaded her car with presents and how the two of them went back to the refuge with them the next day.

It’s a brilliant story, it’s human nature at its absolute best, and now every year, a group of authors join together and release a new Christmas Lites anthology to raise money for a charity which helps domestic violence victims, and which, I believe, was the the charity behind that shelter, the NCADV. It’s all the more poignant to the authors involved, now, since Splitter died of cancer a few years back so as well as the charity element there’s a dimension of doing a kindness in memory of a lovely guy. I am incredibly proud to be involved.

I’ve made a page of links to places where you can buy it. Unfortunately, because of the logistics of getting the money made to the charity, the book is only available on Amazon at the moment.  Hopefully that won’t be too much of a pain in the arse for users of other platforms – I can recommend the Kindle app if you have an Amazon account.

Grab your copy of Christmas Lites VIII here.

On other news, I also have stumbled upon a rather excellent give away.

It’s a Strange World Science Fiction

This giveaway is running from 22nd December through to 22nd January. These are authors who’ve written sci-fi books that are planet-based, you know, either future Earth, parallel Earth or different planets in other universes. If you enjoyed my stuff about K’Barth I think you may find some things you like among these too. At the least it has to be a release from Christmas telly and turkey farts!

You can find the books and have a look at what’s on offer by clicking on the picture or clicking on this lovely link here.

That’s about it from me, I hope you had a wonderful Christmas or, if you don’t do Christmas, I hope you had a wonderful whatever it is you do. Incidentally, did you know that the whole thing in America where they can’t say ‘Christmas’ is actually just something that occurred because Happy Holidays catches it all and shops didn’t have to have loads of labels, cards etc printed to mention all the other celebrations around at the same time. Then, in order to disguise their laziness, they pretended it was altruism and said they were doing it not to offend anyone. So now everyone’s up in arms at the liberals when the origin may well be down to Hallmark trying to save printing costs! Mwahahahrgh a little Christmas-tastic trivia for you. Sadly, I have not been able to fact check it, but I am very much enjoying the idea.

Anyway, happy it, whatever it is you do and all the best for a fabulous 2019. Whatever the New Year brings, here’s hoping it’s good.

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New Stuff? Yeh, excerpt, new release and old stuff for 40% off!

As you know, I’ve been writing new stuff this year and because of the state of my brain/demands on my time and general, inconvenient insistence of Real Life to get in my way, this new stuff is mostly novellas/short stories. I am now close to finishing my fifth short this year! Woot. Desparately trying to get it sort of done by the end of the year but it probably won’t quite happen now, although I will be, literally, about 1000 words short! Grrr!

Apologies that I don’t have a cover to show you. I did hope I would have by this time but, unfortunately, my car appears to be determined to bankrupt me, so I didn’t have any cash left over to stump up for a cover after new tyres, a new radiator and other extensive repairs. But I digress … After banging on about them so long, I thought you might like to read an excerpt anyway, even without the cover to look at. Barring one, the short stories start pretty much were Unlucky Dip leaves off. The one exception … remember that scene in The Wrong Stuff when The Pan of Hamgee, hero of the K’Barthan Series, tells Ruth he tried to kill himself? This story tells you how and why he failed.

If you’ve read Unlucky Dip, you’ll know that The Pan, gets employed as a go-fer by Big Merv, the local gang lord after making and ill-judged and pathetically cack-handed effort to steal his wallet.

Between that point and the start of the actual series there’s about a year when The Pan runs errands for his scary orange boss. A couple of people asked me what happened during that time so I wrote it down. It being The Pan, most of the errands he runs go wrong somehow and he has to put things right to avoid being incorporated into a motorway stanchion or sent to swim with the fishes in concrete overshoes.

When I’m writing, I tend to end up writing way more stuff than I use so this may not all make it into the final edit, but I thought you might like it anyway. It describes The Pan of Hamgee’s first visit to The Parrot and Screwdriver, shortly after he is ’employed’ not that he has much choice in the matter, by Big Merv. It also describes his first encounter with Humbert, the foul-mouthed parrot. I am hoping that my cat fans, in particular, will appreciate this one.

Enjoy.

K’Barthan Short Preview

Sort of on the same subject …

Christmas Lites VIII

You may remember me talking about Christmas Lites last year. It’s an annual anthology published in aid of victims of domestic abuse. This year I successfully got my shit together and actually wrote a 10k story for Christmas Lights Eight. Woot! If you’re interested in finding out how The Pan of Hamgee got the pink plastic ring which features in Looking For Trouble, the answer is in the story, Secret Festive Celebration – yes, naming my work is not my strong point but it’s probably better than ‘the pink spangly ring one’*. Marginally.

* the genuine working title.

As I write, I lack a cover photo for this one too – doing well aren’t I? I also lack any meaningful details of a release date but I have made the bold assumption that it will go live soon because I know that’s the intention, and the lady who runs it has just had a baby, which means it’s not going to happen in a standard manner. She has a small person in her life now and all planning disappears when that happens. However, I wanted to alert you all anyway, because I know it’ll be coming soon. I’ll do a post specially when it does.

K’Barthan Box Set on sale now! Woot!

If Kobo is your thing, or you buy your ebooks from pretty much any store and read them with the respective app, Kobo is having a box set sale until 17th December. The discount won’t show at first but if you click to purchase and then enter the coupon code DECSALE at check out it will knock 40% off the price for you. You can use this code again and again, so basically, if you like Kobo, this is a good time to mop up as many reduced books as you can!

To find out more, click on the picture or follow this lovely link here which should take you to your local Kobo … er hem, famous last words:

https://www.kobo.com/ebook/k-barthan-box-set

While I’m writing about that, I know it’s a little bit cheeky but if you’ve read the series and enjoyed it already, could you do me a huge favour? If you have time, would you be able to help new people find it by spreading the word about this promo, or sharing my Facebook post about it with your friends? I know dead cheeky, right? But if you think you can help, you will surely gain your right to fully-certified Christmas Awesomeness! You can find the Facebook post to share here.

That’s it from me for this week … next week I may tell you about my adventures when out metal detecting and I discovered the battery in my car key had gone, rendering the car impregnable. Perhaps I’ll describe how I fell to my knees in the mud and cried, ‘why me?’ as I realised my lunch was locked inside. Tune in next week and if I’ve got round to typing it up, you’ll find out what happens next and also the answer to the question, when you put a Lotus on a ramp, can you open the door and get in?

These and more adventures next week!

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Filed under About My Writing, Humorous Fantasy Author