Woah! There’s a whole gamut of stuff to talk about today. It’s been a chuffing amazing week and I am feeling happier than I’ve felt in years, which I am enjoying thoroughly! OK, maybe I’m owed some Karma or something but even the scam phone call we received yesterday morning did us all a favour. First up:
The Audiobook Project
Aroogah! Aroogah! Pretentiousness alert.
OK, now I’m going to get a bit artsy fartsy here and talk about the business of creating … um … can I call it art? Yes, I’m going to call it art! Snortle. What that means, for you, is that this next bit’s going to sound a trifle pretentious. Look I’ll try and keep it funny, OK. But it is a completely fascinating process this and one I’m really enjoying so I wanted to talk about it.
The thing is, I’d thought about doing my own audiobooks, I did stand up after all. I even tried reading a bit of Unlucky Dip. But there’s a big difference between being able to do funny voices and being able to actually act. Acting is an underrated skill. Yep, there’s a reason why these folks who cross into acting from other careers can’t always pull it off. When I played my recording back, I’d managed to make my story so boring and so lacking in energy, and my attempts at the accents were so hammy that I decided that, if anyone did it, it would have to be someone who could do it properly. Which definitely wasn’t me. And that being the case it also, definitely wasn’t anything I could afford. Because you can’t really join audible and offer someone a royalty split when it’s only going to be a couple of quid a month.
And then, up pops this lunatic called Gareth who wants to record my books on audio, lord help him! And he’s brilliant. And extremely professional about it, but not in a boring killjoy I’m-a-professional kind of way. He just is. On a point of honour, I have made it very clear to him that we’ll only make a few pence each a month if we’re lucky, but he seems completely undaunted by this triviality. Well, he enjoyed the books so he’s obviously a bit of a nutter but it does lend this project a whole aura of, is this actually happening?
This week, we’ve been trying to set what the main characters sound like, which is great fun and allows for total geekery. It’s hilarious trying to describe how you want something to sound when you’re not a good enough mimic to demonstrate. And I’m not. Instead I have to go, ‘she’s a bit like so and so in x, y or z film but a bit more gruff,’ or, ‘General Moteurs? Steed from the Avengers with a bit of that clipped Richard Burton delivery in Where Eagles Dare,’ and then he adds a tiny tiny sprinkling of ‘you my fire h-when ready’ Peter Cushing in StarWars because General Moteurs is quite up himself, especially at the start,’ and so on. General Moteurs is quite tricky because he has to sound like an anally retentive neat bot, but at the same time, he can’t sound too elderly because he’s only in his mid 40s and he gets it on with Deirdre. I’ve really enjoyed trawling my memory of old films for the voices I want. It’s like a competition for who can think of the obscurest mainstream film character – Donald Pleasance doing Blowfeldt anyone?
And then Gareth sends through a sound sample in which he talks in his normal voice about what he’s doing and then does thirty seconds of extremely sinister Lord Vernon, and then he flips out of it again and goes, kind of, ‘is that the sort of thing you meant?’ and it’s like two different blokes on the same tape and it’s gloriously bizarre, and, of course, completely hilarious. So I’m sitting there laughing like a drain and McOther is saying, ‘what on God’s earth are you doing?’ And I have to explain and he gives me the kindly smiling-at-toothless-simpletons look. The one he does when McMini and I get giggly about the Arnold’s Produce vans.
And all the time, these characters are becoming more and more real and I am ludicrously excited to hear them taking aural shape (is that a thing? Mmwahahahargh! It is now). I can tell you, for nothing, that if anyone tried to buy the film rights of one of my books, or make a film, and I was remotely involved in any way, I would probably actually die from the excitement. Luckily Gareth seems to be experiencing a similar Tigger-like enthusiasm for it all, so at least we’re both as nuts as each other.
It’s also weird that I have the character voices quite clearly in my head, but when I look at it, it’s more the tone or delivery technique than the actual sound. Does that make sense? So then there’s this odd dichotomy between what I ‘hear’ and what readers might be hearing and what Gareth, who knows and likes the books, hears when he reads them. And also what is possible with one person’s voice – although we haven’t hit any roadblocks on that score yet. So, interestingly, he’s always imagined the Grongles with American accents, like the British baddie thing in reverse, which would have been hilarious, but ill advised in the current climate, I think. I do visit the States from time to time and it would be a pity if I got set upon for dissing the mother nation, especially when so many of them carry firearms.
But the other thing is that the voices in my head are a lot more similar than they can be in an audiobook because they’re basically all talking with my voice, except for the ones I’ve given comedy accents; the Mervinettes and the Parrot and Screwdriver contingent. They need to be different so there’s some re-imagining required, which is where having an actual actor on board changes everything. He did a voice for Sir Robin which sounded exactly like my dad, which is how it is in my head. But then he did this other voice, which is a bit of a cheeky nod at Sir Alec Guinness in Star Wars and obviously there was no contest and the Geek in me chose that one! Mwahahahahrgh!
What I love about something like this is the whole collaboration thing. Writing is a singularly solo pursuit, and now the involvement of someone else brings a different slant to it all and opens all kinds of doors (Lordy me! Pretension anyone? I know, I’m sorry, but I can’t think of another way of putting it). But it’s like having someone else in on the jokes! Also I’m a great believer that a collaboration is just that, and that a person looking at my stuff as a reader will see things I don’t. So, while I’m choosing these voices, some of them are completely new and different to how I thought they’d be and bits of the reading a little different to how it sounds in my head. On the one hand, it’s old ground, on another it’s totally new.
It’s a hell of a thing.
Other news …
A while back, McMini and I entered a photography competition. It was themed around tall buildings, or at least things, because trees were acceptable too. There were two classes; under 18 and the others (I can’t remember what it was really called) and you could enter up to five photos so I entered five pictures into ‘the others’ section and McMini entered two into the under 18 class.
We were informed that three of mine and one of his had made the shortlist, which was very exciting as it meant they would be part of an exhibition and offered for sale to the unwitting public. We were asked if we could ensure that we, or a representative, came to the exhibition space for the prize giving on Tuesday. We duly turned up, me thinking that McMini had won something. I was dead chuffed when a mum friend from McMini’s old school got a highly commended, but then it turned out one of mine had come chuffing second!!! Fucking Ada I was floored. And then they handed me a big fuck off cheque, which means I can afford to print an eyebombing calendar this year at the kind of price which will give me a proper margin to sell it into other places. So I’m stoked.
For your delectation, the photo which won is the one on the right there.
McOther is also a great deal more relaxed this week, as we get towards a visit from his US-dwelling bro and our trip to Portugal so that’s grand.
Useful things come in odd guises. Yesterday morning some bunch of gitoids with an autodialler rang us early. The entire house was asleep and McOther leapt out of bed and answered. It was the usual recorded message, with a foreign accent, telling us that our internet would be switched off in the next 24 hours unless we pressed one to put us through to the help desk or whatever. Either way, it would be a premium rate line that would cost us £100 a minute or it would go through to someone who’d take a ‘payment’ to get our credit card details. Foggy with sleep, I looked at my watch. It was 7.57 a.m.
‘I have some good news and some bad news,’ I told McOther as he returned to our bedroom. ‘The good news, is, that was a fantastic sleep we’ve just had. The bad news is we’ve both slept through our alarms and McMini is supposed to be leaving for school in three minutes.’
Fuuuuuuuuuuuuuuuck! Panic stations!
I ran downstairs and got his bag sorted, stuffing all the PE socks and other bits I’d washed and left to dry over night into it. McMini dressed in about seven minutes flat, McOther too, then with some cheese biscuits in hand (I’m not sure what normal people call those. Savoury crackers?) McMini and McOther fled to the car. McMini didn’t have time for a cup of tea, so he sniffed a tea bag before he left!
They departed ten minutes late and got to the school with five minutes to spare. Go McOther with your flash motor and McMini with your speed dressing prowess! Phnark.
Which just goes to show that even bad things can have good results! Thank heavens it’s half term next week I suspect we need it.